Showing posts with label Irago. Show all posts
Showing posts with label Irago. Show all posts

Wednesday, June 19, 2019

NAGA





The naga  or irago are beautiful mermaid-like beings in Philippine mythology and prevalent Bikolano mythology, other names are Irago, (marindaga, marinaga, and maginaga) They are a type of fresh water mermaids, but instead of having regular fish tails, they have eels and/or water snakes for tails and the upper body of a human female having an alluring face, a curvaceous body and long flowing hair. They are sometimes called Duyong by the Tagalogs.

In the epic of Ibalong the hero sealed the Nagas into a cave for helping Oryol.

Vicious to adults but gentle to children they are considered the protectors of springs, wells and rivers. They bring rain, and thus fertility, but are also thought to bring disasters such as floods and drought.

Nagas or Irago are snake-like mermaids that may take a human form. They tend to be very curious. According to traditions nāgas are only malevolent to humans when they have been mistreated. They are susceptible to mankind's disrespectful actions in relation to the environment. They are also associated with waters—rivers, lakes, seas, and wells—and are generally regarded as guardians of treasure.

Ang mga Irago o Naga sa mitolohiyang Bikolano ay mga espiritu, engkanto at sirena ng tubig. Mga magagandang nilalang ng tubig ang  ang pang ibabang bahagi ng katawan ay tila ahas o ahas dagat.

 
Art by Develv 





In other beliefs the most powerful of the Nagas became a goddess named Bakunawa. She is captivated by the beauty of the seven moons and turned herself into a giant dragon-serpent in order to reach them, but the deity Bathala punished her so she remained in her dragon state for all eternity.


Naga and Magindara 

Whats the difference between Naga and Magindara?

The Naga and Magindara are both mythical water beings in Bicol folklore, but they have distinct traits and roles.

The Naga, also called Irago, Marindaga, Marinaga, or Maginaga, are half-human, half-serpent maidens with eel-like or snake-like tails. They dwell in freshwater sources like rivers and wells, acting as guardians of water. While they are gentle with children, they can be fierce toward adults, especially when their domain is disturbed. Nagas can bring rain and fertility but may also cause disasters like floods or droughts if angered. Some legends say the most powerful Naga transformed into Bakunawa, the serpent-dragon who tried to devour the moons.

On the other hand, Magindara are more like mermaids, with colorful fish-like tails instead of snake-like bodies. Unlike Nagas, who do not harm humans, Magindara are believed to be man-eaters. They live in the sea and are known for their beauty but also for their dangerous nature.

The key difference is their appearance and behavior—Naga have serpent-like tails and protect water, while Magindara have fish tails and are feared as predators.











Confusion with the Magindara

Because of they share an almost similar sounding names and because they both are half human and half sea creature there is a strong confusion in distinguishing the Naga from the Magindara. The difference is that the Magindara's tale is like of multicoloured fishes, and the Magindara are believed to eat human flesh. Meanwhile the Naga's tail, they have eels and/or water snakes for tails and the Naga do not eat humans.

The Mermaids of Malinao

Legends of the beautiful but vicious mermaids were prevalent in Bicol one of the stories concerning these mermaids happened allegedly during the Spanish occupation of Bicol In one of its Municipality in Albay. The story tells of Moro(Islamic) raiders who plundered them and took seven women, and how the mermaids sank the boat they were using to save these women.

magindara
magindara


Long ago in a province city in Bicol called Anilao live a girl named Maria, she was baptized in the ways of the Colonials from the Wests but she and her family secretly still worshiped and believed in the old ways. One night a terrible storm passed their province. The next day she and her brother went to play by the river, In the river, they saw a beautiful maiden, she looked injured. As the two came near the lovely maiden they were shocked. She had long flowing hair which covered the top part of her body but the lower part of her body was like that of an eel. The children also noticed that she was trapped, her tail caught between driftwood in the river. Scared the two children ran home and told their mother, Pedro the elder of the two children told their mother that they must tell the parish priest about it, Their mother scolded him and said that they would be punished by the priest if ever they told him that. Their mother told them that they must help the maiden, the mother told them that it was a Magindara that might have been washed their during the storm, but only the children can help it because they are known to be vicious towards an adult. The next day Maria and Pedro went back to the river, scared but reminded that their mother told that the creature would never harm children they came close and helped her. The mermaid told the children she was not a Maginadara but rather a Naga. That Magindara are different from her kind but she is of higher status. The two children freed her tail. The beautiful Naga thanked the children and some how magically made it drizzle. The children danced happily under the summer rain. Before the Naga left she told the children that they would repay them for their kindness and if ever they would need help in the seas, all they need to do is either chop a lock of their hair of pluck some strands. The hair will signify they are calling her and she will help. Then she swam away and also the drizzle stopped.

