The Mermaids of Malinao

Legends of the beautiful but vicious mermaids were prevalent in Bicol one of the stories concerning these mermaids happened allegedly during the Spanish occupation of Bicol In one of its Municipality in Albay. The story tells of Moro(Islamic) raiders who plundered them and took seven women, and how the mermaids sank the boat they were using to save these women.

magindara

Long ago in a province city in Bicol called Anilao live a girl named Maria, she was baptized in the ways of the Colonials from the Wests but she and her family secretly still worshiped and believed in the old ways. One night a terrible storm passed their province. The next day she and her brother went to play by the river, In the river, they saw a beautiful maiden, she looked injured. As the two came near the lovely maiden they were shocked. She had long flowing hair which covered the top part of her body but the lower part of her body was like that of an eel. The children also noticed that she was trapped, her tail caught between driftwood in the river. Scared the two children ran home and told their mother, Pedro the elder of the two children told their mother that they must tell the parish priest about it, Their mother scolded him and said that they would be punished by the priest if ever they told him that. Their mother told them that they must help the maiden, the mother told them that it was a Magindara that might have been washed their during the storm, but only the children can help it because they are known to be vicious towards an adult. The next day Maria and Pedro went back to the river, scared but reminded that their mother told that the creature would never harm children they came close and helped her. The mermaid told the children she was not a Maginadara but rather a Naga. That Magindara are different from her kind but she is of higher status. The two children freed her tail. The beautiful Naga thanked the children and some how magically made it drizzle. The children danced happily under the summer rain. Before the Naga left she told the children that they would repay them for their kindness and if ever they would need help in the seas, all they need to do is either chop a lock of their hair of pluck some strands. The hair will signify they are calling her and she will help. Then she swam away and also the drizzle stopped.

Years have passed and Maria and her brother Pedro had not forgotten the beautiful Naga. One day as Maria was walking by the beach he herd screams suddenly a band of Moro men grabbed her. Things happened so fast and she realized she was being abducted by these strong men. Men who looked thicker in muscle then the men from her community. They were forced in their boats, Maria and the other women started sobbing. Wiping her eyes she looked at the waters and remembered the lovely Naga, she pulled strands of hair from her nape and prayed that the Naga would help her. A thud on the side of the Moro boat. Then another, Maria got a glimpse of colored scales. 

magindara

The boat flipped, and she and the Moro men and the abducted women were now the in the waters. Maria saw beautiful women with long flowing hair with lower bodies of multi-colored scaled fishes. They were beautiful but they tore the flesh from the Moro men. She would have drowned in fear but something was pulling her. Like the other women the lower half of her body was like fish but unlike those of the magindara that were colorful and scaled, hers was of gray and silver. It was the lovely Naga she and her brothers helped before. The seven girl, Maria one of them woke up on the shores. The whole Anilao was in joy that the boat of the Moros had sunk and not one of them saw seen, and all the girls that were abducted were safe. It drizzled that day and only Maria knew that it was a sign from the lovely Naga who had rescued them.

REMINDER

The orally transmitted mythology of the Philippines is intended for sharing and understanding, not for appropriation, commercial exploitation, or the promotion of foreigners and foreign products. It is a dynamic narrative tradition that evolves over time, distinct from the standardized mythologies found in Western and European cultures. Unlike these established mythologies, the Philippine government has not mandated standardized versions of stories and legends.

Orally transmitted stories undergo variations and evolve over time, resulting in numerous different versions. There are many different version told by Filipinos,and retold by Filipinos.

LEGEND OF THE THREE MOUNTAINS OF BICOL

Ang alamat ng tatlong bundok ng Bicol

Ang Tulong bulod

The legend of the three mountains(volcanoes) of Bicol

Malinao

Malinaw - the beautiful,fair and cloistered princess of Ibalong, was well-kept and the sister of Daragang Magayon. In the place where Malinao drowned, Mount Malinao appeared. She was well kept for because she is much favored by the god of the sea Magindang. For her light skin reminds the sea god of Bulan, the god of the moon. ever since Malinao was born their had always been a bountiful catch from sea, and when Malinao is sad their fisher men could not catch fish.She was killed by the demi goddess Oryol because Oryol believed Malinaw learned the secrets of the gods

Masaraga

Masaraga - beautiful strong-willed and industrious princess of Ibalong, prayed to the gods often and possessed beautiful golden-brown skin. She was the most willing to make Ibalong prosperous and more progressive Tragically, she was killed by the flying monster called Banog, controlled by the enchanted voice of the  demi-goddess Oryol. The ground where Masaraga fell to her death, Mount Masaraga appeared.

