ASUANG THE DEITY OF EVIL AND CHAOS

ASUANG THE DEITY OF EVIL AND CHAOS

Asuang is a deity feared in Pre-colonial Bicol, He is the sovereign of all the land and flying monsters in Ibalong.  Some say he is tall and muscular having long dark hair and is extremely attractive but moonlight reveals his true form which is ugly and monstrous.
According to legend, he was Gugurang's equal until Gugurang proved he is superior to all. He tried to steal Gugurangs scared fire but failed. He is believed to reside in Mount Malinao. He is considered a dark and evil god and of all the beast, despite being a dark god he is still a friend of the luminous Bulan (god of the moon) the two are worshiped side by side by the cross-dressing priests called "Baylan" or ''Asog''. Asuang is the father of Oryol who was the most beautiful and powerful female in the land of Ibalon before Magayon and her sisters came.
Legend has it that he commanded hords of monsters and beast and of flesh-eating and viscera-eating and blood drinking monsters namesake to the god called ''aswang''

ASUANG THE ANCIENT EVIL DEITY IN BICOL MYTHOLOGY

In Bicol mythology, Asuang, the evil god of Ibalong, ruled over all creatures and monsters, with two daughters—Oryol, half serpent, and Magindara, half eel. He bestowed dark gifts upon mortals, symbolized by blackbirds flying from his mouth, enabling them to transform into night-dwelling creatures known as "aswang." Originating from the underworld Gagambang, these transformed mortals, granted dark gifts like black stones or eggs, roamed the night with supernatural abilities, driven by an insatiable appetite for human flesh, blood, or entrails.

As the sovereign of monsters, Asuang commanded a legion of creatures collectively named "aswang," instilling fear and darkness in Filipino folklore. Described as tall and attractive, his true monstrous form is revealed in the moonlight. Asuang, once equal to Gugurang, the supreme deity, attempted to steal Gugurang's sacred fire but failed. Residing in Mount Malinao, Asuang, deemed a dark and evil god, shares an intriguing friendship with Bulan, the god of the moon, both worshipped by the cross-dressing priests called "Baylan" or "Asog."

Legend has it that Asuang led hordes of monsters, including flesh-eating, viscera-eating, and blood-drinking creatures named after him. Despite embodying darkness, Asuang's association with Bulan highlights a complex balance between good and evil. Aswangs, empowered by Asuang, exhibit strength under the full moon and are believed to be healed by moonlight.

The genesis of an Aswang involves a ritualistic transfer of power, marked by black stones or small birds emerging from Asuang's mouth. These objects carry the essence of the malevolent deity, transforming the host into an Aswang with supernatural abilities and strength, particularly potent in the cover of night.

Asuang Steals Fire from Gugurang

As told by Philippine Folk Literature by Damiana L. Eugenio.

Long ago when the world was still young the good and evil gods were not yet enemies as they are now. They were friends, each living separately in a mountain (Bolod, Bicol). One report even said that they were brothers. Gugurang, the good god, was living inside Mount Mayon, and Asuang, the evil one, inside Mount Malinao. As gods they had control of the welfare of the people. But Gugurang was more powerful than Asuang who was merely a subordinate; the former was the chief deity of the Bicols.
Now Gugurang was given full control over the people, who learned to look up to him for protection or for advancement. Whenever the people disobeyed his orders or wishes, he would cause the pit of the Mayon Volcano to rumble terribly. The people in time took this as a sign of warning, and accordingly, mended their foul ways. Or if their sins were beyond forgiveness Gugurang would make the volcano erupt to wipe out the sinners.

Gugurang then became the symbol of the good (an mga marhay) ready to punish the bad (an mga maraot). When the people saw fire (calayo) flowing out of the crater of Mayon, they would grow afraid. They would then offer a sacrifice (atang) to him to appease his wrath. The Baliana, priestess, officiated in the ceremony. Always when they committed wrong, there would be loud moaning of the earth followed by an eruption of fire and lava (abo).

