REDISCOVER THE DIFFERENCE BETWEEN A DIWATA AND LAMBANA

 

 In Philippine mythology, Lambana and Diwata are distinct beings with different characteristics and roles.

LAMBANA

Lambana

Lambana

Lambana:

Lambana are small fairies in Philippine mythology, portrayed as diminutive beings with delicate builds, translucent wings resembling butterflies or dragonflies, and colorful attire inspired by nature. They are associated with a magical glow and have the ability to change their size, appearing more human when needed. In Bicolano mythology, Lambana also refers to a symbol connected to the god Batala and small creatures with dragonfly wings. There are stories about Lambana transforming into monsters if a Diwata experiences heartbreak caused by a mortal. Contemporary portrayals often emphasize their beauty and grace, resembling European fairy depictions. A lambana can also be considered as a lesser type of Diwata

DIWATA

DIWATA

DIWATA

Diwata:

Diwata, on the other hand, are magical beings ranging from mighty sky gods, war deities to gentle fairies, and nymphs in Philippine mythology. They can be male or female, often depicted as stunningly beautiful with ageless features. Diwata include nature spirits residing in large trees, acting as protectors of forests and mountains, and divine entities living in the sky world, heavens or mountains. In pre-colonial times, Diwata were revered as benevolent gods and goddesses, invoked for various blessings, but they could also bring misfortune if not treated with respect. The term "Diwata" has its roots in Hinduism and Buddhism, specifically from the Sanskrit term Deva or devata.

Comparison: While Lambana are specifically associated with nature and often synchronized with Diwata, they are smaller, winged, and delicately built. Diwata encompass a broader range of beings, including sky gods, ancient deities, and nature spirits. Lambana can symbolize a visual representation in Bicolano mythology, whereas Diwata have a more significant mythological role. Lambana have stories of transformation into monsters, a theme not commonly attributed to Diwata. Both beings have evolved in meaning and portrayal over time, with contemporary media emphasizing their beauty and grace.

LAMBANA CONFUSION THE WITH DIWATA

what's the difference between a lambana and a diwata? 

Lambana vs. Diwata: A Comparative Overview

Lambana:

1. Characteristics: Small and enchanting beings with delicate builds, translucent wings resembling butterflies or dragonflies, and nature-inspired attire.
2. 
   
3. Size Transformation: Can change size, appearing more human when necessary.
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5. Bicolano Mythology: In Bicolano mythology, "Lambana" refers to a symbol associated with the god Batala and small creatures with dragonfly wings.
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7. Tagalog Mythology: small fairies with butterfly wings and eteral glow that can temporary turn humazied but loosed their wings. Synchronized with Diwata, serving as protectors of nature. Some stories depict them as emissaries of the Diwata.
8. 
   
9. Transformation: Stories exist about their transformation into monsters if the Diwata of the lambana experiences heartbreak caused by a mortal.
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11. Contemporary Portrayals: Often emphasized for their beauty and grace, resembling European fairy depictions.

Diwata:

1. Definition: A type of deity or spirit in Philippine mythology.
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3. Mythological Range: Encompasses various beings, including Sky gods, ancient gods and goddesses, nature spirits, and forest fairies.
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5. Origin: Derived from the Devata beings in Hinduism and Buddhism.
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7. Pre-colonial Worship: Worshiped and venerated in pre-colonial Philippines as superior beings in beauty, knowledge, and fighting skills.
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9. Physical Appearance: Depicted as extremely beautiful males and females with luminous fair skin or radiant golden tan skin.

It's crucial to approach Philippine mythology with respect for its dynamic and diverse nature, understanding that stories may vary across regions and communities. The narratives are orally transmitted, allowing for different versions to coexist, reflecting the cultural richness of the Philippine mythology

REDISCOVER THE BURINGKANTADA OF BICOL MYTHOLOGY

 

Buringkantada (Buringcantada) Bicol mythology

1. the Buringcantada: in Bicol mythology is a giant known for having one eye in the middle of its forehead and two long tusks protruding from the sides of its mouth. The description of Buringcantada suggests a formidable and imposing figure, likely feared by those who encountered it in tales or legends.