Years have passed and Maria and her brother Pedro had not forgotten the beautiful Naga. One day as Maria was walking by the beach he herd screams suddenly a band of Moro men grabbed her. Things happened so fast and she realized she was being abducted by these strong men. Men who looked thicker in muscle then the men from her community. They were forced in their boats, Maria and the other women started sobbing. Wiping her eyes she looked at the waters and remembered the lovely Naga, she pulled strands of hair from her nape and prayed that the Naga would help her. A thud on the side of the Moro boat. Then another, Maria got a glimpse of colored scales.

magindara
magindara


The boat flipped, and she and the Moro men and the abducted women were now the in the waters. Maria saw beautiful women with long flowing hair with lower bodies of multi-colored scaled fishes. They were beautiful but they tore the flesh from the Moro men. She would have drowned in fear but something was pulling her. Like the other women the lower half of her body was like fish but unlike those of the magindara that were colorful and scaled, hers was of gray and silver. It was the lovely Naga she and her brothers helped before. The seven girl, Maria one of them woke up on the shores. The whole Anilao was in joy that the boat of the Moros had sunk and not one of them saw seen, and all the girls that were abducted were safe. It drizzled that day and only Maria knew that it was a sign from the lovely Naga who had rescued them.




















REMINDER

The orally transmitted mythology of the Philippines is intended for sharing and understanding, not for appropriation, commercial exploitation, or the promotion of foreigners and foreign products. It is a dynamic narrative tradition that evolves over time, distinct from the standardized mythologies found in Western and European cultures. Unlike these established mythologies, the Philippine government has not mandated standardized versions of stories and legends.

Orally transmitted stories undergo variations and evolve over time, resulting in numerous different versions. There are many different version told by Filipinos,and retold by Filipinos.


Saturday, January 23, 2016

ORYOL







Oryol is a demi-goddess in Bicolano myths, she is mentioned in the epic Ibalong. Believed to be the daughter of the deity Asuang. Oryol possesses inhuman beauty and prowess when it comes to seduction. In Bikolano stories she is both a villain and a hero. She commanded monsters to battle the human colonies in Ibalong, later she will teach the secret of the gods to Handiog and together, in their reign Ibalong flurished. Aside from having a beautiful face and seductive upper body, it is told that she has a beautiful voice that could lure anyone (both men and women, even animals) Half of her body is a serpent. It is believed that the Naga and the Magindara obey her every command for she is a demigoddess.





Oryol in Ibalong



The land of Ibalong was believed to the domain of mythical monsters and beast, it is where they cohabit freely and peacefully until the human settlers came from the sea.
Oryol, a beautiful demigoddess decided to stop the foreign invaders.
Handiog and his men set traps for Oryol but she is intelligent and does not fall into their traps.

Oryol  (📸 © Noel Borbe)

Oryol is beautiful but half of her body is that of a huge serpent. With the help of the naga and magindara (vicious mermaids) She used her voice and did so the mermaids to lure the warrior, she and the mermaids were able to slay most of Handiog's men. Handiog angered seek revenge and sealed the mermaids inside a huge cave (in Mount Hantik)


Handiog searched alone for Oryol. While looking for the monster Oryol, he heard singing and was captivated by it, only to find out it was Oryol. The two battled, they gained respect for one another for they were both strong and able combatant. The two fell in love.

Oryol thought Handiog the secrets of governing the lands.

Oryol could have killed him but she fell in love with her and help Handiog clean the land of monsters. He with the help of the demi-goddess Oryol revealing the secrets of the gods and beast made Bicol flourished.



Oryol
effigy in Daragang Magayon Festival in Bicol


Oryol
Art by Nadz


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The Love Story of Oryol and the Flourishing of Ibalong

In the midst of Handyong's quest, a captivating love story unfolded with Oryol, a beautiful demigoddess. Initially a formidable adversary, Oryol's intelligence and allure captured Handyong's attention. The two engaged in a fierce battle, but respect for each other's strength blossomed into love.

