Wednesday, July 30, 2014

Bicolano Origin Myth


Ang alamat ng Pinagmulan ayon sa mga Bikolano

Noong unang panahon, wala kundi ang kawalan, pagkatapos ay lumitaw ang malaking karagatan kasama ng walang hanggang kalangitan. Makikita ang mga hayop at halimaw sa malawakang lawak ng tubig at kalangitan sa itaas nito. Ang kaharian ng kalangitan ay nasa ilalim ng pamamahala ng dakilang diyos na si Languit, habang ang tubig ay nasa ilalim ng panginoon na si Tubigan.

May isang anak si Languit na tinatawag na Dagat, ang karagatan, na naging asawa ni Paros, ang hangin, na anak ni Tubigan. Apat na anak ang isinilang ni Dagat at Paros, tatlong lalaki na tinatawag na Daga, Aldao, at Bulan, at isang babae na tinatawag na Bitoon.

Si Daga, isang malakas na lalaki, ay may katawan ng bato; si Aldao, isang masayahing kasama, ay may katawan ng ginto; si Bulan, isang tao na gawa sa tanso, ay masunurin; habang ang magandang si Bitoon ay gawa sa purong pilak.

Matapos mamatay ang kanilang ama na si Paros, si Daga, bilang panganay, ang pumalit sa lalang sa hangin. Agad pagkatapos, namatay si Dagat, iniwan ang kanyang mga anak sa pangangalaga ng mga lolo at lola na sina Languit at Tubigan.

Matapos ang pagsusunod sa hangin, naging arogante at ambisyoso si Daga, na nagnanais ng mas maraming kapangyarihan, kaya't iniudyok niya ang kanyang mga nakababatang kapatid na atakihin ang kaharian ni Languit. Una, tinanggihan nila ito; sa galit ni Daga, napilitan sina Bulan at Aldao na sumama sa kanya sa kanyang plano.

Ginawa ang mga paghahanda sa pagsalakay at nang ang lahat ay handa na, nagsimula silang maglakbay sa kanilang ekspedisyon at nagsimulang atakihin ang mga pintuan ng kalangitan. Dahil hindi nila magawang buksan ang mga pintuan, pinalabas ni Daga ang hangin sa lahat ng direksyon kaya't nasira ang pinto at nagtagumpay ang mga kapatid sa pagpasok. Ngunit sila'y sinalubong ng galit na Languit na nagpadala ng tatlong kidlat sa kanila. Lahat sila'y tinamaan ng kidlat. Ang tansong katawan ni Bulan ay natunaw at naging bilog; gayundin ang ginto katawan ni Aldao. Ang katawan ni Daga ay bumagsak sa karagatan at naging ang lupa.

Nang mabatid ni Bitoon ang pagkawala ng kanyang mga kapatid, lumabas siya upang hanapin ang mga ito. Subalit sa pagtatagpo kay galit na diyos na si Languit, tinamaan din si Bitoon ng kidlat na nagpunit sa kanyang katawan sa maraming bahagi.

Pagkatapos, bumaba si Languit mula sa kalangitan at tinawag si Tubigan at inakusahan siya ng pagtulong sa kanilang mga apo sa kanilang pagsalakay sa kanyang kaharian. Ngunit ipinagtanggol ni Tubigan ang sarili na wala siyang kaalaman tungkol sa pagsalakay dahil siya ay natutulog malalim sa ilalim ng dagat. Nagtagumpay si Tubigan sa pagsasantabi kay Languit at pareho silang nadarama ang panghihinayang at lungkot sa pagkawala ng kanilang mga apo. Dahil hindi sila makapagbuhay muli sa mga ito, binigyan nila ng liwanag ang bawat katawan.

Ipinlano ni Tubigan ang isang buto na lumaki bilang isang puno ng kawayan. Mula sa isa sa mga sanga nito ay nagmula ang isang lalaki at isang babae, na naging mga unang magulang ng sangkatauhan. Tatlong anak ang isinilang sa kanila. Ang isa ay tinatawag na Maisog na nag-imbento ng lambat sa isda. Isang araw, nahuli niya ang isang napakalaking at kakaibang hitsurang balyena na iniisip niyang isang diyos, kaya't iniutos niya sa kanyang mga tao na sambahin ito. Nagtipon ang mga tao at nagsimulang magdasal; ngunit sa sandaling nagsimula sila, lumitaw ang mga diyos mula sa kalangitan at iniutos kay Maisog na itapon ang balyena sa tubig at sambahin ang mga diyos lamang. Ngunit hindi natatakot si Maisog at nilabag ang mga diyos. Si Languit, hari ng kalangitan, ay bumato ng kidlat kay Maisog at itinumba siya. Pagkatapos, inihiwa ang mga tao sa iba't ibang bahagi ng mundo bilang parusa. Sa ganitong paraan, ang mundo ay nagkaruon ng tao.

Ang katawan ni Maisog ay naging itim dahil sa kidlat at ang lahat ng kanyang mga lahi ay itim din. Ngunit ang anak ni Maisog ay dinala sa hilaga at naging magulang ng mga puti. Ang iba pang mga anak ay dinala sa timog kung saan mainit ang araw at itinutuyong ang kanilang mga katawan kaya't lahat ng kanilang mga lahi ay kayumangi. Ang ibang tao ay dinala sa silangan kung saan kinakailangang kumain ng putik dahil sa kawalan ng pagkain. Dahil dito, ang kanilang mga lahi ay nagiging kulay dilaw.


Long ago there was nothing but the void, then the great sea appeared along with the endless skies appeared.
Beasts and monsters on the vast expanse of water and the sky above it could be seen. The kingdom of the sky was under the rule of the great god Languit, while the water was under the sovereignty of the god Tubigan.
Languit had a daughter called Dagat, the sea, who became the wife of Paros, the wind , who was the son of Tubigan.
Four children were born to Dagat and Paros, three of whom were boys called Daga, Aldao, and Bulan, and one girl called Bitoon.
Daga, a strong man, possessed a body of rock; Aldao, a jolly fellow, had a body of gold; Bulan, a copper-made man, was a submissive; while the beautiful Bitoon was made of pure silver.
After the death of their father Paros, Daga, being the eldest son, succeeded in control of the winds. Soon after, Dagat, the mother died, leaving her children under the care of the grandparents Languit and Tubigan.
After assuming control of the winds, Daga became arrogant and ambitious, desiring to gain more power, so he induced his younger brothers to attack the kingdom of Languit. At first they refused; at Daga's anger, Bulan and Aldao were constrained to join him in his plot.

Preparations were made and when everything was ready, they set out on their expedition and began to attack the gates of the sky. Failing to open the gates, Daga let loose the winds in all directions so that the gate was destroyed and the brothers succeeded in gaining entrance. But they were met by the enraged Languit who set out three bolts of lightning after them. All of them were struck by lightning. The copper body of Bulan melted into a ball; so also was the golden body of Aldao. Daga's body fell into the sea and became what is now the earth.
Their sister Bitoon, on discovering the absence of her brothers, went out to look for them. But upon meeting the enraged god Languit, Bitoon was also struck by another bolt of lightning which broke her body into many pieces.
Then Languit descended from the sky and called Tubigan and accused him of helping their grandsons in their attack on his kingdom. But Tubigan defended himself saying he had no knowledge about the attack for he was asleep far down into the sea. Tubigan succeeded in pacifying Languit and the two regretted and wept over the loss of their grandchildren. Since they could not revive them, they gave each body a light.
Tubigan then planted a seed which grew into a bamboo tree. From one of its branches came a man and a woman, who became the first parents of the human race. Three children were born to them. One called Maisog invented a fish trap. One day he caught such a very big and grotesque looking whale that he thought it was a god, so he ordered his people to worship it. The people gathered around and began to pray; but no sooner they had begun, when gods from the sky appeared and commanded Maisog to throw the whale to the water and worship no one but the gods. But Maisog was not afraid and defied the gods. Languit, the king of the sky, struck Maisog with lightning and stunned him. Then he scattered the people over the earth as a punishment. In this way the earth was peopled.

Maisog's body was blackened by the lightning and all his descendants are black. But Maisog's son was carried to the north and became the parent of the white people. His other children were brought to the south where the sun was hot and it scorched their bodies so that all their people were of brown color. The other people were carried to the east where they had to feed on clay due to scarcity of food. Because of this diet, their descendants were of yellow color."