Magayon

Magayon - Most beautiful Princess in Ibalong. Depicted as often surrounded by small birds.Magayon sometimes called Mayon or daragang Magayon is the youngest sister of Masaraga and Malinao, Beautiful but proud and moody, some say she was blessed with having golden-copper  skin and copper/dark brown coloured hair. In the beginning she was stubborn and refused to make rituals and "atang" and ''haliya'' with her sisters. She fell in love with Panganoron and became humble but was forced to marry Pagtuga to save her father, Datu Makusog. She died during the fight of Pagtuga and Panganoron.  In the place where she lay the stunning Mayon volcano grew.

Long ago there was a rich land called Ibalon, where the people venerated their gods and in return was bountiful catch and harvest and fine weather. One of the colonies ruled by Datu Makusog(his name means strong) and his wife Diwani, the had two daughters named Malinao and Masaraga. Later Diwani became pregnant with her youngest daughter which they named Magayon. The three grew up to be the loveliest maidens in all of Ibalon, specially Magayaon. Masaraga was of short stature and was a brown beauty, she was strong willed and industrious and prayed to the gods often. She wanted to learn the knowledge and secrets of the gods so Ibalon could prosper more.  Malinao is lithe and soft spoken is of a different beauty and character she is very light of skin and was forbidden to go out of their abode. Youngest and most beautiful was Magayon Beautiful but proud and moody, some say she was blessed with having golden-copper  skin and copper colored hair.

The three sisters being the loveliest maidens were chosen dance for their whole colony the rituals of ''atang'' and ''Haliya'' but Magayon being stubborn refuses, but is later conviced by her eldest sister Masaraga.
Masaraga was favored by the gods for her deeds and her plans for Ibalon, but it was also the thing that would lead to her demise and hr sister Malinao's demise. Favored by Gugurang she had learned the secrets of herbs and potions and practical healing. But this angered Oryol who was the daughter of the deity Asuang. Oryol sang and her lovely voice called the Banog. The Banog was winged monster half-man and half-bird. Oryol commanded the Banog to fly and kill Masaraga for she had learned the secrets of the gods. And so the Banog did as commanded and went to where Masaraga was and scooped her and flew high. When they were high enough the Banog dropped Masaraga.

Oryol thinking that Masaraga had told the secrets of the gods to her sister Malinao also plotted to kill her.Malinao was a maiden who rarely leaves their abode, and when she does she is always carried in a hammock or a basket by their slaves. She was well kept for because she is much favored by the god of the sea Magindang. For her light skin reminds the sea god of Bulan, the god of the moon. ever since Malinao was born their had always been a bountiful catch from sea, and when Malinao is sad their fisher men could not catch fish. Oryol had to think of how to kill Malinao. She transformed herself into a appearance of Masaraga.  Masaraga(who was Oryol in disguise) tricked Malinao into coming with her to the shallow waters. She carried Malinao on her back, Oryol sang and her beautiful voice called the vicious Magindara (mermaids) She threw Malinao to the water and the vicious mermaids did the rest.

So lastly Oryol had to deal with the proud Daragang Magayon. Magayon had many suitors. Among her many suitors were nobles, and one of them was  Datu Pagtuga(Eruption) of the Iraga. Datu Pagtuga brought with him many baskets filled pearls dived from the deep sea, and as many gold as his servants could carry, he thought that he could win over Magayon's heart with riches. But Magayon was proud of her beauty and of her status, she rejected Datu Pagtuga and her other suitors. One day a young noble and his men arrived in Datu Makusog's territory. It was Gino(prince) Panganoron or as his men called him Gino Ulap (Ginoong Ulap/Prince Cloud) to seek a bride. Ulap has heard of the beauty of Daragang Magayon and has come a long way just to see her. Panganoron had light skin and the people said that it is because his mother was of the wind people (tawong lipod)
some say his mother was a mermaid. So Gino Panganoron was captivated by Magayon's beauty, Panganoron was patient with Magayon. 