Aswang the god of evil and chaos

Now, Asuang had no fire in his abode inside Mount Malinao (to the north of Albay). He wanted to be as powerful as Gugurang, at least. If the people aroused his wrath, he wanted to subdue them by a fire or rumbling in Mount Malinao (this was still whole then). He entreated Gugurang to give him some fire but Gugurang emphatically refused.

"How dare you ask for my fire! " Gugurang thundered. The earth trembled. "Don't you know that when the fire in my seat is carried by hands such as yours the whole world will be set on fire?"

"But I will be very careful," replied Asuang.

"Be careful! I myself with all my power cannot handle it."

"But how can you threaten the people with it?"

"It is not my will that does it. It is someone else's that you or I do not know nor will ever know. But the rainy days are coming and I need fire to make me warm in Mount Malinao."

"Why," answered Gugurang, "you have lived there for many years and this is the first time that you have asked me for it, what will you use the fire for? Look at your people; they can live without it."

"Well, it is time for you to give them fire now."

"Give them fire!" burst Gugurang. The earth shook and the people were more afraid. But soon Gugurang quelled the commotion. Asuang himself was frightened. He never saw him that way before.

"They are not fit to have it yet! They must make themselves worthy."

"Well, am I not worthy?"

"You! you lay god! Look at your ragged mountain and compare it to Mayon which is the most beautiful in the world."

Asuang argued with him for a long time but Gugurang would not budge an inch. Asuang suddenly discovered, which before he had not, that Gugurang was all-powerful. Asuang narrowed his eyes and smiled with sinister import. He decided to oppose him from now on.

"You want to be the omnipotent power," Asuang cried. "But between us two there is not much difference. Why must I live in a humble place like Mount Malinao while you sit here gloating over your power unlimited and unchecked?"

"Stop!" The earth shivered as Gugurang stamped his feet on the ground. Asuang only smiled this time. That made Gugurang angry all the more. He struck out but before his blow could land, Asuang had vanished already. Gugurang was greatly amazed at this—the new power of Asuang in making himself invisible.

Then from a short distance in the room came the voice of the evil one, "If I cannot get fire in good will, I will in bad—I will steal it."

"Try—and before you can do that I will cut your mountain in twain."

"Then let there be war between us," countered Asuang. Thus the good and the evil became enemies from that time on. Motives were many to prove that Asuang was ambitious. It could not be doubted that the power to rule intrigued him. He determined to oppose every move of Gugurang. He gathered around him evil counselors and evil spirits whom he sent to the earth to turn the people to evil ways. After that, there was much immorality, lawlessness and crime. Gugurang in no time found out that it was Asuang who was causing all these things.



He sent pestilence to the barrios and for a moment the people turned to the omnipotent for protection. Gugurang asked them for another atang or sacrifice and warned them to follow his commandments strictly or be exterminated by floods or eruption. Against Asuang himself Gugurang was powerless to do anything. It seemed that in the twinkle of an eye Asuang came to possess hidden powers hitherto denied him.
Gugurang particularly guarded his fire lest his enemy make good his threat of stealing it. He assigned his trusted helpers (catambang) to guard the symbol of his power. He was afraid, besides, that if the fire were to go out of its confines the world would be consumed in a mighty conflagration.

But in spite of the precaution taken, Asuang was able to enter and locate the guarded object, and with many guiles and wiles, he bribed the guards with gold (bolauan). The temptation (sogot) was too sweet to be denied. Hence Asuang obtained possession of Gugurang's fire. Putting it inside a coconut shell he started with it.

Gugurang in his throne suddenly noticed that everything around him turned black, and that there were cries in the bowels of the volcano. But outside, the world was on fire. Every barrio that Asuang passed caught fire. Asuang!" Gugurang cried. And with this he flew into the air pursuing the thief. While terror reigned among the people who were powerless against the conflagration, Gugurang and Asuang raced for supremacy. Gugurang must get the fire back, or else he would be left without any power at all. All the air around grew hot but still they went madly on. Asuang was nearing his seat and if he could get there before Gugurang, it would be lost for the good god would then be under the spell of the devil.

