Friday, August 30, 2024

oragon

 



 In ancient Bicolano culture, the term "Oragon" was used to describe courageous warriors and leaders who were highly esteemed for their bravery and martial skills. These individuals played crucial roles in protecting their communities, and their valor often led them to acquire significant land and wealth.

With the arrival of the Spanish colonizers, the reputation of the Oragons faced challenges. The Spanish sought to undermine their influence and authority, which led to a negative shift in the term’s connotations. The colonizers disparaged the Oragons, associating them with pejorative traits and diminishing their esteemed status.

The Spanish influence altered the term’s meaning further. In Spanish, "Orag" could imply "sexual drive" or "lustful," with "Uragon" carrying connotations of lustfulness and womanizing. Despite these changes, the original Bicolano meaning of "Oragon" remained associated with strength, bravery, and wisdom, reflecting the noble and dignified qualities of a true hero.

In modern Bicolano slang, "Oragon" has evolved to describe someone who is spirited, determined, and principled. It conveys a sense of boldness and unwavering commitment to one's beliefs. The term has various derivatives in contemporary usage:

  • "Orag-oragon" refers to someone who is swaggering or boastful.
  • "Iuragan" indicates extreme irritation or frustration.
  • "Inoragan" denotes facing consequences or showing intense emotion.
  • "Nagoorag-orag" implies someone who is boldly inconsistent or unreliable.
  • "Oragan" can also refer to physical confrontation.
  • "Orag!" is used as an exclamation of disbelief or surprise.

Thus, while the term "Oragon" has undergone significant transformations over time, it continues to carry connotations of strength and determination in contemporary Bicolano language and culture.

Marian of Bicol

 Aming Patron, Aming Marian.. Amen




Maski an kasalogan, Sambit an si'mong ngaran
Maski an kabukiran, Ika an rokyaw.
Kami si'mong aki, Pano' nin kaogmahan
Si'mong nangangako, Ika kamo'tan.
Kami si'mong aki, Pano' nin kaogmahan
Si'mong nangangako, Ika kamo'tan.


Awiton an awit nin pagkamoot
Sa saimo samuyang idinodolot
Awiton an awit nin pagkamoot
Sa saimo samuyang idonodolot.
Patrona nin Bikol, Ina ka nin Dios
Magdanay na Reina nin samuyang region,
Patrona nin Bikol, Ina ka nin Dios
Magdanay na Reina nin samuyang region.

REDISCOVER HANDIONG OF BICOL MYTHOLOGY

 

Handiong


Handyong (Handiog) is a mythological Hero in Philippine mythology, specifically in Bicol. The Towering Hero of Ibalong, depending on the version of the story some say he has blood from or descended from the ''Tawong Lipod'' apsaras or apsara (Sanskritअप्सरा)


Handiong, the central figure in Bicol mythology, is a legendary hero who played a crucial role in the transformation of the land. Arriving in Bicol after Baltog, Handiong became the most famous among the tawong-lipod. He embarked on a heroic journey, clearing the region of menacing creatures such as one-eyed, three-throated beasts, winged sharks, wild carabaos, and man-eating crocodiles.A significant adversary in Handiong's quest was Oryol, a beautiful demigoddess with the lower part of her body resembling a giant snake. Despite attempts to trap her, Oryol's intelligence thwarted the efforts, leading to a captivating battle. Eventually, the two warriors gained mutual respect and fell in love. Oryol, with her serpent form, revealed the secrets of governing the lands to Handiong.Together, Handiong and Oryol cleaned the land of monsters, leading to the flourishing of Bicol. Their triumph over giant crocodiles, known as Buwaya, turned the Bicol River red with blood. The survivors, including Sarimao, were banished and sealed away inside Mount Kulasi.

Handiong


Handiong's success resulted in the establishment of settled communities marked by advancements in boat-building, agriculture, and the creation of tools and utensils. Laws were enacted to ensure equality, protect life and honor, fostering a sense of order and respect for heritage.The epic also recounts the earlier arrival of people led by Baltog, who settled in Tundol, facing challenges with beasts and strange creatures. Their prayers to the sun and moon gods paved the way for the establishment of a new colony.From a distant land, men led by a tall, muscular leader named Handyong arrived, seeking to purge the land of non-human creatures. After battling one-eyed monsters and giant flying fishes, the warriors successfully enslaved the fierce Tamaraw.