Daragang Magayon

One day Magayon went to the river called Yawa. Oryol was waiting for Magayon, She used her voice to charm Magayon into going to the river and had made sure that the stones were slippery, Oryol also had mermaids there to drown Magayon once she fell on the river. So as planned Magayon came and and slipped into the river where she almost drowned if not Ulap(Panganoron) who saves Magayon
He carried her home, When they arrived he threw his spear in front of Magayon's abode proclaiming he wants to marry her. The proud Magayon now humbled accepts the proposal, grateful that the noble Ulap saved his remaining daughter Datu Makusog agrees to the wedding. Ulap must return to his land for the preparation of their wedding, and also to bring treasures from his land as a gift to his soon to be bride.
Oryol angered that her plan to kill Magayon failed thought of another plan. She sang, her beautiful voice implanted evil thoughts on Datu Pagtuga's head.
When Datu Makusog was hunting Datu pagtuga and his men abducted him
He threatened Magayon telling her he will kill his father and wage war if she refuse to marry him.
Against her will and her heart she agrees.
Ulap heard of the horrible news and he wasted no time returning to Rawis On their wedding day
Ulap and his men arrived and rained arrows over Pagtuga and his men. A great battle instead of a wedding feast took place. Ulap was able to defeat Pagtuga
Magayon jubilant runs over to her beloved but as she was about to hold him, an arrow struck her from behind. Ulap shocked by this let his guard down which Linog (Pagtuga's most loyal warrior) saw as his chance, he struck Ulap using a spear Datu Makusog killed the man who struck Ulap using his bolo(large single-edged knife).They buried the two young lovers together

Daragang Magayon

.
The gods had saw what had happened to the three sisters, In remembrance to the ground where Masaraga fell to her death Mount Masaraga appeared,

and in the place where Malinao drowned Mount Malinao appeared.

Lastly where Magayon and Panganoron were buried Mount Magayon now called mount Mayon is now located.

People believe that when clouds cover the top of Mayon volcano, it signifies that Ulap is kissing Magayon

REMINDER

The orally transmitted mythology of the Philippines is intended for sharing and understanding, not for appropriation, commercial exploitation, or the promotion of foreigners and foreign products. It is a dynamic narrative tradition that evolves over time, distinct from the standardized mythologies found in Western and European cultures. Unlike these established mythologies, the Philippine government has not mandated standardized versions of stories and legends.

Orally transmitted stories undergo variations and evolve over time, resulting in numerous different versions. There are many different version told by Filipinos,and retold by Filipinos.

Kan-Laon god of evil, fire and destruction of Bicol mythology

 

Kan-laon

Kan-Laon

god of evil, fire and destruction that resides in Mt. Kanlaon

Kanlaon in Bicolano Mythology

In the mythos of the Bicolano people, Kanlaon(Kanlaon is a god from Visayas) is an ominous figure associated with volcanic eruptions, wildfires, and earthquakes. Stories depict him as towering muscular and beastly, evil and ruthless, with dark skin and covered with tattoos and some of his tattoos were golden.

Kanlaon is considered one of the ''foreign'' gods in Ibalong brought by the Visayan people.

Nestled within the fiery depths of Kanlaon Volcano, this malevolent deity commands the destructive forces of locusts and fire. The very elements that sustain life can, in the hands of Kanlaon, become instruments of chaos and devastation. As the harbinger of calamity, Kanlaon stands in stark contrast to the benevolent supreme deity Gugurang.

In the mythos of the Bikolano people, Kan Laon, an malevolent deity would intermittently express his envy and discontent by dispatching locusts to devastate the agricultural lands of Ibalong, simultaneously instigating wildfires. In response, Gugurang, another formidable deity, would retaliate by deploying a squadron of avian-humanoid entities and other airborne creatures. Furthermore, Gugurang enlisted the assistance of thunder and lightning deities, namely Linti and Dologdog, orchestrating a formidable assault against Mount Kanlaon.

KANLAON

KANLAON

The enmity between Kanlaon and Gugurang adds layers to the narrative, portraying a cosmic struggle between opposing forces. Gugurang, the supreme deity in Bicolano mythology, assumes the role of a protector and creator. The clashes between Gugurang and Kanlaon symbolize the perpetual battle between creation and destruction, order and chaos.

Batala VS Kanlaon in Bikol Mythology

Kanlaon and evil deity would cause havoc using his swarm of locus and wildfire all, Some stories tell that the deity Batala clashed with Kanlaon. But Kanlaon was very powerful, he needed the help of Linti and Dalogdog to defeat the powerful but evil god.