Asuang deity

Asuang braced up for the last stride and just as he was about to descend Mount Malinao, Gugurang caught up with him, snatched the fire in the coconut shell, and vanished with it. Asuang was greatly surprised. He could not make himself invisible, as he would. Gugurang on reaching Mount Mayon returned the fire to its place, and everything was bright again inside. Now before doing anything else he set about stopping the conflagration. He bade the heavens (calangitan) to rain continuously. And there was rain. And the big fire was under control. The people at once offered atangs, because they were convinced it was Gugurang who had caused the fire because of their wickedness.

Then Gugurang punished the guards by chaining them to the precipices. Then for his revenge on Asuang—he ordered Lightning (Linti) and Thunder (Dalogdog) to strike hard against Mount Malinao that was defying him. Asuang attempted to bribe Linti and Dalogdog. What is the use of your serving a master when you don't even receive any reward?" Asuang asked. "Why don't you join me? Here you can have what you want. You can be your master."

Linti, quite taken, asked, "You mean what you said?" Sure," the wily Asuang answered. It is true we are driven like slaves," said the thunder.

At this Gugurang sent his thunderbolt. Boom! Crash! For several minutes the world sank and bobbed and sank again. All the mountains creaked. Then a mighty crashing was made amid the din. Gugurang then ordered the lightning and the thunder to stop. All was over in a few minutes.

Then the people noticed that what was once Mount Malinao was but half now. They thanked the omnipotent for destroying the abode of the devil. (To this day one who sails the Tabaco Bay will still see that Mount Malinao seems to have been cut while Mayon stands majestically unimpaired.)

The people for a time believed that Asuang was killed, but later his influence was doing havoc with the populace. Incidentally, the people got fire, for the enterprising few kept some embers to keep themselves warm during the rain that followed the conflagration.

ASUANG AND GUGURANG

Gugurang and Asuang

In Bicol mythology, Asuang and Gugurang are two powerful deities representing the struggle between good and evil.

Gugurang: The Good Deity

Gugurang is the chief god in Bicol, associated with the mighty Mayon Volcano. Known for controlling the welfare of the people, Gugurang uses the volcano's rumblings as a warning or punishment for disobedience and wrongdoing. The Bicolanos see Gugurang as a symbol of order, punishing those who go against his commandments.

Asuang: The Deity of Evil and Chaos

Asuang, on the other hand, is the dark and evil counterpart. He once sought to steal Gugurang's sacred fire but failed. Asuang is believed to reside in Mount Malinao and is considered a friend of the moon god Bulan, despite his dark nature. Legends tell of Asuang's attempts to wreak havoc and his command over monsters and creatures named after him – the "aswang."

 art by DREI SJ

Asuang and Bulan

Asuang is feared and blamed for all the misfortunes of people, all the blame, and hate. After being defeated by his brother Gugurang, he seeks refuge in his abode along with his beast and other monsters. From his mountain he saw the god Bulan descending from the heavens to the waters, he remembered that Bulan was Gugurang favorite that the supreme deity personally placed him in the heavens. Bulan descending with an entourage of wind nymphs (tawong lipod) in the waters of Bicol, and Asuang and his minion of night beast came to the waters, He had plans of taking the Moon deity to have revenge on Gugurang.  Then he stood in awe at the luminosity and radiance of the moon. He sent his vicious magindara or mermaids to capture Bulan, instead of capturing the moon deity upon seeing his comeliness they became tame and played together like children.  Asuang angered by what had happened personally went to the waters to where Bulan and the mermaids and wind nymphs played. He walked into the water as if it were solid ground followed by his flying beast. Bulan saw Asuang, Asuang expected the boy to be afraid and scream in terror, to Asuang surprise Bulan smiled and asked him to play and swim in the waters with him. Asuang moved by the kindness and warmth welcome of the lunar deity vowed that they will be friends. And that no harm shall come to him whenever he descends to the waters and lands of his domain, that also his beast and monsters shall treat the moon with veneration.