1. Buring: This monster also has one eye, but it's accompanied by three throats, each capable of emitting howls in different tones. It resides in the swamps of Ponong and possesses a body covered in black, sharp hair that causes unbearable itchiness upon contact. Additionally, it has sharp claws and teeth, adding to its menacing nature.

The tale of Juan and the Buringcantada is a cherished legend from the enchanting mountains of Albay in the land of Bicol, where fantastical adventures intertwine with lessons of bravery and compassion.

Juan, born into a family that faced early tragedy with the loss of his father, grew into a lazy youth, avoiding work and leaving his mother to fend for them both. Despite his idleness, his mother's love shielded him from the harsh realities of life, nurturing his spirit even as he neglected his duties.

Each day, as Juan wandered aimlessly, his mother's gentle reminders to help those in need echoed in his mind. One fateful encounter with battling carabaos revealed his mother's teachings in action, as Juan intervened to aid a wounded beast, only to be injured himself. Saved by a passing stranger, Juan's recklessness weighed heavily on his mother's heart.

Driven by a desire for wealth, Juan convinced his mother to embark on a journey with him. Along the way, they stumbled upon mystical artifacts—a powerful axe, a mysterious rope, and a resonant drum—each hinting at their potential for the adventures ahead.

Their travels led them to a grand mansion, where Juan's curiosity compelled them to explore its mysteries. Concealing themselves in the dining-room ceiling, armed with their magical treasures, they witnessed the arrival of the fearsome Buringcantada and his retinue.

With a bold incantation, Juan revealed himself to the giant, stunning him with displays of the enchanted items. Despite his mother's trembling fear, Juan's quick wit and bravery astounded the Buringcantada, who fled in terror at the sound of the drum.

Descending from their hiding place, Juan and his mother discovered the mansion filled with riches, abandoned by the fearful giant. They lived thereafter in comfort and wealth, their lives forever changed by the magical journey that unfolded in the mystical land of Bicol.

In the end, the tale of Juan and the Buringcantada serves as a reminder that bravery, kindness, and resourcefulness can triumph over even the most daunting challenges, weaving a tapestry of courage and wonder in the folklore of Bicol.

JUAN AND THE BURINGCANTADA

In the verdant hills of Albay, where the scent of orchids perfumed the air and the whispers of legends danced through the trees, Juan embarked on an adventure that would etch his name into the annals of Bicol folklore.

One crisp morning, as the golden sun stretched its rays over the land, Juan set out on a quest to seek his fortune, his mother's blessings echoing in his ears. Armed with determination and the mystical artifacts they had acquired on their previous journey, Juan traversed the rugged terrain with a newfound purpose.

As he delved deeper into the heart of the forest, Juan's steps quickened with anticipation. Little did he know that his path would soon intersect with that of the formidable Buringcantada, a creature of myth and legend, feared by all who dared to tread in its domain.

It was amidst the tangled vines and ancient trees of Ponong's swamps that Juan stumbled upon the lair of the monstrous Buringcantada. With its single eye gleaming malevolently and tusks glinting in the dim light, the creature loomed before him, a fearsome sight to behold.

But Juan, undaunted by the creature's imposing presence, stood his ground, his heart thrumming with a mixture of fear and determination. Drawing upon the wisdom of his mother and the magic of his artifacts, he prepared to face the beast that blocked his path.

With a resounding clash, Juan wielded the powerful axe, its blade gleaming as it cleaved through the air with a force that echoed through the swamp. The Buringcantada, taken aback by the audacity of this mere mortal, unleashed a deafening roar that reverberated across the land.

But Juan was not alone in his struggle. With a deft flick of his wrist, he unfurled the mysterious rope, its fibers weaving a web of protection around him as he faced the creature head-on. And when the Buringcantada lunged forth with claws bared, Juan beat upon the resonant drum, its thunderous boom echoing through the swamp, shaking the very ground beneath their feet.