Kan-laon

Kanlaon vs. Gugurang in Visayan Mythology:

In the tales of the Visayan people, Gugurang takes on a different persona. Seen as a proud and boastful lesser god, Gugurang would attack sending his cadre of bird-men creatures and other flying creatures. But would end up defeated by Laon. Gugurang remains under the more powerful and just Laon

Kan-Laon in Visayan Mythology:

Beyond the adversarial relationship with Gugurang, Kanlaon holds a distinct place in Visayan mythology. In Pre-Hispanic times, Kan-Laon was venerated as the Supreme Ruler, embodying authority over time itself. The name "Kan-Laon" translates to "One Who Is the Ruler Of Time" in the Visayan language.

Laon

the supreme deity; goddess said to reside in the mountain at the neighboring island of Negros Makapatag-Malaon

the supreme deity with both male and female aspect; the male aspect is Makapatag, the leveler who is fearful and destructive, while the female aspect is Malaon

Lalahon

one of the aspects of Laon, beautiful goddess of harvest and agriculture.

Deity Lalahon, revered on the island of Negros (formerly known as Buglas), was venerated to ensure a bountiful harvest in the agricultural fields. In instances where the populace displeased or provoked her, Lalahon would occasionally manifest her displeasure by sending locusts to consume the crops. Additionally recognized as "one who disposes everything and renders everything equal," an alternative appellation bestowed upon her by certain groups like the Bisayans of Ibabao, she was known as Makapatag. This nomenclature drew parallels between Lalahon and the concept of divine justice, emphasizing her association with the equality inherent in the cosmic order.

Laon as a benevolent goddess, provider and protector.

Additionally, Kanlaon takes on a benevolent role as a deity of agriculture and harvests. The stratovolcano, bearing the same name, becomes a sacred site where native priests and priestesses perform rituals during bountiful harvest seasons. Offerings and ceremonies on Mt. Kanlaon symbolize the delicate balance between appeasing the deity's destructive potential and seeking its favor for abundant crops.

The mythology all over the archipelago is interwoven one way or the other. Mythology and perception shaped by the waves. Kanlaon, the malevolent god of fire and destruction, manifests differently in the mythologies of Bicolano and Visayan cultures. Its adversarial relationship with Gugurang in Bicolano tales and the cosmic battles in Visayan narratives contribute to a complex understanding of this deity. Beyond its destructive nature, Kanlaon's association with agriculture in Visayan mythology reflects the dualities inherent in ancient belief systems – a deity capable of both creation and devastation, embodying the intricate dance between life and death.

REMINDER

The orally transmitted mythology of the Philippines is intended for sharing and understanding, not for appropriation, commercial exploitation, or the promotion of foreigners and foreign products. It is a dynamic narrative tradition that evolves over time, distinct from the standardized mythologies found in Western and European cultures. Unlike these established mythologies, the Philippine government has not mandated standardized versions of stories and legends.

Orally transmitted stories undergo variations and evolve over time, resulting in numerous different versions. There are many different version told by Filipinos,and retold by Filipinos.

The Betrayal of Okot: A Tale of Cultural Colonization and Spiritual Demolition

The Betrayal of Okot: A Tale of Cultural Colonization and Spiritual Demolition

Bicolano mythology is rich with stories of gods and goddesses, each representing facets of nature and aspects of human life. Among these deities, Okot stands as the god of forests, birds, and the hunt, embodying astuteness, wisdom, and craftiness in the pursuit of sustenance. This essay explores the significance of Okot in Bicolano mythology, detailing his association with hunting, revered attributes, and the unfortunate distortion of his image during the Spanish colonization.

Okot, the Hunter God:

In Bicolano mythology, Okot is celebrated as the god of the hunt, possessing unparalleled skills and craftiness in tracking and capturing animals. He is often depicted as a tall, muscular man with brown skin, reflecting his connection to the natural world. Adorned with beautiful leaves, Okot symbolizes the harmony between humanity and the environment, emphasizing the importance of sustainable hunting practices.

The Skills and Equipment of Okot:

Okot's hunting prowess is exemplified through his use of a bow and arrow, showcasing his mastery over the art of hunting. The symbolism behind these tools extends beyond physical capabilities, representing the balance required in the relationship between man and nature. Okot's skills and equipment emphasize the importance of resourcefulness, wisdom, and the responsible utilization of natural resources.

Veneration of Okot:

Bicolanos venerate Okot not only for his role as the god of the hunt but also as the provider of sustenance. The god's ability to ensure the availability of food reinforces the connection between the spiritual and material realms. Communities offer reverence to Okot, recognizing the delicate balance between taking from nature and giving back.

Legendary Whistling and Golden Belt:

Legend has it that Okot announces his presence with a distinctive whistling sound, a signal to those who seek his favor or acknowledge his significance. Furthermore, Okot is said to possess a golden belt containing seeds and herbs with extraordinary healing properties. This belt reinforces the god's role as a provider, not only of sustenance but also of remedies for ailments.