However, the creatures of Ibalon, including Sarimao and the Buaya, fought back. Asuang, the lord of all monsters, recognized the end of the monster era, signaling the age of man. Oryol intervened to stop the foreign warriors, but her love for Handyong led to their collaboration in cleaning the land.Despite years of prosperity under Handiong's leadership, the gods intervened, causing storms and chaos. The tragic love story of Onos and Takay resulted in deluge and floods. The moon gods, Bulan and Haliya, transformed Takay into flowers, while a great beast named Rabot posed a new threat to Ibalong.Handiong's friend, Bantong, successfully killed Rabot, but the victory left Handiong saddened, symbolizing the passing of an era. The narrative concludes with a foreshadowing of the coming subjugation of the Spaniards, as men prove to be more vicious than monsters.

Handyong


 Handyong's Quest: Purging the Land and Building a Golden Age

Enter Handyong, the central figure in the epic and the most renowned among the tawong-lipod. Arriving in Bicol with his followers after Baltog, Handyong's mission was clear – to cleanse Ibalong of predatory monsters and establish a new golden age. His exploits and battles against mythical creatures became the stuff of legends.

Handyong and his warriors faced formidable foes, from the one-eyed monster in Ponong to the giant flying fishes Tiburon. They tamed the fierce Tamaraw, defeated the Sarimao and Buaya, and purged the land of its mythic creatures. The rivers and swamps of Ibalong turned red with the blood of these creatures as Handyong set the stage for a new era.

The intervention of Oryol, a beautiful demigoddess, added intrigue to the narrative. Initially adversaries, Handyong and Oryol's story evolved into a tale of love, respect, and shared governance. Oryol's revelation of the secrets of the gods and beasts played a pivotal role in the flourishing of Bicol under Handyong's rule.

Under Handyong's leadership, Ibalong blossomed into a rich and bountiful land. Colonies were established in Isarog, progress flourished, and inventors emerged, bringing forth tools and technologies. Handyong's laws fostered equality and respect, creating a society where even slaves were dignified.


Handiong


The Battles and Triumphs of Handyong

Handyong's journey was marked by epic battles against formidable adversaries. From the one-eyed monster in Ponong to the lair of giant flying fishes known as Tiburon, Handyong and his warriors fought tirelessly, never resting until each monster was vanquished. The fierce Tamaraw was tamed, and the Sarimao, Buaya, and other mythical creatures were driven away, cleansing the land.

The rivers and swamps of Ibalong turned red with the blood of these creatures as Handyong systematically rid the land of its supernatural inhabitants. As Asuang, the lord of all monsters, acknowledged the end of the monsters' reign, Handyong's warriors, blessed by the moon god, stood as a formidable force against the mythical beings.

The Love Story of Oryol and the Flourishing of Ibalong

In the midst of Handyong's quest, a captivating love story unfolded with Oryol, a beautiful demigoddess. Initially a formidable adversary, Oryol's intelligence and allure captured Handyong's attention. The two engaged in a fierce battle, but respect for each other's strength blossomed into love.

Oryol, half-human and half-serpent, played a crucial role in Handyong's journey. Her revelation of the secrets of governing the lands contributed to the flourishing of Bicol. The demigoddess, once an obstacle, became an ally in Handyong's quest to cleanse Ibalong of monsters and build a prosperous society.

Handyong's Contributions to Progress and Innovation

Under Handyong's leadership, Ibalong transformed into a rich and bountiful land. Colonies were established in Isarog, and a season of progress followed. The people planted rice, named after Handyong, and under his good example, inventors emerged, bringing forth tools and technologies that enriched daily life.

Ginantong crafted the plow, harrow, and other farming tools. Hablom invented the first loom for weaving abaca clothes. Dinahon, an Aeta, created essential kitchen utensils. Sural thought of the alphabet and initiated the practice of writing on white rock. Ibalong, under Handyong's rule, became a hub of innovation and progress.

The Gods Intervene: A Tragic Turn of Events

However, the gods, represented by Onos and Gugurang, intervened, introducing tragedy to the narrative. The forbidden love between Onos and the mortal Takay unleashed destruction upon Ibalong. The subsequent spurning of the gods by mortals, symbolized by the destruction of Rabot, marked the end of an era.