In a flurry of movement and magic, Juan and the Buringcantada clashed, each blow ringing out like thunder in the stillness of the swamp. But as the battle raged on, Juan's courage and resourcefulness began to tip the scales in his favor, his blows finding their mark with uncanny precision.

With a final, mighty stroke of his axe, Juan struck true, felling the mighty Buringcantada and sending it crashing to the earth with a resounding thud. And as the creature lay vanquished before him, its fearsome visage softened by the light of dawn, Juan knew that he had emerged victorious.

As news of Juan's triumph spread throughout the land, he returned to his village a hero, his name spoken in hushed tones of awe and admiration. And though his journey had been fraught with danger and peril, Juan knew that he had learned valuable lessons along the way—lessons of bravery, kindness, and the indomitable spirit of adventure that burned bright within his heart.

And so, as the sun set on another day in the enchanting mountains of Albay, Juan's tale became woven into the fabric of Bicol folklore, a testament to the power of courage and the enduring legacy of those who dare to dream.

Understanding Evolution, Symbolism, and Cultural Richness in Bicolano Mythology

The Importance of Bicolano Myths: Why Stories Matter and How They Change

Stories and myths are like special treasures passed down through generations in Bicolano culture. They're not just entertaining tales—they're the heart and soul of who the Bicolano people are. These stories help Bicolanos feel connected to each other and understand where they come from.

Bicolano myths also teach important lessons about life and nature. They explain things like why the sun rises or why thunder rumbles. Through these stories, people find comfort in the mysteries of the world around them.

But these stories aren't set in stone—they change over time, just like people do. As Bicolano society evolves, so do the stories they tell. New experiences, ideas, and ways of thinking shape these tales, keeping them relevant and meaningful for each new generation.

It's also important to remember that Bicolano myths are more than just literal stories. They're full of symbols and hidden meanings that show the deeper truths about life. Looking beyond the surface of these stories helps us see the bigger picture and understand what they're really trying to say.

By appreciating the richness of Bicolano myths and understanding how they change over time, we can learn valuable lessons about our shared heritage and the world we live in. These stories remind us of the beauty and complexity of life, and they connect us to the past while guiding us into the future.

REDISCOVER MASARAGA OF BICOL MYTHOLOGY

 Masaraga is a mythical princess in Bicol mythology, known for her exceptional beauty, described as a short yet extraordinarily beautiful figure with golden-brown skin. with strong devotion to the gods. She sought to gain divine knowledge to bring prosperity to her land, Ibalon. However, her pursuit led to her demise when she acquired secrets that angered the demigoddess Oryol, resulting in Masaraga's death at the hands of the Banog. Mount Masaraga emerged as a memorial to her tragic end. Masaraga's story intertwines with those of her sisters Malinao and Magayon, forming a tale of love, betrayal, and sacrifice that culminates in the creation of significant landmarks in Bicol folklore, including Mount Mayon.

The story of Masaraga, a mythical princess in Bicol mythology, revolves around her quest for divine knowledge to bring prosperity to Ibalon, her homeland. Despite her stature, Masaraga was exceptionally beautiful and exhibited strength, industriousness, and devotion to the gods. However, her pursuit of divine secrets ultimately led to her demise.

Masaraga's journey intertwines with her sisters, Malinao and Magayon, who were also renowned for their beauty. Masaraga's endeavors to acquire the gods' knowledge earned her divine favor but also drew the ire of Oryol, a demigoddess. Oryol, seeking revenge, summoned the Banog, a winged monster, to kill Masaraga.

Tragically, Masaraga met her end when the Banog dropped her from a great height. This event led to the creation of Mount Masaraga, a lasting memorial to her and her ill-fated quest.

The legend also encompasses the stories of Masaraga's sisters. Malinao was drowned by Oryol disguised as Masaraga, while Magayon faced trials in her pursuit of love and was ultimately buried alongside her beloved, Panganoron, giving rise to Mount Mayon.