BIKOLANDIA - TALES AND LEGENDS IN THE LAND OF GODS AND MONSTERS

 

BIKOLANDIA - TALES AND LEGENDS IN THE LAND OF GODS AND MONSTERS

 Collection of Stories and Different versions of same stories orally passed down in Ibalong and contemporary Bicol


FIRE OF IBALONG : The Tale of Asuang and Gugurang

Residing atop the desolate Mount Malinao, Asuang harbored an insatiable desire for power equal to that of Gugurang. Seeking the ability to control fire and unleash chaos, Asuang pleaded with Gugurang for this coveted gift. Gugurang, foreseeing the dire consequences, vehemently refused, cautioning Asuang about the potential calamities such power could bring.

A heated exchange unfolded between the two deities, exposing Asuang's ambitions and resentment toward Gugurang's uncontested supremacy. Undeterred, Asuang decided to rebel, gathering malevolent counselors and releasing evil spirits upon the world. This ushered in an era of immorality, lawlessness, and crime, prompting Gugurang to identify Asuang as the source of these calamities.

Despite Gugurang's omnipotence, he found himself powerless against Asuang's sudden acquisition of hidden powers. As Asuang relentlessly opposed Gugurang, spreading chaos, Gugurang safeguarded his divine fire, symbolizing his power, with the catambang as loyal guardians. However, Asuang, through guile and bribery, infiltrated the sanctum and absconded with the stolen fire, contained within a coconut shell.

As Asuang unleashed fiery devastation, Gugurang, from his celestial throne, pursued the malevolent thief. A race for supremacy unfolded, scalding the air as they hurtled towards Mount Malinao. As Asuang neared victory, Gugurang intercepted, swiftly reclaiming the stolen fire and vanishing. Asuang, robbed of invisibility, stood defeated.

Gugurang quenched the fires with relentless rain, prompting grateful people to offer atangs in penance. Enraged by Asuang's treachery, Gugurang commanded Lightning and Thunder to strike Mount Malinao, cleaving it in twain. The heavens roared, signaling the defeat of evil as Gugurang sealed Asuang deep within the earth.

IBALONG


Ayon sa salaysay ni Pari Jose Castaño, batay sa narinig niyang kuwento ng isang manlalakbay na mang-aawit na si Cadugnong, ang epikong Ibalon ay tungkol sa kabayanihan ng tatlong magigiting na lalaki ng Ibalon na sina Baltog, Handiong, at Bantong.  Ibalon ang matandang pangalan ng Bikol.


Si Baltog ay nakarating sa lupain ng Ibalon dahil sa pagtugis niya sa isang malaking baboy-ramo.  Siya'y nanggaling pa sa lupain ng Batawara.  Mayaman ang lupain ng Ibalon at doon na siya nanirahan.  Siya ang kinilalang hari ng Ibalon.  Naging maunlad ang pamumuhay ng mga tao.  Subalit may muling kinatakutan ang mga tao, isang malaki at mapaminsalang baboy-ramo na tuwing sumasapit ang gabi ay namiminsala ng mga pananim.  Si Baltog ay matanda na upang makilaban.  Tinulungan siya ng kanyang kaibigang si Handiong.


Pinamunuan ni Handiong ang mga lalaki ng Ibalon upang kanilang lipulin ang mga dambuhalang buwaya, mababangis na tamaraw at lumilipad na mga pating at mga halimaw na kumakain ng tao.  Napatay nila ang mga ito maliban sa isang engkantadang nakapag-aanyong magandang dalaga na may matamis na tinig.  Ito ay si Oriol.  Tumulong si Oriol sa paglipol ng iba pang mga masasamang hayop sa Ibalon.


Naging payapa ang Ibalon.  Ang mga tao ay umunlad.  Tinuruan niya ang mga tao ng maayos na pagsasaka.  Ang mga piling tauhan ni Handiong ay tumulong sa kanyang pamamahala at pagtuturo sa mga tao ng maraming bagay.


Ang sistema ng pagsulat ay itinuro ni Sural.  Itinuro ni Dinahong Pandak ang paggawa ng palayok na Iluad at ng iba pang kagamitan sa pagluluto.


Si Hablon naman ay nagturo sa mga tao ng paghabi ng tela.  Si Ginantong ay gumawa ng kauna-unahang bangka, ng araro, itak at iba pang kasangkapan sa bahay.


Naging lalong maunlad at masagana ang Ibalon.  Subalit may isang halimaw na namang sumipot.  Ito ay kalahating tao at kalahating hayop.  Siya si Rabut.  Nagagawa niyang bato ang mga tao o hayop na kanyang maengkanto.  May nagtangkang pumatay sa kanya subalit sinamang palad na naging bato.  Nabalitaan ito ni Bantong at inihandog niya ang sarili kay Handiong upang siyang pumatay kay Rabut.


Nalaman ni Bantong na sa araw ay tulog na tulog si Rabut.  Kaniya itong pinatay habang natutulog.


Nagalit ang Diyos sa ginawang pataksil na pagpatay kay Rabut.  Diumano, masama man si Rabut, dapat ay binigyan ng pagkakataong magtanggol sa sarili nito.  Pinarusahan ng Diyos ang Ibalon sa pamamagitan ng isang napakalaking baha.


Nasira ang mga bahay at pananim.  Nalunod ang maraming tao.  Nakaligtas lamang ang ilang nakaakyat sa taluktok ng matataas na bundok.  Nang kumati ang tubig, iba na ang anyo ng Ibalon.  Nagpanibagong buhay ang mga tao ngayon ay sa pamumuno ni Bantong.Matandang kasaysayan ng Ibalon:


Ang panahong nasasaklaw ng matandang kasaysayan ng Kabikulan ay nagsimula noong sinauna hanggang sa pagdating ng mga Kastila sa pangunguna ni Juan Salcedo noong 1573.  Ibalon o Ibalnon ang naging tawag ng mga Kastila sa pook na ito at sa pangalang ito naunang nakilala ang lupain ng mga sinaunang bikolano.  Ang naging batayan nito ay ang ibal o ibay na siyang kauna-unahang pangalan ng tangway ng Bikol.  Ang ibal ay salitang pinaikli na ang Ibalyo (Bikol) o Ibaylo (Bisaya) na nangangahulugang maging tawiran mula sa Bisaya patungo sa kabilang ibayo sa dakong timog Luzon.


Katangian ng Epikong Ibalon:


Ito ay binubuo ng animnapung saknong na may apat  na taludtod ang bawat saknong.  Ang sukat ay labindalawang pantig ang bawat taludtod.  Ito ay isinalin ni Fr. Jose Castaño sa Kastila.  Ang kayarian ng epikong Ibalon ay nahahati sa dalawang bahagi.  Ang unang bahagi ay ang kahilingan ni Iling kay Kadugnung na awitin nito ng huli ang mga pangyayaring nagpapakilala sa kabayanihan ng bayaning si Handyong.  Ito ang nilalaman ng unang bahagi na may anim na saknong.


Ang ikalawang bahagi naman ay ang awit ni Kadugnung na naglalaman at naglalahad ng mga pangyayaring naganap noong matagal na panahon.


ILING – isang ibon na laganap sa Kabikulan at kung inaalagaan ay maaaring turuang bumigkas ng ilang salita.


KADUGNUNG – mang-aawit at matalinong makata at sa kahilingan ni Iling ay inawit niya ang epiko.  Siya ang nagsalaysay ng epiko kay Fr. Jose Castaño.