The gods' wrath, expressed through natural disasters and the demise of Rabot, signaled a shift in the dynamics of Ibalong. Handyong, curiously saddened by Rabot's death, could be interpreted as a foreboding of the looming subjugation of the Spaniards, hinting at a changing tide in the land's history.


the legends of Baltog and Handyong in Bicol mythology not only entertain but also impart valuable lessons. These tales speak of courage, resilience, and the consequences of challenging the divine order. As the epic of Ibalong continues to be passed down through generations by Kadunung, the echoes of Baltog and Handyong's valor linger, inspiring a sense of identity and pride in the hearts of the people of Bicol.
















REMINDER

The orally transmitted mythology of the Philippines is intended for sharing and understanding, not for appropriation, commercial exploitation, or the promotion of foreigners and foreign products. It is a dynamic narrative tradition that evolves over time, distinct from the standardized mythologies found in Western and European cultures. Unlike these established mythologies, the Philippine government has not mandated standardized versions of stories and legends.

Orally transmitted stories undergo variations and evolve over time, resulting in numerous different versions. There are many different version told by Filipinos,and retold by Filipinos.

Lord Asuang

Si Panginoong Asuang,











diyos ng kasamaan at mga nilalang ng lagim at karimlan


The myth of Haliya the goddess of Moonlight can inspire girls, women and all

 




The myth of Haliya, the Bicolano goddess of the moonlight, offers powerful lessons that can inspire girls, young women to be strong, independent, and kind, while understanding that true beauty comes from within. Haliya often portrayed as a masked goddess of the Moon and Moonlight provides a rich and empowering narrative for young women. It encourages them to be strong and independent while also embracing kindness and compassion. It teaches that true beauty comes from within and that the qualities of a good heart—courage, empathy, and integrity—are what truly make someone beautiful. Haliya stands as a powerful role model for young women, showing them that they can be warriors in their own lives, lighting up the world with both their strength and their kindness



Haliya in Bicol and Tagalog mythology

Strength and Independence

  • Haliya as a Warrior Goddess: In Bicolano mythology, Haliya is not just a goddess of beauty and light but also a fierce warrior who battles the monstrous sea serpent, Bakunawa. This aspect of her character teaches young women that strength and independence are not just about physical power but also about inner resilience and the courage to face life's challenges. Haliya’s determination to protect the moon and her people symbolizes the importance of standing up for what you believe in, even in the face of overwhelming odds.



Embodying Strength in Adversity

  • Haliya as a Warrior Goddess: Haliya's role as a warrior who battles the fearsome Bakunawa to protect the moon and her people is a powerful symbol of strength in the face of adversity. Young women can be inspired by her courage, learning that strength isn’t just about physical power but also about resilience, determination, and the will to stand up for what is right. Just as Haliya faces her fears to protect what she holds dear, girls can learn to confront challenges in their own lives with bravery and confidence.

 Embracing Kindness

  • Goddess of Moonlight: Haliya’s association with the moonlight, which is soft, gentle, and nurturing, reflects her kindness and compassion. The moon’s light provides guidance in the darkness, much like how kindness can illuminate and guide us through difficult times. Haliya’s ability to combine strength with gentleness teaches young women that being strong doesn’t mean being harsh or unkind. True strength includes the capacity for empathy, compassion, and understanding.

Drawing Power from Love and Duty

  • Fighting for Love: Haliya’s actions are often motivated by love—love for her brother Bulan, love for the moon, and love for her people. This teaches young women that love can be a powerful motivator that gives them the strength to overcome obstacles. Whether it’s standing up for a friend, supporting a family member, or contributing to the community, Haliya’s myth shows that acting out of love and a sense of duty can drive incredible courage and determination.

Cultivating Protective Love

  • Guardian of Bulan: Haliya is often depicted as a protector of Bulan, the god of the moon, showing her deep love and commitment to safeguarding those she cares about. This protective instinct can inspire young women to act selflessly and courageously for the people they love. It teaches them the value of being a guardian, not just in a physical sense, but in standing up for loved ones, supporting them in times of need, and offering comfort and strength when they are vulnerable.

Self-Sacrifice and Dedication

  • Haliya’s Sacrifice: In some versions of the myth, Haliya is willing to endure great sacrifices to protect Bulan and the moon. This aspect of her story can inspire young women to understand the importance of dedication and selflessness in their relationships. It teaches that while it’s important to be strong and independent, there is also immense value in dedicating oneself to the well-being of others, especially those who are vulnerable or in need.