Daughters of Asuang

Asuang had two daughters from two different mortal women. His daughters were gifted with beauty and intellect, and as demigoddesses, they also possess great power. The daughters were said to possess lovely face and figure of women but are monsters from the waist down. The elder of the two was called Oryol, beautiful as she is vicious and half of her body was of a giant serpent. Her voice is so sweet that it can seduce men, women and even animals, anyone who hears her singing will fall prey to her. The younger of the two was called Magindara, she was beautiful as she was kind. Her voice has the ability to call rain, storms and huge tidal waves and it can also do the opposite as to calm the seas and bring fair weather and clear skies.  Oryol despised the humans who destroyed nature and vowed to destroy them until she falls in love with one. On the other hand, Magindara was kind and understanding and knew that humans were flawed but were also capable of good. When their father the god of chaos Asuang asked her daughters to terrorize the humans Oryol agreed, while Magindara refused. Her voice could wipe out entire villages and colonies if she wished but she was too kind to do this, which angered her father. Magindara fearing his father's wrath and disappointment fled to the sea, not long beautiful mermaids with the same face as her emerged from the sea, with colorful scales but these mermaids were not kind, they were vicious and flesh-eating creatures that would lure men to the sea to drown them and eat their flesh.

Asuang (deity)

lord Asuangs legacy the Aswang

The god of evil and chaos had many worshippers and devotees in old Ibalong, and to them, he gave dark gifts. He gave them the power to transform and destroy their enemy, empowered by the night. To his most devoted priest and priestess he gave dark stones that came from his mouth, the stones turned into blackbirds that flew inside the mounts of the priest and priestess of Ibalong, they were able to transform into the creatures of the night that could take flight. To the other worshipers, he gave the power to transform into dogs and boars and all those who prowl the night with fangs and claws and long tongues. he gave them power and strength, but the dark gifts came with a prize, all those who received the gifts must feed on entrails, and flesh or blood or humans, and also must never go to salt waters for it is the domain of her daughters the vicious mermaids called Magindara ( thus all the Aswangs are fatally allergic to salt and salt water) and lastly they must respect and venerate the full moon in remembrance to lords Asuang's good friend and lunar deity Bulan.

The Birth of Aswangs: The Mythical Realm of Aswang, Shape-Shifting Creatures in Filipino Folklore

 Aswang stands as a testament to the vivid imagination and cultural intricacies of the Filipino people. Aswang, an umbrella term for various shape-shifting creatures, holds a fearsome reputation as beings that feed on human flesh, blood, and entrails. At the heart of this mythical realm is Asuang, a malevolent deity whose legacy persists through his worshippers – the Aswangs.

The Aswangs in Bicol folklore

Aswangs In Bicol mythology originating from the underworld called Gagambang or transformed mortal humans given dark gifts (black pearl or stone that turns into black chick or birds) by the deity, navigate the night with supernatural abilities, emphasizing their insatiable need for human flesh, blood, or entrails. As the sovereign of monsters, Asuang commands a legion of creatures collectively known as "aswang," that he send to scatter to the Visayas region. symbolizing fear and darkness in Filipino folklore.

The Legacy of the dark god Asuang:

Asuang, the dark deity reigning over the monstrous domain, is the progenitor of the Aswang mythos. Legends speak of Asuang as a powerful entity whose influence extends beyond the ordinary boundaries of the spirit world. His legacy is not confined to mere tales; it lives on through his worshippers, individuals granted dark gifts that transform them into creatures of the night.

Asuang god of evil and chaos

Transformation and Dark Gifts:

The genesis of an Aswang lies in a ritualistic transfer of power from Asuang to a human host. From the mouth of the god Asuang emerge black stones and, sometimes, black small birds. These objects are believed to carry the essence of the malevolent deity, thus transforming the host into a minion of Aswang. This transformation bestows upon the individual supernatural abilities and strength, particularly potent under the cover of night.