(Batay sa pagsasaliksik ni Ester E. Tuy)

IBALONG  
(translated by David Evangelista) 

Listen, then, children of Bícol, said Cadugnung swiftly, the deeds of the ancient land, beautiful homeland of Handiong. Bícol is a land flat, fertile, alluvial; of all the world the most beautiful, the richest in production. Baltog was the first man to inhabit this land, originating from Botavara, of the race of Lifiod. To Bícol he came - following a very fierce wild boar, which had destroyed his flax crops one night. When he had it cornered, he threw his spear to the ground, and with his herculean arms split its jaws. Each jawbone had a length of one yard and the tusks two-thirds of the length of his spear. Upon returning to his lands, he hung the two jawbones from a gigantic talisay tree in his house in Tondol. These glorious trophies of their king Baltog caused admiration among the old hunters. The tribes of Panicuason and Asog came to see them; and they said that in their days there was no greater wild boar. They called it the Tandaya of the mountains of Lignión for its exact resemblance to the monster Behemoth. After him came to Bícol with his warriors Handiong, who cleansed the region of monsters in a short time. Battles to extinguish them he waged a thousand times, always emerging with the air of a victor. The three-headed monoculars that inhabited Ponón, in ten moons without rest he completely destroyed. The winged sharks and the wild buffalo that flew over the mountains he tamed in less time. The colossal bttayas, like the balotos of today, and the fierce sarimáos he banished to Colasi. The snakes, which had voices like sirens, he buried forever in the cave of Hantic. But he could not overcome, no matter how cunning he was, the cunning snake known as the Oriol. This snake knew more than the famous Handiong and with her eyes she fascinated with affable seduction. Handiong put a thousand traps for her and she mocked them all, unraveling the knots with greater sagacity. With seductive words she deceived him many times, for in the art of deception Oriol was a great mistress. How many times through the forest he tirelessly pursued her, believing in the seductive voice of the siren! The labors of the great Hercules, the conquests he won, all would have failed because of the influence of Oriol. But, being fickle, she herself helped him to overcome the monsters that infested the region. He fought with the crocodiles arm to arm, and victorious from such tremendous battles he emerged unscathed. The pongos and orangutans looked at him with horror, for he stained the waters of Bícol with his blood. They were pugnacious monkeys of known valor, but the giant made them retreat to Isarog. And free from beasts, thus leaving the region, he thought with great interest of giving laws to his people. Handiong and his companions planted in a bolod Unzasj that bore fruit as big as a pansol. Also in a low place they planted the rich rice that for ages Handiong was known for. He made the first canoe that sailed through Bícol; except for the rudder and sail which came from Guinantong. He invented the plows, the comb, and the pagolón; the ganta and other measures, the sacal, bolo, and lando. The looms and argadillos were the work of Hablóm, who with amazement of all one day presented them to the king. He invented the gorgoreta, coron, calan, and pasó, and other various utensils the pygmy Dinahón. The alphabet was Súral, who curiously combined it, carving it on stone Libón polished by Gapón. They built city and houses in unequal proportion, hanging them from branches of banasi and camagón. For there were so many insects, so excessive the heat, that only in the moog could they endure the harshness of the sun. And he commanded very just laws about life and honor to which all were subject without distinction. Everyone kept their place, the slave and the lord, respecting the rights of lineage and succession. There was then a flood caused by Onós, which completely disrupted the appearance of this land. The volcanoes erupted - Hantic, Colasij, Isarog, and at the same time was felt a terrifying tremor. The shake was so great that the sea left dry the isthmus of Pasacao as it is seen today. It separated from the continent the islet of Malbogón where dwell the sibyls called Hilan, Lariong. The mighty Inarihan changed its course to the East, for, before the cataclysm, it flowed through Ponón. In Bato a great mountain sank and in its place appeared the lake, which now feeds with its fish the balón. From the gulf of Calabagnan disappeared Dagalnón, from where the dumagats were who inhabited Cotmón. This was a powerful kingdom in the times of Bantong, inseparable companion of the valiant Handión. He sent him there with a thousand men to kill Rabotj, half man and half beast, deceptive sorcerer. All who disembarked there before this expedition turned into stones by the enchantment of Rabot. Bantong knew that this wizard was a great sleeper, making it so during the day without any precaution. There he took his soldiers on a day of torrential rain, and before he woke up he divided him with a slash. Still he screamed with such a loud voice that he was heard from the mangroves of bógnad and camagón. They took him to Libmanan where the great Handiong went to see him and before his terrified eyes for a long time he remained. For never had he seen such a fearsome living being, of such a horrible figure nor of a more dreadful voice. Here Cadugnung suspended his first narration, leaving for another day to continue the occasion.



IBALONG

In the ancient land of Ibalong, where the whispers of epic tales echoed through the lush and fertile landscapes, the Ibálong saga unfolded, handed down through generations by the Kadunung, the epic chanters of the Bikol region in the Philippines.Long ago, Ibalong emerged from the sea, its shores graced by ships carrying people led by Baltog, a leader believed to be a descendant of the gods. Clad in gold ornaments, Baltog's skin was pale, hinting at a lineage linked to the mysterious "tawong lipod" or wind people. These pioneers, settling in Tundol, faced a land teeming with both richness and peril, its soil abundant but infested with mythical creatures.

Devout worshipers of moon gods, the settlers transformed Ibalong into a thriving colony, cultivating crops and building their homes. Yet, the land's mythical denizens, including the intelligent and marauding Tandayang sa Opon, posed a constant threat to their prosperity. In a furious clash, Baltog, armed with unparalleled strength, single-handedly vanquished the formidable boar, adorning his house with its colossal jawbones.

Celebrations ensued, attracting tribes like Panikwason and Asog, who marveled at the jawbones. However, more challenges awaited Ibalong, as the arrival of Handyong marked a new chapter in the epic.Handyong and his valiant warriors, armed with bolos and unwavering determination, sought to cleanse Ibalong of mythical creatures. The battles were fierce, spanning ten months of relentless combat against monsters like the one-eyed, three-necked behemoth and the giant flying fishes, Tiburon. Undeterred, Handyong and his warriors triumphed over each adversary, enslaving even the fierce Tamaraw.As the mythical creatures of Ibalong fought back, Sarimao, giant beasts, and Buaya, humanoid crocodile creatures, faced the wrath of the moon-blessed warriors. The rivers and swamps of Ibalong ran red with the blood of these mythical beings, witnessing the purging of their ancient presence.The godly intervention of Asuang signaled the end of the monsters' reign, with the moon god Gugurang favoring mankind. Oryol, a demigoddess, emerged as a formidable adversary, using her serpentine charm and the aid of mermaids to thwart Handyong's men. However, love blossomed amidst the chaos as Handyong and Oryol engaged in a fierce but respectful battle, leading to a surprising alliance. United, they revealed the secrets of gods and beasts, bringing prosperity to Bicol.Yet, the gods' involvement did not cease, and the tragic love story of Onos, Takay, and Kamaway unfolded, causing divine upheaval. Onos, the storm god, wreaked havoc, sinking Mount Asog and creating Lake Buhi. However, the compassionate moon gods, Bulan and Haliya, transformed the remains of Takay into vibrant flowers, a symbol of love and redemption.The tale took a darker turn as Onos, spurned by mortal love, unleashed Rabot, a half-human, half-monster abomination. Bantong, a hero and friend of Handyong, confronted Rabot, exploiting its weakness and vanquishing the creature. Strangely, Handyong mourned the beast's demise, sensing the end of an era where men's actions mirrored monsters.The Ibálong, passed down by the Kadunung, painted a vivid tapestry of Ibalong's mythical past, blending the heroic and the tragic, the divine and the mortal, in a symphony of folklore that resonated through the ages.



MYTHICAL PRINCESSES OF IBALONG


Malinaw - the beautiful,fair and cloistered princess of Ibalong, was well-kept and the sister of Daragang Magayon. In the place where Malinao drowned, Mount Malinao appeared. She was well kept for because she is much favored by the god of the sea Magindang. For her light skin reminds the sea god of Bulan, the god of the moon. ever since Malinao was born their had always been a bountiful catch from sea, and when Malinao is sad their fisher men could not catch fish.She was killed by the demi goddess Oryol because Oryol believed Malinaw learned the secrets of the gods


Masaraga - beautiful strong-willed and industrious princess of Ibalong, prayed to the gods often and possessed beautiful golden-brown skin. Tragically, she was killed by the flying monster called Banog, following the command of the demi-goddess Oryol. In remembrance toher the Gugurang made the ground where Masaraga fell to her death, Mount Masaraga appeared.


Magayon - Most beautiful Princess in Ibalong. Depicted as often surrounded by small birds.Magayon sometimes called Mayon or daragang Magayon is the youngest sister of Masaraga and Malinao, Beautiful but proud and moody, some say she was blessed with having golden-copper  skin and copper/dark brown coloured hair. In the beginning she was stubborn and refused to make rituals and "atang" with her sisters. She fell in love with Panganoron and became humble but was forced to marry Pagtuga to save her father, Datu Makusog. She died during the fight of Pagtuga and Panganoron.  In the place where she lay the stunning Mayon volcano grew.