 Promoting Loyalty and Integrity

  • Unwavering Loyalty: Haliya’s loyalty to her loved ones and her unwavering commitment to protect them, even at great personal cost, exemplifies integrity and steadfastness. Young women can draw inspiration from her loyalty, learning to stand by their principles and commitments, and to be dependable and trustworthy allies to those they care about.

Reversing expected gender roles 


  • The myth of Haliya breaks traditional gender norms by portraying her as a strong, fierce, and independent warrior goddess, while her brother Bulan is depicted as more docile and kind. This reversal of expected gender roles challenges the conventional idea that men should be the protectors and warriors while women are gentle and nurturing.


Haliya Moon goddess



 True Beauty from Within

  • Beyond Physical Appearance: Haliya’s beauty is often celebrated in the myths, but it is not just her physical appearance that defines her. Her bravery, kindness, and the sacrifices she makes for others reveal that true beauty lies in one’s actions and character. This teaches young women that while outer beauty may fade, the beauty of a good heart, integrity, and courage is enduring and far more impactful. Haliya’s story reminds us that it is our inner qualities that truly define us and make us beautiful.



 Role Model for Empowerment

  • Symbol of Feminine Power: Haliya represents the power and autonomy of women. She is not defined by her relationships with others but by her own choices and actions. This aspect of her myth can inspire young women to take control of their own lives, make decisions based on their own values, and not be swayed by societal expectations. Haliya’s independence serves as a reminder that women have the right to carve out their own paths and define their own destinies.

 Balancing Strength with Compassion

  • Dual Aspects of Haliya: As both a warrior and a nurturing figure, Haliya embodies the balance between strength and compassion. Young women can learn from her that it’s possible to be both fierce and kind, strong and empathetic. This balance is crucial in life, where true leadership and influence come from the ability to wield power with a compassionate heart


Inspiration for Resilience

  • Facing Darkness: Haliya’s ongoing battle with Bakunawa, a creature representing darkness and chaos, can be seen as a metaphor for the struggles and obstacles we all face in life. Her resilience and refusal to give in to the darkness can inspire young women to persist through their own challenges, knowing that they, too, can be a source of light and hope in the world.



The myth of Haliya, the goddess of moonlight, inspires young women to be strong, independent, and kind. Haliya's story teaches that true strength comes from courage and resilience, while true beauty lies in compassion and a good heart. As a protector of her loved ones, Haliya shows that love and loyalty can drive us to face challenges and stand up for others. Her balance of power and gentleness encourages girls to lead with empathy, support those they care about, and find strength in unity.

The myth of Haliya offers a powerful lesson for young women and girls. By embracing Haliya's strength, protective love, and balance between gentleness and power, they can learn to be strong yet kind, independent yet caring. Haliya’s story reminds us that true power comes not just from what we achieve for ourselves but from how we protect, support, and love others.



REMINDER

The orally transmitted mythology of the Philippines is intended for sharing and understanding, should not be taken literally. not for appropriation, commercial exploitation, or the promotion of foreigners and foreign products. It is a dynamic narrative tradition that evolves over time, distinct from the standardized mythologies found in Western and European cultures. Unlike these established mythologies, the Philippine government has not mandated standardized versions of stories and legends. 

Orally transmitted stories undergo variations and evolve over time, resulting in numerous different versions. There are many different version told by Filipinos,and retold by Filipinos. Support Local story tellers

BOOKS based and inspired by Bicol mythology and Philippine mythology




 Bicol, a region in the Philippines, is rich with myths, legends, gods, and monsters that have been passed down through generations. It’s fascinating to explore stories that draw inspiration from this vibrant and still-living mythology.



One such example is "The Mask of Haliya," a graphic novel series that brings a unique twist to Philippine mythology.  It is a voice and POV of the Filipinix abroad. This young adult urban fantasy follows Marisol, a troubled Filipina-American teenager, who discovers a mysterious mask at her great-grandmother’s wake. The story, set against the backdrop of Cebu, delves into themes like mental health, intergenerational trauma, and corruption. Marisol's discovery of the mask not only unlocks hidden powers but also entangles her in a dark web of secrets, lies, and danger.