Oryol, half-human and half-serpent, played a crucial role in Handyong's journey. Her revelation of the secrets of governing the lands contributed to the flourishing of Bicol. The demigoddess, once an obstacle, became an ally in Handyong's quest to cleanse Ibalong of monsters and build a prosperous society.




HANDYONG & ORYOL

Handiong and his men successfully eliminated the dangerous creatures and flying monsters in Ibalong, cleansing the land of its wild beasts.

In a mystical forest, monsters led by the clever serpent, Oryol, freely roamed. Oryol, once a beautiful and intelligent maiden, led these monsters against the humans who had invaded Ibalong. Seeking assistance, she asked for help from mystical beings like Naga and Magindara.

Oryol, a demigoddess, became a strong opponent, using her serpent-like charm and the support of mermaids to hinder Handiong and his men.Surprisingly, Oryol, who could have killed Handiong, fell in love with him and decided to help him clear the land of monsters. With Oryol's assistance, Handiong discovered secrets about gods and beasts, leading to the flourishing of Bicol. Together, they defeated giant crocodiles called Buwaya in combat, staining the Bicol River red with their blood. The survivors, including Sarimao, were banished and sealed away inside Mount Kulasi.

As years passed, Ibalong became prosperous under Handiong's leadership. Handiong established colonies in Isarog, and progress continued. In gratitude, the people named the rice they planted after Handiong. This tale symbolizes themes of love, cooperation, and the triumph of good over evil, enriching the cultural heritage of the Bicolano people. The rivers and swamps of Ibalong turned red with the blood of these mythical beings, marking the end of the monsters' influence.


Oryol


Oryol as a Malevolent Naga


Stories about Oryol are usually contrasting some stories depict her as cruel and cunning, in some kind and has a tender heart. In the legend on how the volcanoes of Bicol come to be. she plays a major part, as a demi-goddess who seek to destroy the noble women from possessing the secrets of the gods. Using her beautiful voice and minions she killed the three most beautiful maiden in Ibalong, thus creating the three mountains or volcanoes in Bicol.




Oryol's Beauty and Cunning:
In Bicolano myths, Oryol is introduced as a demigoddess of extraordinary beauty, believed to be the daughter of the deity Asuang. Her physical allure is not merely superficial; it becomes a formidable weapon in her arsenal, capable of seducing both men and women. Oryol's enchanting voice, coupled with her cunning nature, allows her to command monsters and outsmart the protagonist, Handiog, as he attempts to set traps for her. Her cunning intellect is revealed as she navigates challenges with dexterity, showcasing her ability to manipulate situations to her advantage.


Love's Transformative Power:
However, the narrative takes a profound turn when Oryol's encounter with Handiog sparks a transformative change. The initial animosity between them evolves into a deep and genuine love. This love becomes a driving force in the story, leading Oryol to make a pivotal decision – to reveal the secrets of the gods to Handiog. This act of sharing divine knowledge becomes instrumental in the flourishing of Bicol, marking a significant shift in Oryol's character from antagonist to ally.

Battle againts Buwaya

Oryol was the main reason the mighty Buwaya tribe were defeated and banished.
The Buwaya were a race of crocodile-like creature that can transfrom into humanoid crocodile warriors. They were considered monsters and Handyong defeated the giant crocodiles in combat. Handyong was assisted by Oryol in killing many of them, which lead tinged the Bicol River red with blood. The survivors were banished, along with Sarimao, to Mount Kulasi.