TATLONG BULOD


In the mystic realm of Ibalon, where gods and mortals coexisted, a tale unfolded beneath the moonlit skies, blending the haunting echoes of tragedy with the intoxicating allure of love. Ruled by Datu Makusog and his ethereal wife Diwani, their daughters, Malinao, Masaraga, and the youngest beauty, Magayon, were destined to become the loveliest maidens in the land.Masaraga, with her brown beauty and unwavering determination, sought the secrets of the gods to elevate Ibalon's prosperity. Malinao, veiled in mystery and carried in a palanquin, held a connection to lunar deities, bestowing bounty upon the sea. Magayon, adorned with golden-copper skin and copper hair, possessed a proud spirit, finding solace in the company of birds that sang to her.The enchanting melody of Magayon's avian companions formed a symphony around her.The trio, chosen for the sacred dance of ''atang,'' embarked on a destiny that intertwined divine favor and ominous omens. Masaraga's fervor to unlock the gods' secrets, however, angered Oryol, daughter of the malevolent deity Asuang. Oryol's haunting voice summoned the Banog, a monstrous being, leading to Masaraga's tragic fall from the sky.Oryol, consumed by jealousy, devised a plot against Malinao, transforming into Masaraga to lure her sister into the clutches of malevolent mermaids. The sea swallowed Malinao, extinguishing the light that radiated from her connection to the moon god.

Now, Oryol turned her attention to Magayon, a radiant but prideful beauty. Despite noble suitors, including Datu Pagtuga with his treasures from the deep sea, Magayon remained aloof. Gino Panganoron, a noble with the blood of wind people, ventured from afar, captivated by Magayon's allure. As their hearts entwined, Oryol plotted a tragic destiny at the river called Yawa.The slippery stones, orchestrated by Oryol's enchanting melody, beckoned Magayon towards the treacherous waters. Yet, it was the patient and noble Ulap, known as Gino Panganoron, who emerged as her savior, rescuing her from the clutches of drowning fate.

Ulap's act of heroism kindled a flame of love, leading Magayon to accept his marriage proposal. Their impending union, however, stirred Oryol's wrath. Infusing wicked thoughts into Datu Pagtuga's mind, Oryol orchestrated his abduction, leading to a dire ultimatum for Magayon – marry or witness her father's demise.

On the day of their ill-fated wedding, Ulap and his men descended upon Pagtuga and his warriors, transforming festivities into a battleground. Amidst the chaos, Ulap triumphed over Pagtuga, only to face a heart-wrenching tragedy. An arrow, launched in treachery, struck Magayon, piercing the air with sorrow.

As Magayon fell, Ulap's guard dropped, allowing Linog, Pagtuga's loyal warrior, to seize the moment. A spear plunged into Ulap, sealing their destinies together in death. Datu Makusog, in grief, avenged Ulap's death, his bolo striking down Linog.

Witnessing the sorrow that befell the three sisters, the gods left their mark on the land. Mount Masaraga, where the first tragedy occurred, and Mount Malinao, where the sea claimed a maiden, emerged as eternal memorials. Yet, it was at the burial site of Magayon and Panganoron that Mount Magayon, now known as Mount Mayon, stood as a testament to love transcending mortality.

And as clouds enshrouded the summit of Mount Mayon, the people believed it to be Ulap's eternal kiss, a poignant reminder of a love story entwined with the darkness and passion that defined the enchanting saga of Tulong Bulod.

DARAGANG MAGAYON  ALAMAT KAN MAYONG

Kaitong panahon igwang magayonon na daragang apod Daragang Magayon. Aki siya ni Datu Makusog asin ni Dawani kan tribu sa Rawis, na harani sa dagat. Bantog sa Bikol and saiyang kagayonan, kaya dakol na buot mag-agom saiya. An pinakama-igot asin pinakamayaman si Pagtuga, an pamayo sa Iriga, na nagdadara saiya ki mga bulawan na gamit asin magagayon na bado. Ako man gabos ni Datu Makusog ta habo niyang madagit si Pagtuga, na mainiton an payo. Alagad habo ni Magayon ki Pagtuga ta di niya uyon an ugali na abaw-abaw.


Napaagi sa Rawis si Panganoron na taga-Kaliraya asin kan nahiling niya si Magayon, tulos siyang namuot sa daraga. Sinundan niya si Magayon dawa magsain. Sarong aldaw kan nagkarigos sa salog si Magayon dinara kan sulog dangan malalamos. Tulos siyang nailigtas ni Panganoron, na matibay maglangoy mala namundag sa danaw asin sabi aki kan magindara. Dai naghaloy, nagkaminuotan sinda. Bilang pagsunod sa kaugalian, nagduman si Panganoron sa harong ni Magayon dangan itinusok niya su garud sa daga bilang pahiling na buot niyang mag-agom sa daraga.


Dagit si Pagtuga kan naaraman an ginibo ni Panganoron. Tulos niyang pinaapod si Linog, an dakulaon niyang tauhan, na pag naglakaw minahiro an daga. Sa tabang ni Linog, dinakop ninda si Datu Makusog dangan itinago sa lungib harani sa Danaw Buhi. Dangan sinugo si Linog na sabihon kay Magayon na magpaagom saiya kun buot pang mahiling na buhay an ama.

Kan naaraman ni Panganoron an nangyari, nangako siya na ililigtas si Datu Makusog, alagad mauli siya sa Kaliraya tanganing magkua ki mga kasurog.


Sinabi ni Linog na dapat bago magbilog an bulan maaraman na kun uyon o dai si Magayon na magpaagom kay Pagtuga. Napiritan mag-uyon si Magayon tanganing mailigtas su buhay kan ama. Ipinataan su aldaw kan pag-agom. Sa taan na aldaw, nakabalik si Datu Makusog.


Bago natapos su panunumpa sa pag-agom, nag-abot si Panganoron kaibahan su mga kasurog. Matindi su labanan. Nagadan ni Panganoron si Pagtuga. Kan nahiling su namomotan, duminalagan, kuminugos si Magayon ki Panganoron. Alagad nahiling sinda ni Linog dangan sabay sindang tinuhog kan dakulang garud. Pagbagsak, sabay na gadan su nagkaminootan. Ipinagadan man tulos ni Datu Makusog si Linog.


Saro an linubungan ki Panganoron asin Magayon. Sa pagagi kan panahon, nagparahalangkaw su linubungan sagkod nagin magayonon na bulod. Inapod ini kan mga tawo na Bulod Mayong—na pinahalipot na Magayon. Kadaklan na aldaw napapandungan ni Panganoron si Mayong. 



Basic version of Legend of Mayon

There was once a beautiful maiden named Daragang Magayon. She was the daughter of Datu Makusog and Dawani of Rawis, a tribe in a land near the sea. Her beauty was known throughout Bikol and she had many suitors. But none was so powerful, persistent and rich as Pagtuga, a chieftain from Iriga, who showered her with gifts of golden trinkets and fine woven clothes. Datu Makusog would accept the gifts for fear of displeasing the ill-tempered Pagtuga. But Magayon would not touch the gifts, because she hated Pagtuga’s abrasive and impulsive mood.


A stranger named Panganoron from the lake-town of Caliraya accidentally passed by Rawis and saw Magayon and was captivated by her beauty. He instantly fell in love with her and secretly followed her everywhere. One day, while bathing in the river Magayon was caught in an undercurrent and nearly drowned. Panganoron, who was born near a lake and whose mother was thought to be a mermaid, saved her. In no time, they fell in love with each other. Consistent with the tradition of the time, Panganoron visited Magayon’s home and planted a spear on the ground fronting her window, signifying his intention to marry her.

Pagtuga was furious when he learned of this. He called Linog, his henchman, who was a creature so large that the ground he plodded on would shake. With the help of Linog, Pagtuga captured Datu Makusog, and imprisoned him in a cave near Lake Buhi. Then thru Linog he sent word to Magayon that unless the beautiful maiden marries him, she will never see her father again.

When Panganoron learned about the abduction of Makusog, he promised Magayon that he will save her father, but for the meantime he will go back to Caliraya and fetch his warriors.

Linog pressed Magayon to decide before the full moon lest her father would die. Magayon found no other way of saving the life of his father but to agree to marry Pagtuga. The marriage was arranged. On their wedding day, Datu Makusog was released and was to attend the ceremony.