Another compelling work is "Bulan," a comic book that retells the legend of the eclipse and the seven moons, with a special focus on Bacunawa, a dragon-like sea serpent from Filipino mythology. Unlike the typical Westernized portrayal of Bacunawa as a malevolent creature, this comic paints it as a neutral being of nature, reflecting a more nuanced perspective found in Asian and Filipino folklore. The artwork in "Bulan" is stunning and brings the legend to life.


Lastly, "The Seventh Moon" is a novel that resonates with teens and young adults, transporting readers back to the thrill of youthful adventure. The story follows Chris Garcia, a boy whose life turns upside down when he discovers that he is the son of Anitun Tabu, an ancient Philippine goddess of wind and rain. As Chris navigates his new reality, he joins the Society of Maharlikas, a secret group that trains warriors with supernatural abilities. Alongside his new friends, Chris embarks on a journey to Ibalong to prevent Bacunawa from devouring the seventh moon and causing eclipses.

These works not only entertain but also serve as a gateway to the rich cultural heritage of Bicol and the Philippines, weaving ancient mythology into contemporary narratives that captivate and inspire


In a world where many voices are often drowned out by dominant cultures, supporting Filipino storytellers is a powerful way to ensure that Filipino voices are heard and respected on the global stage. This not only empowers individuals but also strengthens the collective identity of the Filipino people.

By Supporting storytellers is not just about preserving the past; it’s about empowering the present and shaping the future. It’s about ensuring that the richness of Filipino culture is woven with threads of  pride, and unity, creating a narrative that truly belongs to the Filipino people.



REMINDER

The orally transmitted mythology of the Philippines is intended for sharing and understanding. It is a dynamic narrative tradition that evolves over time, distinct from the standardized mythologies found in Western and European cultures. Unlike these established mythologies, the Philippine government has not mandated standardized versions of stories and legends.

Orally transmitted stories undergo variations and evolve over time, resulting in numerous different versions. There are many different version told by Filipinos,and retold by Filipinos.

Thursday, August 29, 2024

mutya ng apoy

REDISCOVER THE SANTIGUAR IN BICOL

 Santigwar: The Healing Tradition in Bicol

Santigwar, a traditional healing practice in Bicol, combines both diagnostic and therapeutic methods used by albularyos (traditional healers). The term originates from the Latin word “santificare” and the Spanish word “santiguar”, meaning to make the sign of the cross while praying. This ritual is deeply rooted in Bicolano culture, blending indigenous beliefs with influences from Catholicism introduced by the Spanish colonizers.

Diagnostic Techniques
In Santigwar, albularyos use three main methods to diagnose illnesses:

  1. Wax and Water Method: A metal ladle with a lit candle is used to melt wax, which is then dripped into a bowl of water while an oracion (prayer) is recited. The shapes formed in the water reveal the cause of the illness, such as an aggrieved spirit (tawo), heart-related problems, or witchcraft (kulam).
  2. Oil and Paper Method: A lit candle is used to burn a piece of paper over a bowl of oil, with the shapes formed in the oil providing insight into the illness.
  3. Egg and Water Method: An egg is cracked into a transparent jar of water, and the shapes that appear are interpreted by the healer to diagnose the patient’s condition.

Therapeutic Procedures
Santigwar also serves as a therapeutic practice, where the albularyo may enter a state of divination or possession to communicate with or appease the spirits responsible for the illness. This involves rituals aimed at healing the patient through spiritual intervention.

Complementary Practices
Albularyos also use other diagnostic tools, such as plastic, paper, or leaves combined with oil, to identify affected body parts. If these items stick to a specific area, it indicates that the area requires treatment, usually through hilot (traditional massage).

Healing Methods
The albularyos’ healing methods combine spirituality, rituals, and ethnomedicine. Common therapeutic practices include:

  1. Oracion (Prayer): Written prayers are applied to the affected area or burned and mixed with water for the patient to drink.
  2. Hilot and Oil: Traditional massage with oil, often accompanied by whispered prayers.
  3. Tulod (Offering): Ritual offerings to appease aggrieved spirits.
  4. Ugbas (Betel Quid): A mixture of betel leaves, betel nut, tobacco, and crushed seashells applied to the affected area to treat illnesses caused by mystical elements.
  5. Herbal Remedies: Albularyos also use a variety of herbs and traditional recipes to treat different ailments, reflecting the deep connection between Bicolano healing practices and nature.