Spanish Colonization and Distortion:

The arrival of the Spanish colonizers brought about a drastic shift in the Bicolano way of life, including their spiritual beliefs. The Spaniards sought to impose their religious ideologies on the indigenous people, undermining the significance of their deities. Okot, in particular, fell victim to a malicious distortion by the Spaniards who attempted to discredit him.

Transformation into a Tiny Dwarf:

The Spanish colonizers, driven by their puritanical ideology, disparaged Okot by claiming he was nothing more than a small and puny forest spirit, a stark departure from the tall and towering god revered by the Bicolanos. This distortion aimed to belittle Okot, portraying him as inconsequential in comparison to the foreign religious figures introduced by the Spaniards.

The story of Okot in Bicolano mythology serves as a poignant reminder of the cultural and spiritual challenges faced by indigenous communities during colonization. The betrayal of Okot reflects the broader pattern of the Spanish colonizers demonizing polytheistic deities and imposing their own religious beliefs on the Bicolano people. Despite the attempts to distort Okot's image, the essence of this revered god continues to endure in the hearts and stories of those who cherish the rich cultural tapestry of Bicolano mythology.

REMINDER

The orally transmitted mythology of the Philippines is intended for sharing and understanding, not for appropriation, commercial exploitation, or the promotion of foreigners and foreign products. It is a dynamic narrative tradition that evolves over time, distinct from the standardized mythologies found in Western and European cultures. Unlike these established mythologies, the Philippine government has not mandated standardized versions of stories and legends.

Orally transmitted stories undergo variations and evolve over time, resulting in numerous different versions. There are many different version told by Filipinos,and retold by Filipinos.

Panganoron

 Panganoron, a prince in Bicol mythology, is renowned as the beloved of Magayon. He was a noble figure who ventured into Ibalong in pursuit of a bride.

Gino Panganoron, also known as Gino Ulap or Prince Cloud among his companions, embarked on a quest to find a suitable partner. Having heard of the legendary beauty of Daragang Magayon, he journeyed far to behold her splendor. Panganoron was described as fair-skinned, and folklore speculated that his lineage was intertwined with that of the wind people or perhaps even mermaids. Enchanted by Magayon's allure, Panganoron demonstrated patience and unwavering admiration for her.

People believe that when clouds shroud the peak of Mayon Volcano, it symbolizes the ethereal embrace of Ulap and Magayon.

Ginoong Panganoron ( Prince Panganoron )

In the folklore of the Bicol region, the legend of Panganoron, intertwined with the saga of Daragang Magayon, evokes themes of love, sacrifice, and eternal legacy. This timeless tale, passed down through generations, weaves a narrative rich in symbolism and cultural significance, captivating the hearts and imaginations of those who hear it.

Panganoron, a prince of noble lineage hailing from the distant realm of Kaliraya, embarks on a quest to find a bride. Known also by the moniker Gino Ulap, or Prince Cloud, Panganoron's journey leads him to the lush landscapes of Ibalon, where the renowned beauty of Daragang Magayon beckons him from afar. Drawn by tales of her unparalleled allure, Panganoron traverses great distances in pursuit of the maiden who captured his heart.

As Panganoron arrives in Ibalon, his presence heralds a momentous chapter in the lives of its inhabitants, particularly that of Magayon and her sisters. The legend unfolds against the backdrop of opulence and reverence for the divine, with the ruling couple, Datu Makusog and Diwani, blessed with three daughters: Malinao, Masaraga, and the youngest, Magayon. Magayon, radiant in her beauty and adorned with copper-colored locks, captivates the hearts of all who behold her, including the steadfast Panganoron.

However, the idyllic existence of the sisters is marred by the vengeful machinations of Oryol, daughter of the deity Asuang. Seeking retribution for perceived transgressions, Oryol orchestrates a series of tragic events that befall each sister in turn. Masaraga, driven by curiosity and divine favor, meets her demise at the hands of the Banog, a monstrous half-bird creature summoned by Oryol's wrath. Malinao, ensnared by Oryol's deceitful guise, falls victim to the treacherous mermaids who heed their mistress's enchanting call.

Amidst the chaos wrought by Oryol's schemes, Panganoron emerges as a beacon of hope and steadfastness, his unwavering love for Magayon serving as a guiding light amidst the darkness. When Magayon's life hangs in the balance, it is Panganoron who rescues her from the brink of death, solidifying their bond and paving the way for their union.