Before the wedding ceremony was over, Panganoron and his warriors arrived and a battle with Pagtuga and his men ensued. Panganoron was able to slay Pagtuga. On seeing her triumphant lover, Magayon rushed to Panganoron and they embraced. However Linog saw this, and he swiftly hurled his powerful spear that pierced the bodies of the lovers. They both fell dead. Linog was eventually killed by Datu Makusog.

Panganoron and Magayon were burried in one grave. As time passed, the mound on the grave grew higher and higher until it became a majestic mountain. The people called it Mount Magayon, which was later shortened to Mayon. Most of the day, Panganoron, in the form of clouds would cover and protect Mayon.



HANDIONG AND ORYOL

In a time long past, amid the enchanting landscapes of the Bicol Region, the kingdom of Ibalon flourished, its beauty echoing through the tales of its wise and gallant ruler, Handyong. Nature itself seemed to sing praises of him, from the chirping Mayas to the croaking king-frog, Maribok. The mother Kalaw, Tuktok, and even the bald rooster, Poringot, all held homage to Handyong's virtues.

Despite the adoration, a shadow lingered over Handyong's heart. Deep within the mystical forest, monsters roamed freely, led by the elusive and cunning serpent, Oryol. Oryol, once a maiden of unparalleled beauty, had been ensnared in the treacherous clutches of an evil witch, Hilang, and transformed into a serpent by day and a woman by night. The only hope for Oryol's release lay in the destruction of an enchanted pitogo seed, a vow sealed in pitogo's demise.

Haunted by the recurring attacks on his kingdom, Handyong decided to confront the monsters once and for all. Deep into the forest, he ventured, determined to rid Ibalon of its nocturnal terrors.

Meanwhile, in the heart of the forest, the monsters convened to blame each other for their previous defeat. Amidst the bickering, Oryol, the wily serpent, smiled and devised a cunning plan to destroy Handyong. As the monsters retreated to their lairs, Oryol felt an overwhelming loneliness, prompting her to reveal her human form once more.

Days passed, and as the moon waxed full, Oryol's restless spirit stirred. Bathed in the moonlight, she transformed into a captivating woman, her beauty radiant in the dimly lit forest. As she sang her enchanting song, even the night owls fell silent in awe.

Handyong, leading his followers, stealthily approached the clearing. Enchanted by Oryol's song, his men succumbed to a magical slumber. Only Handyong, resisting the enchantment, remained vigilant. Witnessing the transformation from serpent to woman, he recognized the duality within Oryol.


As Oryol approached, intending to strike, Handyong's quick reflexes captured her neck. In a surprising twist of fate, she transformed back into a beautiful woman. Torn between her vow to kill Handyong and the unexpected surge of love, Oryol found herself at the mercy of her emotions.

With a gentle touch, Handyong laid her on a bed of leaves, his heart recognizing the humanity within her. Love blossomed unexpectedly as he bent down to kiss Oryol. In this tender moment, the enchanted pitogo seed fell from her hand, accidentally crushed beneath Handyong's foot, breaking the spell.

The monsters, now weakened, stirred from their slumber, launching an attack on Handyong and his followers. The forest echoed with the clash of bare-handed men against monstrous foes. The destruction of the pitogo seed crippled the monsters, leaving Oryol in a dilemma.

Torn between her loyalty to the monsters and her newfound connection to humanity, Oryol revealed the monsters' vulnerability. The battle raged on, and Handyong's men, armed with this knowledge, strategically aimed at the monsters' hearts.


In the aftermath, Handyong approached Oryol, who stood conflicted. Realizing the monsters were never truly her friends, she wept for the loss of her home and companions. In a gesture of compassion, Handyong offered her a chance at a new life.

As they embarked on a journey back to Ibalon, the animals of the forest, from Maribok to Poringot, joined in colorful celebration. The creatures that once feared Oryol now recognized the transformation within her, as love and redemption unfolded in the heart of the enchanted kingdom.


ALAMAT NG TAKAY

LEGEND OF THE TAKAY FLOWERS

 

In the celestial realm, Onos, the Sky God of Storms, bestowed his divine gaze upon Takay, a mortal child blooming into an unparalleled maiden of extraordinary beauty. Onos, captivated by her loveliness, harbored deep affection for Takay. Unbeknownst to her, Takay, already enamored with another, remained oblivious to Onos's celestial admiration. Bulan, the benevolent god of the moon, cautioned Onos about the risky dance between a deity and a mortal, foretelling the inevitable pain and suffering such love would bring.Ignoring the cosmic warning, Onos descended from his celestial abode, the heavens quivering with anticipation. Bathed in the radiance of moonbeams, Takay stood before him, an earthly vision of enchanting loveliness. Intoxicated by love, Onos declared his affections, only to be met with the heart-wrenching revelation that Takay's heart belonged to another—Kanaway.Consumed by jealous fury, Onos pursued Kanaway, determined to erase the rival who held Takay's heart. Lightning arced through the skies as Onos hurled bolts of divine wrath, turning Kanaway into an eternal monument of stone. In vengeful frenzy, Onos unleashed his celestial might upon Mt. Asog, causing it to crumble and sink into the depths, birthing the tranquil expanse known as Lake Buhi.Undeterred by cosmic consequences,

Onos, wrapped in storm clouds and raging tempests, unleashed torrents of floodwaters upon the once-thriving colonies and minor kingdoms of Ibalong. Bulan, witnessing the devastation, dispatched his wind people in a desperate attempt to stem the celestial onslaught, but Onos's power proved insurmountable. As the celestial gods descended, their arrival marked too late to spare Ibalong from the cataclysmic fallout of divine fury. The colonies lay in ruins, the remnants of a once-bustling realm now silenced by the echoes of a celestial storm.

In the mournful night that followed, Bulan descended with a heavy heart, discovering the lifeless form of Takay tenderly cradled by water plants. Moved by compassion, Bulan, with tears shimmering like moonlight, transformed Takay into a delicate flower, the Tacay, now adorning the landscapes of Bicol in perpetual bloom. A symbol of undying love and a testament to the tragedy that unfolded, the water hyacinth stands as a floral legacy, weaving the tale of a celestial romance that defied the very fabric of divine order.

Takay flower myth


In realms celestial, Onos, the Storm God's gaze, Fell upon Takay in beauty's tender phase. Mortal child to maiden, a bloom untold, An extraordinary allure, a tale to unfold. Onos, captivated, love deep and wide, In the celestial realm, where emotions bide. Yet, Takay, oblivious to the divine flame, Her heart entwined, another's claim. Bulan, moon's benevolence, a cosmic sage, Cautioned Onos in love's perilous stage. The dance of deity and mortal foreseen, A tapestry of pain, where hearts convene. Ignoring the cosmic warning, Onos descended, Heavens quivering, anticipation suspended. Moonbeams bathed Takay in ethereal light, An earthly vision, captivating and bright. Intoxicated by love, Onos spoke his heart, A revelation met, tearing love apart. Takay's heart, bound to Kanaway's grace, An unforeseen obstacle, love to erase. Jealous fury consumed the storm-wielder's might, Bolts hurled, turning Kanaway to stone, a lifeless sight. On Mt. Asog, celestial wrath unfurled, Crumbling and sinking, birthing Lake Buhi, a watery world. Undeterred by cosmic echoes, storm clouds arrayed, Torrents unleashed, colonies in floodwaters swayed. Bulan's wind people, a futile defense, Onos's power insurmountable, no recompense. Celestial gods descended, too late their arrival, Ibalong lay silent, once-thriving, now survival. Ruins remained, kingdoms in celestial storm's wake, A once-vibrant realm silenced, its legacy to partake. In the night's embrace, mournful and deep, Bulan descended, the secrets to keep. Takay, lifeless, by water plants caressed, Moonlit tears shimmering, a transformation expressed. Bulan, with compassion, love's lament, Turned Takay to Tacay, a floral testament. In Bicol's landscapes, perpetual bloom, Undying love, tragedy's sweet perfume. A water hyacinth, a floral decree, A celestial romance, defying decree. Weaving a tale in nature's grand accord, Of love, divine order, and the storm god's sword.