Wednesday, August 28, 2024

other mythological creatures associated with water

 Philippine mythology is rich with water spirits and mythical creatures that reflect the archipelago’s deep connection with its waters. The Magindara of Bicol, a type of mermaid, and the Siyokoy of Tagalog mythology are just two examples of fascinating water-related beings. Their stories intertwine with other regional and cross-cultural myths, offering unique insights into how ancient Filipinos revered and feared the waters surrounding their islands.


SYOKOY




Siyokoy in Philippine Mythology

In Philippine mythology, the Siyokoy is a terrifying aquatic creature with humanoid features. Often depicted with scales, webbed limbs, and fins, they are considered more monstrous than the seductive mermaids (Sirena). Siyokoys are hostile, with many tales associating them with drownings and disappearances near bodies of water. They are feared as dangerous predators lurking in rivers, seas, and lakes, and unlike the alluring Sirena, the Siyokoy are more animalistic and predatory in nature.



The origins of the Siyokoy’s name may trace back to the Chinese term "shui gui," meaning "water ghost," highlighting the historical connections between Chinese and Filipino cultures. In Chinese mythology, the Shui Gui are spirits of people who have drowned, believed to haunt the location of their deaths, dragging the living underwater to drown and replace them in the spirit world. The Siyokoy shares similar traits, reinforcing the blending of local and foreign myths over centuries of cultural exchange.

Magindara of Bicol

The Magindara are often depicted as beautiful but fierce mermaids from the Bicol region. Unlike the more widely known Sirena, Magindara have both a seductive and a vicious nature. While some versions of the myth portray them as protectors of the seas, others present them as vengeful creatures who lure sailors to their deaths. They possess enchanting voices that can either soothe or terrorize, adding complexity to their dual role as guardians and predators of the ocean.


LAKAN DANUM




Lakandanum – God of Water

In Kapampangan mythology, Lakandanum represents the god of water. He is sometimes depicted as a serpent-like mermaid or naga, showcasing similarities to Southeast Asian water deities. The Kapampangans revered Lakandanum in rituals to ensure rain and fertile lands, vital for their agricultural lifestyle. The Bayung Danum celebration, meaning "new water," was held to mark the end of the dry season and to give thanks for the arrival of the rains.


Lakandanum

Lakandanum is also seen as a collective term for multiple benevolent water spirits. Similar to naga figures in Southeast Asia, these spirits were believed to reside in bodies of water such as lakes and rivers, acting as guardians of their aquatic domains. This idea of water spirits shows the reverence ancient Filipinos had for natural water sources, vital for both sustenance and survival.

BERBEROKA


Berberoka

Berberoka



Berberoka – The Water Ogre

In the northern regions of Apayao, Abra, and Ilocos Norte, the Berberoka is a well-known water monster. Often described as a large, ogre-like creature, the Berberoka displays cunning behavior, luring humans to their doom. One of its tactics involves draining a pond, causing fish to flop helplessly on dry land. When people come to gather the stranded fish, the Berberoka suddenly releases a surge of water, capturing its victims in the process.


berberoka philippines mythology

Though Berberokas are physically strong and capable of creating powerful whirlpools, they possess a unique vulnerability: an irrational fear of crabs. This fear compels them to flee whenever they encounter these creatures. This detail adds an intriguing nuance to the myth, portraying the Berberoka as both formidable and flawed.

REDISCOVER BICOLANO MONSTERS AND CREATURES YOU MIGHT HAVENT HEARD OF

  


Welcome to the quirky realm of Bicolano lower mythology, where mischievous creatures and peculiar beings add a touch of whimsy to the supernatural tapestry. Let's embark on a fun exploration of some lesser-known mythological creatures that make Bicol folklore delightfully distinctive!

PATIYANAK - The Mournful Fusion

PATIYANAK


Meet the Patyanak, a spooky fusion of an untimely discharged human fetus and a tiny black bird. Picture it with large round ears, a completely bald head, and an eerie, mournful wail resembling that of an infant. Legend has it that if a pregnant woman hears its cry during the night, a miscarriage might be on the mystical horizon!
PATIYANAK


PATIYANAK - Patyanak in Bicol folklore is a frightening entity, is a fusion of an untimely discharged human fetus and a tiny black bird. Upon reaching maturity, it exhibits distinctive features such as large round ears and a completely bald head. Its eerie, mournful wailing closely resembles that of an infant, and if heard during the night by a pregnant woman, it is believed to induce a miscarriage.