The tale of Masaraga and her sisters is deeply rooted in Bicol mythology, serving as a reminder of the power of love, the consequences of ambition, and the enduring presence of the divine in the natural world.

REDISCOVER Eclipse - The story behind the Bacunawa myth

 

 Eclipse - The story behind the Bacunawa myth

by John Rey Cabrera for the Philippine Journal of Astronomy 2012

Eclipse, it is the most feared celestial phenomenon in the ancient times. Several culture worldwide speaks of a frightening mythical dragon that swallowed the moon whenever it occurs. Both the Sun and the Moon were never spared by the beastly fangs of these creatures, and all cultures although differed in their belief of which mythical iconology believe a similar fate, that the Sun and the Moon were dreadfully swallowed by these creatures.

Hindu-Buddhist in India believed that Rahu, a demonic figure chases after the Sun. In China, the legendary celestial dragon went to attack the Moon. Even our ancestors have their share of story to tell.

They believed of a Bakunawa, a giant sea-dwelling serpent that randomly rose up to the sky and swallowed the Moon. Asterism Master and fellow. ALPer Christopher Louie Lu said that "legend has it that the ancestors' god, Bathala, scattered 7 Moons in the sky and because their glitters were such a breathtaking plendor in the sky, Bakunawa fancied them and consequently swallowed six ofthem. For the people to defend the last remaining Moon, the tribal folks have to go out of their homes trumpeting vociferous noise by sounding off their pots and pans in order to drove off Bakunawa and ultimately return to the ocean floor."

Modern science debunked such mythology but with respect to the ancestors by saying that there is no other means to understand such a bleeding Moon or a darkening Sun than the demonic apparitions, often manifested by animal forms, swallowing or concealing them.

They believed of a Bakunawa, a giant sea-dwelling serpent that randomly rose up to the sky and swallowed the Moon. Asterism Master and fellow. ALPer Christopher Louie Lu said that "legend has it that the ancestors' god, Bathala, scattered 7 Moons in the sky and because their glitters were such a breathtaking plendor in the sky, Bakunawa fancied them and consequently swallowed six of

Even our myth of having 7 Moons were decoded by scientists which tells that of lunar phases, Waxing Crescent, First Quarter, Waxing Gibbous, Full Moon, Waning Gibbous, Third Quarter and Waning Crescent. New Moon of course was disregarded from the mythological source because of its darkness and almost zero visibility.

NOTE:  The new moon, referred to as "subang,"  The moon looks like a crab shell. They used the term ''banilig'' "balirig" to describe this phase.The full moon,or the moon in general is known as ''bulan'' or  "dayaw," was celebrated for its perfect and praiseworthy brilliance from sunset to sunrise. As it began to wane, setting just before dawn, it was called "banolor," symbolizing a transition or exchange, akin to a passing of the torch from one generation to the next.

REMINDER

The orally transmitted mythology of the Philippines is intended for sharing and understanding, not for appropriation, commercial exploitation, or the promotion of foreigners and foreign products. It is a dynamic narrative tradition that evolves over time, distinct from the standardized mythologies found in Western and European cultures. Unlike these established mythologies, the Philippine government has not mandated standardized versions of stories and legends.

Orally transmitted stories undergo variations and evolve over time, resulting in numerous different versions. There are many different version told by Filipinos,and retold by Filipinos.

Tara sa Albay!

 

Tara na sa Bicol! lets go!!!

"Dreaming of long weekends filled with breathtaking landscapes and unforgettable experiences? Albay Province beckons! 🌄 Embrace the beauty of Mayon Volcano, indulge in local flavors, and immerse yourself in Albay's rich culture. Make every moment count – plan your extended escape to Albay and let the adventure begin! 🗺️✨ #albayescapade #LongWeekendGetaway"

Sili here sili there sili everywhere siling fan, the Bicolano stereotype of eating maanghang