DARAGANG MAGAYON


In the quaint town of Daraga, nestled within the Albay province of the captivating Bicol Region, a majestic beauty stood in all its glory — Mayon Volcano, the most enchanting volcano in the Philippines. The awe-inspiring landscape of Mayon became the canvas upon which the locals painted the mesmerizing legend of "Daragang Magayon" or "Dalagang Maganda" (beautiful maiden) in Tagalog.At the heart of this captivating tale was a princess, the epitome of beauty and grace, known as Daragang Magayon. Adorned with a radiant countenance, she was often surrounded by a symphony of small birds, their melodies echoing the harmonious spirit within her. Also recognized as Mayon or Daragang Magayon, she was the youngest among her sisters, Masaraga and Malinao. Blessed with a golden-copper complexion and hair of the same hue, she radiated an ethereal charm that captivated the hearts of men far and wide.


Daragang Magayon, the cherished daughter of the benevolent and wise Datu Makusog (King Makusog), was not merely a vision of physical beauty but also possessed a character as captivating as her appearance. However, her pride and occasional moodiness added a layer of complexity to her character, making her more than just a conventional princess.A peculiar habit of Daragang Magayon was her clandestine ritual of bathing in the Yawa River every morning at the break of dawn. This serene moment, shielded from the prying eyes of the world, was a sacred act she performed with an innate sense of privacy.It was during one such dawn that fate intertwined the lives of Daragang Magayon and a traveler from the distant kingdom of Laguna. A young and enchanting lad named Ulap (cloud) accidentally stumbled upon her secret, and the moment he laid eyes on the beautiful maiden, he was entranced by her unparalleled beauty.Ulap, driven by destiny, decided to reveal himself to Daragang Magayon. As their hearts connected, their love blossomed, and their union was blessed by the benevolent King Makusog. Ulap, seeking to formalize their commitment, sought permission to journey back to Laguna and gather his relatives for the pamamanhikan, the prenuptial gathering.News of the impending union spread like wildfire, reaching neighboring kingdoms, including the Kingdom of Iraya, ruled by the envious Patuga. Consumed by rage and resurrected pain from Daragang Magayon's past rejection, Patuga cunningly devised a plan to disrupt the impending nuptials.


He manipulated his people into believing that Daragang Magayon's marriage to a foreign man was an affront to their masculinity. Fanning the flames of discontent, Patuga persuaded his subjects to launch an attack against the Kingdom of Rawin, with the intention of capturing King Makusog and demanding Daragang Magayon as ransom.Amidst the joyful preparations in Rawis for the arrival of Ulap's relatives, Patuga seized the opportunity and orchestrated a surprise attack. The unsuspecting people of Rawis fell victim to the sudden assault, with King Makusog effortlessly captured.In a noble act of sacrifice, Daragang Magayon offered herself as ransom for her father's freedom, despite the internal struggle this decision caused her. As the enemies closed in, Ulap and his clan from Laguna arrived just in time to join the battle against the treacherous invaders.

Under the scorching sun and amid swirling dust, the clash of swords and bolos echoed through the air. Daragang Magayon's heart pounded with suspense as the battle unfolded. Amidst the chaos, a lifeless body fell to the ground, momentarily sending shockwaves through the maiden's heart. To her relief, the fallen figure was not Ulap but Patuga.Turning around, Daragang Magayon saw Ulap with open arms, ready to embrace her. With unbridled joy, she rushed into the waiting arms of her lover. However, in a tragic twist of fate, a deadly arrow, launched by one of the enemies, pierced their entwined bodies. The sky was shrouded in gloom as the two lovers slowly descended to the ground.

The entire Kingdom of Rawis mourned the loss of their cherished couple. King Makusog, recognizing the undying love between Daragang Magayon and Ulap, decreed that the two should be buried together. Death, he proclaimed, should not separate what true love had united.As the saying goes, true love is difficult to bury. Like a relentless current, it persists, struggling to resurface. The legend insists that Daragang Magayon's love was so potent that her grave transformed into the towering majesty of a volcano, a poignant emblem of her enduring love. Lava erupted from this sacred monument, symbolizing the overflowing passion of her affection. This majestic volcano, emerging from the resting place of Daragang Magayon, became known as the Mayon Volcano, forever immortalizing the tale of a love that defied even death. Daragang Magayon, they say, lives on as the Mayon.



Like all orally passed down mythology there are many different versions of the story here are some of the many versions


Alamat ng Bulkang Mayon
Alamat ng Bulkang Mayon 
Ang pinuno ng mga Bikolano ay si Raha Makusog. Mayroon siyang kaisa-isang anak na dalaga, si Daragang Magayon na ang
ibig sabihin ay Dalagang Maganda.

Kilalang-kilala ang kagandahan ng prinsesa hanggang sa malalayong pook. Marami siyang manliligaw at isa na rito si Pagtuga, isang mayaman, bantog na mandirigma ngunit masama ang ugali pagdating sa kayamanan.

Nakarating sa katagalugan ang usap-usapan tungkol sa magandang dalaga. Nabalitaan ito ni Ginoong Alapaap na anak ng isang lakan. Maganda ang kanyang tindig, matalino at magalang. Ibig niyang mapatunayan ang kagandahan ni Daragang Magayon kung kaya’t siya ay naglakbay patungong Bikol.

Matagal na nagmasid si Alapaap sa ilog na ayon sa nagsabi sa kanya ay doon madalas maligo si Daragang Magayon. Nagbunga naman ang kanyang pagsisikap. Minsan ay naligong mag-isa si Daragang Magayon sa ilog, ngunit sa kasamaang-palad ay na dupilas ang dalaga at nahulog sa tubig na may kalaliman. Mabilis na tumalon sa tubig si Alapaap upang iligtas ang babae.

“Sino ka?” tanong ng dalaga. “Ano ang ginagawa mo rito?”


“Huwag po ninyong ikagagalit. Isa po akong hamak na Tagalog buhat pa sa malayong lugar upang masilayan lamang ang iwi mong kagandahan. Ibig ko sanang makasama ka habang-buhay,” magalang na tugon ni Alapaap.


“Baka nangangarap ka?” ang nakangiting tugon ng dalaga.


Sa maikling kuwento ay nagkaigihan ang dalawa. Nagkasundo silang pakasal. Umuwi si Alapaap upang sunduin ang kanyang mga magulang. Nabalitaan ni Pagtuga ang balak ng dalawa kaya’t gumawa siya ng paraan upang sagkaan ito. Tinipon niyang lahat ang kanyang mga tauhan at binihag si Raha Makusog. Sinabihan niya si Daragang Magayon na pakakawalan lamang ang kanyang ama kung siya ay papayag na pakasal kay Pagtuga. Napilitang sumang-ayon ang dalaga alang-alang sa kaligtasan ng ama.


Samantala, hindi ito nalingid kay Alapaap. Siya sampu ng kanyang mga tauhan ay lumusob bago naisakatuparan ang kasala nina Daragang Magayon at Pagtuga. Napatay ni Alapaap si Pagtuga ngunit sa kasamaang-palad ay tinamaan nang hindi sinasadya si Daragang Magayon. Sa pagtulong ni Alapaap kay Daragang Magayon, siya ay nahagip din ng isang saksak ng tauhan ni Pagtuga. Ang tatlo ay sabay-sabay na namatay sina Daragang Magayon, Alapaap at Pagtuga. Silang tatlo ay sabay-sabay ding inilibing sa gitna ng malawak na bukid. Lahat ng hiyas at kayamanan ni Daragang Magayon ay kasama sa hukay niya pati na ang mga regalo sa kanya ni Pagtuga.


Pagkalipas ng tatlong gabi, nagulat ang mamamayan sa lakas ng lindol sabay ng tunog ng malalakas na kulog at kidlat. Kinabukasan ay nagisnan nilang tumaas ang ipinaglibingan ni Daragang Magayon at ng dalawa niyang mangingibig. Tumaas nang tumaas ang puntod natila isang bundok. Nagkaroon ito ng magandang hugis at naging bulkan. Ayon sa pari ang magandang bulkan ay si Daragang Magayon ang maitim na usok ay ang maitim na budhi ni Pagtuga na labis ang kasakiman sa kayamanan. Naroon pa siya at gustong bawiin ang mga iniregalo kay Daragang Magayon. Maganda ang bulkan ngunit ito’y pumuputok at nag-aapoy sa galit kapag naaalala nito ang kasakiman ni Pagtuga. Unti-unting pumapayapa ito kapag nararamdaman niyang nasa piling niya si Alapaap at patuloy na nagmamahal sa kanya.