Oryol



Oryol as the villain in TULONG BULOD 

In the mystic realm of Ibalon, where gods and mortals coexisted, a tale unfolded beneath the moonlit skies, blending the haunting echoes of tragedy with the intoxicating allure of love. Ruled by Datu Makusog and his ethereal wife Diwani, their daughters, Malinao, Masaraga, and the youngest beauty, Magayon, were destined to become the loveliest maidens in the land. Masaraga, with her brown beauty and unwavering determination, sought the secrets of the gods to elevate Ibalon's prosperity. Malinao, fari and lovely and veiled in mystery and carried in a palanquin, held a connection to lunar deities, bestowing bounty upon the sea. Magayon, adorned with golden-copper skin and copper hair, possessed a proud spirit, finding solace in the company of birds that sang to her. The enchanting melody of Magayon's avian companions formed a symphony around her. The trio, chosen for the sacred dance of ''atang,'' embarked on a destiny that intertwined divine favor and ominous omens. Masaraga's fervor to unlock the gods' secrets, however, angered Oryol, daughter of the malevolent deity Asuang. Oryol's haunting voice summoned the Banog, a monstrous being, leading to Masaraga's tragic fall from the sky. Oryol, consumed by jealousy, devised a plot against Malinao, transforming into Masaraga to lure her sister into the clutches of malevolent mermaids. The sea swallowed Malinao, extinguishing the light that radiated from her connection to the moon god. Now, Oryol turned her attention to Magayon, a radiant but prideful beauty. Despite noble suitors, including Datu Pagtuga with his treasures from the deep sea, Magayon remained aloof. Gino Panganoron, a noble with the blood of wind people, ventured from afar, captivated by Magayon's allure. As their hearts entwined, Oryol plotted a tragic destiny at the river called Yawa. The slippery stones, orchestrated by Oryol's enchanting melody, beckoned Magayon towards the treacherous waters. Yet, it was the patient and noble Ulap, known as Gino Panganoron, who emerged as her savior, rescuing her from the clutches of drowning fate. Ulap's act of heroism kindled a flame of love, leading Magayon to accept his marriage proposal. Their impending union, however, stirred Oryol's wrath. Infusing wicked thoughts into Datu Pagtuga's mind, Oryol orchestrated his abduction, leading to a dire ultimatum for Magayon – marry or witness her father's demise. On the day of their ill-fated wedding, Ulap and his men descended upon Pagtuga and his warriors, transforming festivities into a battleground. Amidst the chaos, Ulap triumphed over Pagtuga, only to face a heart-wrenching tragedy. An arrow, launched in treachery, struck Magayon, piercing the air with sorrow. As Magayon fell, Ulap's guard dropped, allowing Linog, Pagtuga's loyal warrior, to seize the moment. A spear plunged into Ulap, sealing their destinies together in death. Datu Makusog, in grief, avenged Ulap's death, his bolo striking down Linog. Witnessing the sorrow that befell the three sisters, the gods left their mark on the land. Mount Masaraga, where the first tragedy occurred, and Mount Malinao, where the sea claimed a maiden, emerged as eternal memorials. Yet, it was at the burial site of Magayon and Panganoron that Mount Magayon, now known as Mount Mayon, stood as a testament to love transcending mortality. And as clouds enshrouded the summit of Mount Mayon, the people believed it to be Ulap's eternal kiss, a poignant reminder of a love story entwined with the darkness and passion that defined the enchanting saga of Tulong Bulod.









Duality in Oryol
It is crucial to acknowledge the duality within Oryol's character. In different stories, she is portrayed both as a malevolent naga seeking destruction and as a kind-hearted demigoddess with a tender heart. This duality adds depth to her mythology, emphasizing the multifaceted nature of her existence. Oryol's character is not confined to a singular interpretation, allowing for a nuanced understanding of her role in Bicolano folklore.




Oryol's myth undergoes a profound transformation when love enters the narrative. Despite being initially portrayed as a malevolent force, her encounter with Handiog sparks a change in the demigoddess. The love that blossoms between them transcends the boundaries of their disparate worlds, leading to a mutual respect and understanding.

The pivotal moment in Oryol's story is when she decides to reveal the secrets of the gods to Handiog. This act of sharing divine knowledge becomes instrumental in the flourishing of Bicol. Oryol, once a hindrance to the human settlers, becomes an essential ally in Handiog's quest to cleanse Ibalong of monsters and establish a prosperous society.



beauty, cunning, wisdom, and love. Her character evolves from a formidable antagonist to a vital contributor to the flourishing of Bicol. Oryol's tale serves as a timeless reminder of the transformative power of love and the intricate interplay between gods and mortals in shaping the destiny of a land.











REMINDER

The orally transmitted mythology of the Philippines is intended for sharing and understanding, not for appropriation, commercial exploitation, or the promotion of foreigners and foreign products. It is a dynamic narrative tradition that evolves over time, distinct from the standardized mythologies found in Western and European cultures. Unlike these established mythologies, the Philippine government has not mandated standardized versions of stories and legends.

Orally transmitted stories undergo variations and evolve over time, resulting in numerous different versions. There are many different version told by Filipinos,and retold by Filipinos.