Aswangs: Creatures of the Night:

Empowered by the dark gifts, these devotees of Asuang become known as Aswangs. The night becomes their domain, and they navigate the shadows with otherworldly prowess. However, the macabre nature of their power comes with a sinister cost – an insatiable need to feed on entrails, flesh, or blood. This ghastly requirement binds them eternally to the chaotic and malevolent realm of their dark deity.

Aswang black chick – In Bicol mythology were originally pearl and black stones from the deity Asuang that turns into black birds and or black chicks used by the aswang race to pass-on their powers on a descendant

Asuang god of evil and chaos

Asuang deity in Western Visayas mythology

In Western Visayas mythology specifically in Capiz Mythology two deities are mentioned. Gugurang (Agurang) good deity and the evil deity Asuwang (Asuwang) who battled one another

Agurang: the good spirit who fought against Asuwang

Asuwang: the malevolent spirit who fought against Aguwang

The Sovereign of Monsters:

Asuang, as the sovereign of monsters and beasts, commands a legion of creatures collectively known as "aswang." These creatures share the malevolent deity's penchant for consuming human flesh, viscera, and blood. The monsters, bearing the name of their dark master, amplify the pervasive influence of Asuang over the mythic landscape, turning the very term "aswang" into a symbol of fear and the lurking darkness in the shadows.

Cultural Significance:

The myth of Aswang, deeply embedded in Filipino folklore, transcends mere tales of monsters and malevolent deities. It reflects cultural anxieties, the fear of the unknown, and the consequences of delving into forbidden territories. Aswang is not merely a creature; it is a cultural archetype that embodies the complexities and intricacies of Filipino beliefs, superstitions, and the perpetual struggle between light and darkness.

The mythical realm of Aswang, with its shape-shifting creatures and the malevolent deity Asuang at its core, is a captivating narrative that has endured through generations. Aswangs, with their dark gifts and sinister desires, continue to be a source of fear and fascination in Filipino folklore. As the sovereign of monsters, Asuang's legacy lives on, eternally casting shadows on the mythic landscape and symbolizing the darkness that resides in the collective imagination of the Filipino people.

the mythology surrounding Asuang offers a captivating exploration of the complex dynamics between gods, their interactions, and the profound consequences of their actions on the mortal realm. As the Aswang continues to haunt Philippine folklore, the enduring legacy of Asuang serves as a testament to the enduring power of myth to shape cultural beliefs and narratives, reminding us of the rich complexity inherent in the mythological heritage of the Philippines.

Bicol mythology 

The Filipino folklore surrounding the mythic realm of Aswang is a testament to the rich imagination and cultural nuances of the Filipino people. Aswang serves as an umbrella term for various shape-shifting creatures known for feeding on human flesh, blood, and entrails. At the center of this mythos is Asuang, a malevolent deity in Bicolano mythology, whose legacy lives on through his worshippers – the Aswangs.

Asuang, the dark deity, is the progenitor of the Aswang mythos, and legends describe him as a powerful entity with influence beyond the spirit world. His worshippers undergo a ritualistic transfer of power, marked by the emergence of black stones or pearls from Asuang's mouth. These objects carry the essence of the deity, transforming the host into an Aswang with supernatural abilities, particularly potent at night.

Empowered by dark gifts, Aswangs navigate the night with otherworldly prowess but are bound by a sinister cost – an insatiable need to feed on entrails, flesh, or blood. As sovereign of monsters, Asuang commands a legion of creatures collectively known as "aswang," amplifying his influence over the mythic landscape.

The myth of Aswang goes beyond tales of monsters and deities; it reflects cultural anxieties, fear of the unknown, and the consequences of exploring forbidden territories. Aswang is a cultural archetype that embodies the complexities of Filipino beliefs, superstitions, and the perpetual struggle between light and darkness.