Yet, tragedy strikes on the day of their wedding, as Panganoron and Magayon are torn apart by forces beyond their control. In a final act of love and sacrifice, they embrace in death, their spirits forever entwined in an eternal embrace. Witnessing their plight, the gods immortalize their love by transforming the sites of their tragedies into sacred mountains, with Mount Mayon standing as a testament to their enduring legacy.

The legend of Panganoron and Magayon resonates deeply within the hearts of the Bicolano people, serving as a reminder of the power of love to transcend even the darkest of circumstances. As clouds cloak the summit of Mount Mayon, it is believed that Panganoron and Magayon are locked in an eternal embrace, their love immortalized in the very fabric of the land they once called home.

MALINAW

 

Malinaw, also known as Malinao, is a mythical princess in Bicolano folklore. She possesses a unique beauty and character, being lithe and soft-spoken. With her fair skin, She was cloistered, and well kept. Malinao was forbidden to leave their abode, kept in seclusion. Her radiant complexion drew favor from the sea god Magindang, as it reminded him of Bulan(and or Haliya), the god of the moon.

Since Malinao's birth, the sea yielded a bountiful catch, a sign of Magindang's favor. However, when Malinao felt sorrow, the fishermen faced difficulty catching fish. Tragically, Malinao's life took a dark turn when the demi-goddess Oryol believed she had learned the secrets of the gods.

To execute her plan, Oryol transformed into the appearance of Masaraga, tricking Malinao into accompanying her to shallow waters. Carrying Malinao on her back, Oryol's enchanting voice summoned the vicious Magindara (mermaids). She then threw Malinao into the water, and the merciless mermaids took her life. In the very place where Malinao drowned, Mount Malinao emerged as a lasting testament to the tragic fate of the mythical princess.

STORY OF MOUNT MALINAO

TATLONG BULOD

Once upon a time in the rich land of Ibalon, where the people cherished their gods and were rewarded with plentiful harvests and fair weather, lived Datu Makusog and his wife Diwani. They had three daughters: Malinao, Masaraga, and the youngest, Magayon. Magayon was known for her striking beauty, but her initial pride and moodiness gave way to humility and kindness over time. Depicted as surrounded by small birds, she was the loveliest maiden in all of Ibalon.

Masaraga, strong-willed and industrious, prayed to the gods for knowledge to prosper Ibalon. Malinao, forbidden to leave their abode, possessed a different beauty she was fair and lithe  and was associated with the sea god Magindang. Magayon, the most beautiful but initially proud, had golden-copper skin and copper-colored hair.

As the loveliest maidens, the sisters were chosen to dance for their colony's rituals of "atang." However, Magayon, initially stubborn, later agreed under the persuasion of her eldest sister, Masaraga. Favored by the gods, Masaraga's knowledge led to her demise when Oryol, daughter of the deity Asuang, plotted against her. Oryol, angered by Masaraga's secrets, commanded the Banog to kill her.

Oryol, thinking Masaraga had shared the secrets with Malinao, plotted her demise too. Disguised as Masaraga, Oryol tricked Malinao into shallow waters, where she summoned Magindara (mermaids) to drown her.

Lastly, Magayon, with many suitors, rejected them, including Datu Pagtuga of the Iraga. However, when Gino Panganoron arrived, captivated by Magayon's beauty, he patiently won her heart. Oryol attempted to harm Magayon by luring her to the Yawa river, but Panganoron saved her.

Panganoron proposed, and the once-proud Magayon humbly accepted, grateful for Ulap's (Panganoron) heroism. However, Oryol, angered by her failed plan, manipulated Datu Pagtuga into abducting Datu Makusog. Threatening Magayon, Pagtuga forced her into an unwanted marriage.

Ulap, upon hearing the news, returned to Rawis, and a great battle ensued at the wedding. Ulap defeated Pagtuga, but tragedy struck as an arrow pierced Magayon just as she was about to hold Ulap. In grief, Ulap let his guard down, allowing Linog (Pagtuga's loyal warrior) to strike him. Datu Makusog intervened, killing Linog. The young lovers were buried together.

The gods, witnessing the tragic fate of the sisters, created mountains in their memory: Mount Masaraga where Masaraga fell, Mount Malinao where Malinao drowned, and Mount Magayon (now called Mayon) where Magayon and Panganoron were laid to rest. People believe that when clouds cover Mayon's peak, it signifies Ulap kissing Magayon.