Mula noon ang bulkan ay tinawag na Mayon. Ang bayan na kinatatayuan ng bulkan ay tinawag na Daraga bilang pag-alaala kay Daragang Magayon.

Alamat ng Bulkang Mayon 
Alamat ng Bulkang Mayon 
Noong unang panahon sa kaharian ng Albay ay may isang makapangyarihang Raha. Siya ay may anak na kaakit-akit. Ito ay si Daragang Magayon na ang kahuluga’y “Magandang Dalaga.”

Maraming naakit sa kanyang taglay na kagandahan kaya di mabilang na mga datu at mga ginoong tanyag ang nag-alay sa kanya ng pagmamahal. Ang isa sa mga nanligaw ay si Kauen, anak ng mayamang Raha sa kanugnog na kaharian. Naghandog ng mahalagang hiyas at ginto ang binata subalit tumanggi sa regalo ang dalaga. Si Kanuen ay nabigo subalit nagyabang pa na ang dalaga ay magiging kanya pagdating ng araw.


Mula sa malayong Katagalugan, narinig ni Gat Malaya ang nabalitang kagandahan ni Daragang Magayon. Marami siyang mga pagkakataong makaniig ang paraluman subalit nagkaroon ng mga sagabal. Minsan malapit sa munting ilog, nakita niya ang dalagang namumupol ng bulaklak. Kinamaya-maya’y ang binibini’y nagtampisaw sa batis. Ang binata’y nagparinig ng himig ng masayang awit upang matawag ang kanyang pansin. Nagkatitigan sila at ang binata’y nginitian.

Nabuhayan ng loob ang prinsipeng Tagalog at ito’y nagsalita, “Magandang Mutya, mula ako sa malayo upang ikaw ay sadyain at makita ang tangi mong kariktan!”

“Sino ka? Hindi kita kilala! Isa kang pangahas!”

“Ako’y si Gat Malaya, galing sa kahariang malapit dito. Bigyan mo ako ng isang bulaklak at ako’y masisiyahan na!”

Bantulot na ihinagis ng dalaga ang bulaklak. Dumapo sa mga palad ng binata at ito’y kagyat na idinampi sa kaliwang dibdib.

“Maaari bang kita’y makitang muli?”

At nagsimula ang maraming tipanan ng dalawa sa makasaysayang batis.

“Isang araw,” mungkahi ng lalaki, “kita’y iniibig. Tayo’y pakasal!”

“Ngunit ang Raha? Ang aking ama?” may alinlangang paliwanag. “Dapat niyang malaman!”

“Huwag kang mag-alala! Hihingin ko ang kamay mo sa kanya!”

Pumayag ang Raha. Ang batang prinsipe ay kanyang nagustuhan pagkat magalang at nakakahalina kung kumilos. Itinakda ng Raha ang kasal sa pagbibilog ng buwan, matapos ang anihan.

Nagpaalam si Gat Malaya upang ipabatid sa kanyang mga magulang ang itinakdang kasalan. Kakaunin niya ang ama’t ina at silang tatlo ay babalik sa Albay.

Nabalitaan ni Kauen (nabigong manliligaw) ang napabalitang pag-iisang dibdib. Kanyang sinamantala ang pagkakataong wala si Gat Malaya. Pinuntahan niya si Daragang Magayon.

Matigas ang pagtanggi ng dalaga sa kabila ng mga pagbabala: “Kung hindi kita makamtan, walang magkakamit sa iyo sinuman!”

Ang prinsesa ay natakot dahil sa pagbabala sa buhay niya at sa kanyang ama. Siya’y sumagot, “Ako’y magiging iyo kung si Gat Malaya ay hindi bumalik!”

Nagtumulin ang mga araw at mga linggo. Malapit na ang tag-ani ngunit wala pa si Malaya. Hindi pa siya nagbabalik. Gabi-gabi ang dalaga’y nakaupo sa duruwangawan at naghihintay.

Nang dumating ang kabilugan ng buwan napilitan nang pakasal si Daraga kay Kauen. Nagkaroon ng maringal na handaan, kainan at sayawan.

Sa gitna ng kasayahan ay dumating si Gat Malaya kasama ang mga magulang.

“Ako’y naparito upang angkinin ang aking nobya!” sabi ni Malaya.

“Hindi maaari!” tugon ni Kauen.

Nagkaroon ng sukatan ng lakas. Magugunita na si Malaya ay subok sa espada subalit si Kauen naman ay malansi at mapaglalang.

Nang ihahagis ni Kauen ang kanyang sibat, si Daragang Magayon ay tumakbo upang pumagitna at sawayin ang dalawa. Sa kasamaang-palad, ang sibat ay tumama sa dibdib ng dalaga. Niyakap ni Malaya ito ngunit pataksil na sinibat ng katunggali. Kapwa nalagutan ng hininga ang magsing-ibig.

Nagluksa ang Raha at ang buong palasyo. Ipinag-utos niya na ang dalawa’y ilagak na magkasama sa isang hukay.

Lumipas ang mga araw. Himala ng mga himala. Ang lupa sa puntod ng libing ay tumaas hanggang sa itoy maging bundok. Napakaganda at perpekto ang hugis. Tinawag itong Bundok ng Mayon, bilang alaala kay Daragang Magayon.

Alamat ng Bulkang Mayon (Ver. 3)
Alamat ng Bulkang Mayon (Ver. 3)
Ang Mayon na isa sa pinakamagagandang bulkan sa Pilipinas ay ipinagmamalaki ng mga taga-Albay. Pero paano nga ba nagkaroon ng Bulkang Mayon?

Ayon sa isang matandang alamat, sa Albay ay may isang kagalang-galang na raha na sinusunod ng lahat. May anak itong dalaga na hinahangaan dahil sa taglay nito ng kagandahan at kabaitan. Daragang Magayon ang kilalang bansag sa anak ng raha. Daraga na nangangahulugang dalaga at magayon na ang ibig sabihin ay maganda.

Sapagkat ubod ng ganda, maraming binata ang dumadayo pa sa Albay makita lamang ang anak ng raha. Kabilang sa mga mangingibig ni Daragang Magayon ay mga binatang anak ng mga raha rin mula sa Camarines Norte, Camarines Sur, Catanduanes at Sorsogon.

Bagama’t kalat na kalat sa kabikulan ang nababalitang kariktan ni Magayon, pinagtiyap lang ng pagkakataon kung bakit nalaman din ng isang binatang mula sa napakalayong lugar sa katagalugan ang kahali-halinang kagandahan. Ang binata ay si Ulap na anak ni Raha Tagalog ng Quezon. Isa siyang abenturerong manunudla ng mga hayop gubat kaya siya napadpad sa kabikulan.

Minsang nakatulog siya sa kagubatan ay ginising siya ng halakhakan ng mga kadalagahan mula sa batis ng Rawis. Nakita niyang naglulunoy sa malinaw na tubig ang magagandang dilag. Pinakamaganda rito si Daragang Magayon. Hindi nagpakilala si Ulap sa inibig na kaagad na dilag. Sapagkat nalaman ng binatang buwan-buwang naglulunoy ang magkakaibigan sa batis ay pinagsasadya niya ang nasabing lugar upang masilayan lamang ang pinakamamahal. Sa tuwing nagsisiahon ang mga dalaga sa kristal na batis ay gustung-gusto na sanang makipagkilala ni Ulap kay Magayon subalit nag-aalala siyang baka sabihing siya ay pangahas.

Minsang napansin niyang may mga binata ring nakipaligo sa bukal Rawis ay nakiligo na rin si Ulap. Sa sobrang pagmamahal kay Magayon ay sinikap niyang mapansin siya ng dalaga.
Naging madalas ang pakikilunoy ni Ulap sa mga kabinataan upang mapalapit lamang kay Daragang Magayon.

Minsang nagpapahinga na sa talampas si Ulap at paakyat na ang dalaga ay napansin ng binatang isang malaking ahas ang umuusad papalapit sa damuhang nilalakaran ng kaniyang diyosang sinasamba. Patakbo siyang sumaklolo at sa isang kisapmata ay natagpas ang ulo ng ahas na nagkikisay sa paanan ni Daragang Magayon. Laking pasasalamat ng dalaga.

Iyon ang pagkakataon upang makipagkilala na si Ulap sa dalaga. Lagi at lagi na silang nagkikita. Mga sariwang prutas lang ang inihahandog nito sa kanya. Akala ni Daragang Magayon na ordinaryong mamamayan lang si Ulap sa kanilang bayan. Wala kasi itong yabang sa katawan.

Nang masukol sa kuwentuhan ay naipagtapat niyang anak din siya ng sikat na si Raha Tagalog sa Tayabas.

Lalong humanga sa pagpapakumbaba ni Ulap si Daragang Magayon.

Naikumpara niya ang binata sa manliligaw niyang si Iriga, matandang balong pinuno ng Camarines Sur. Pawang nagkikinangang alahas ang inihahandog nito sa kaniya. Magarbong matanda si Raha Iriga na kinatatakutan ng lahat pagkat kilala ito sa kawalan ng katarungan, raha ng mga magnanakaw at puno ng kasamaan.

Nagkaibigan si Ulap at si Daragang Magayon. Upang patunayan ang pagmamahal sa dalaga ay pinagsadya niya sa kaharian ang ama nito at malakas na itinulos ang matulis na sibat bilang pagpapatunay sa masidhi niyang pagmamahal kay Daragang Magayon. Iyon ay paghamon din sa sinumang nais magpahayag ng pag-ibig kay Daragang Magayon. Humanga sa tapang ni Ulap si Raha Makusog. Nag-usap sila. Ipinagpaalam ng binatang papupuntahin ang mga magulang niya upang pormal na hingin ang kamay ni Daragang Magayon upang sila ay makasal sa lalong madaling panahon. Pumayag ang mabait na ama ni Magayon. Bago sumagot ay nagpasya na si Raha Makusog na isauli na ang lahat ng alahas na handog ng ganid na si Raha Iriga.

Nakarating kay Raha Iriga ang nalalapit na pamamanhikan at kasalan.

Habang papauwi si Ulap upang sunduin ang mga magulang ay nilusob ni Raha Iriga ang baranggay ni Raha Makusog.

Bilang benggansa, binuhay niya bilang alipin si Raha Makusog at itinakda ang kasal nila ni Magayon sa pagbibilog ng buwan. Nagpakatanggi-tanggi ang dalaga subalit tuso si Raha Iriga.

Ipapapatay daw niya ang ama kung hindi pakakasal sa kaniya ang dalaga. Kumagat sa patalim si Daragang Magayon na dasal nang dasal na sana ay dumating na ang binatang pinakamamahal.

Naghahanda na sa maringal na pamamanhikan si Ulap at ang mga magulang nang makarating sa binata ang balitang sinapit ni Magayon. Galit na galit na isinama niya kaagad ang mga kawal.

Ang paghaharap ni Ulap at Raha Iriga ay tunggalian ng lakas sa lakas. Sapagkat katarungan ang ipinakikipaglaban kaya lalong lumakas si Ulap na sa huling malakas na taga ay napatay ang Raha ng Kasamaan. Tuwang-tuwa si Daragang Magayon na patakbong yumakap sa tagapagtanggol. Sapagkat napagitna ang magkasintahan sa mga kawal na nagdidigmaan ay di napansin ni Daragang Magayon ang ligaw na sibat na tumama sa dibdib niya. Natulala si Ulap na sumapo at yumakap sa mahal niyang diyosa. Napakabilis ng pangyayari. Hindi na nakapagpaalam pa ang magandang dalaga. Sa isang kisapmata ay sinugod naman ng tagapagtanggol ni Iriga si Ulap. Tumagos sa dibdib ng binata ang may lasong sandata. Nang makita ni Raha Makusog ang katampalasanan ng alipin ay tinagpas niya ang ulo ng buhong.

Nagapi sa digmaan ang ilan sa mga tauhan ng ganid na raha. Ang karamihan na naniniwala pa rin sa katarungan, kapayapaan at pag-iibigan ay nagsiluhod at pumayag na paampon sa mga matatapat na kawal ni Raha Makusog na inalalayan ng mga mandirigma ni Ulap mula sa katagalugan.

Bagama’t nauwi sa pagdadalamhati ang kasalan ni Ulap at ni Daragang Magayon ay nagyuko na lang ng ulo si Raha Makusog bilang pag-alinsunod sa itinakda ni Bathala.

Bilang pagbibigay pahalaga ng ama sa nag-iisang anak, pinagsama niya ang bangkay ng magsing-irog sa lugar na malapit sa batis Rawis na unang pinagtagpuan ng dalawa.

Ang lugar na iyon na pinaglibingan kay Daragang Magayon ay kapansing-pansing tumataas taun-taon. Sa kinatagalan ay lumaki ito nang lumaki at naging isang bundok. Bilang pagpapahalaga sa dakilang pag-ibig na inialay kay Daragang Magayon, ito ay tinawag na Bundok ni Daragang Magayon na ngayon ay naging Mayon.

Sa panahong tila humahaplos ang maninipis na ulap sa tuktok ng bundok, sinasabi ng mga matatanda na hinahagkan ni Ulap ang pisngi ni Magayon. At kapag marahang dumadaloy ang ulan sa gilid ng bundok, iyon daw ay pagluha ni Ulap na nangungulila sa pagmamahal na hindi nabigyan ng katuparan.

May mga taga-Bicol na naniniwala pa rin sa nagngangalit na kaluluwa ni Raha Iriga. Sinasabi nilang sa pagnanais nitong makuhang muli ang mga alahas na inihandog kay Magayon ay nag-aapoy ang bulkan ng Mayon.


Evolution and Cultural Richness in Bicolano Mythology

 Myths and stories serve as timeless conduits of human experience, embodying the essence of cultural identity, moral teachings, and societal values. Within the rich tapestry of Bicolano mythology, a myriad of deities and mythological creatures dance through narratives passed down through generations. Exploring the importance of myths and stories unveils their profound significance in shaping societies, elucidating the reasons behind their evolutionary changes over time, and advocating for their interpretation beyond literalism.

At the heart of human civilization lies storytelling, a fundamental aspect of cultural expression. Myths transcend mere entertainment; they encapsulate the collective wisdom, beliefs, and experiences of a community. In the case of Bicolano mythology, tales of gods, goddesses, and mythical beings serve as vessels of cultural transmission, preserving the essence of Bicolano identity across generations. These stories provide a sense of belonging, fostering unity and cohesion among the Bicolano people by instilling a shared narrative of origin and purpose.

Moreover, myths offer profound insights into the mysteries of existence, providing explanations for natural phenomena and human behavior. Within Bicolano mythology, the pantheon of deities embodies the forces of nature, offering explanations for the ebb and flow of life. Through these narratives, individuals find solace in the face of the unknown, discovering meaning and purpose amidst the chaos of existence.

Yet, the fluidity of myths is inherent to their nature. Over time, myths evolve, adapting to changing societal dynamics and cultural paradigms. Bicolano mythology is no exception, with stories morphing and reshaping in response to historical, social, and political shifts. This evolutionary process reflects the dynamic nature of human societies, as myths continue to resonate with contemporary audiences while retaining echoes of their ancient origins.

Understanding myths beyond their literal interpretations unveils the depth of their symbolism and allegory. Bicolano myths abound with metaphors and archetypes, conveying timeless truths and universal themes. By delving beneath the surface of these narratives, individuals uncover layers of meaning, transcending cultural boundaries to unearth the essence of the human experience.

Moreover, interpreting myths within their cultural context fosters a nuanced appreciation for their significance. Bicolano mythology is imbued with the unique worldview of its people, reflecting their values, aspirations, and fears. Taking myths literally risks oversimplifying their complexity, overlooking the cultural nuances and symbolic richness embedded within these narratives.

In conclusion, myths and stories occupy a sacred space within the fabric of human culture, serving as pillars of identity, knowledge, and inspiration. Bicolano mythology, with its myriad deities and enchanting tales, exemplifies the enduring power of storytelling to illuminate the human condition. By embracing the evolution, symbolism, and cultural richness of myths, we embark on a journey of discovery, unraveling the timeless truths woven into the tapestry of Bicolano heritage. As we navigate the labyrinth of myths and stories, let us tread with reverence, recognizing the profound significance they hold for past, present, and future generations.