BURING - The Swamp Symphony Maestro In the swamps of Ponong lurks the Buring, a menacing maestro with one eye and three throats. Imagine its spine-chilling howl in three distinct tones, accompanied by black, razor-sharp hair inducing unbearable itchiness. Sharp claws and teeth complete its terrifying ensemble, making encounters a nightmarish symphony.

Buringkantada of Bicol mythology


Buringkantada can be transliterated into Enchanted cyclops

BURING - The Buring also called Buringcantada in Bicolano mythology is a menacing creature dwelling in the swamps of Ponong, possesses a single eye and three throats. Emitting a spine-chilling howl in three distinct tones, this monster is adorned with black, razor-sharp hair that induces unbearable itchiness upon contact. Its formidable physique is equipped with sharp claws and teeth, adding to the terror it instills in those who encounter it.

BONGO - MUSCLED MONSTER

Bonggo



Meet Bonggo, the feared minister of the deity Aswang. With sunken eyes flashing fire, this ferocious, large, and muscular black humanoid strikes terror with long, black hair, an ugly hairy face, and sharp claws. Vengeful and utterly cruel, Bonggo embodies fear itself.


Bonggo

Bonggo in Bicol mythology is the dreaded an ancient type of Aswang minister of the deity Asuang, instilled fear with its fiery, sunken eyes. This formidable being was a massive, muscular black humanoid, adorned with long, black hair and a repulsively hairy face. Armed with razor-sharp claws, Bonggo embodied ferocity and cruelty, displaying vengeful tendencies that struck terror into the hearts of those who encountered it.



POPO - The Heartless Grunter Hailing from the underworld, the heartless Popo is a creature with ominous eyes, emitting grunts akin to a pig. Its touch on a child's head seals a fate of steady weakening until succumbing to an ominous end. Beware the wrath of the Popo, for it embodies vengeance and irritable malevolence.

 the Popo in Bicol mythology is a cruel creature from Gagamban. It had evil eyes with its debilitating effect. It was a hot-tempered and vengeful monster, its grunt resembles that of a pig. A child touched on the head by the Popo’ would grow weaker and weaker until the child dies.


IBINGAN - The Whistling Guardian

IBINGAN


Say hello to Ibingan, a fearsome multi-horned red serpent with distinctive fins. When provoked, it spits venom, but in moments of happiness, it whistles beautifully. Perched atop rocks near deadly mermaid caves, Ibingan acts as their guardian, with a deadly tactic of crushing victims under sheer force.

IBINGAN



IBIGAN- Ibingan In bicol folklore is a fearsome creature, manifested as a multi-horned red serpent with distinctive fins on its head and back. When provoked, it spat venom, yet its moments of happiness were marked by beautiful whistling. Perching atop rocks near the entrances of caves inhabited by lethal mermaids, Ibingan served as their guardian, shielding them from harm. Its deadly tactic involved crushing victims under the sheer force of its impact.

YASAW - The Playful Pranksters


Now, let's meet the mischievous Yasaw, resembling dark-skinned small children with a penchant for playful pranks. While they don't harm humans, they hide under trees during moonlit nights, relishing in scaring unsuspecting folks. If spotted with an infant-like cry, brace yourself, for an Aswang might be on the prowl!


Yasaw of Bicol mythology


Yasaw in Bicol mythology, the Yasaw are mischievous creatures resembling dark-skinned small children, known for their playful pranks that aim to create fear and amusement. Despite their mischief, they do not harm humans. it hides under the shadows of trees during moonlit nights, delighting in scaring people. If seen simultaneously with a cry resembling that of an infant, it is believed that someone is destined to die soon, as an Aswang is on the prowl. Moreover, the Laki, or Laqui, is a type of Asuang that was once a Yasaw that tasted human blood. Initially playful pranksters, they transform into flesh-eating monsters after indulging in human blood. As punishment for laziness in scaring people, the Yasaw morphs into the Laki, featuring hooves and goat-like skin with an ugly human face. Appearing at night, the Laki surprises night travelers with its shrill, piercing sound, although it is incapable of causing harm.


LAQUI - The Transforming Trickster



LAKI


Last but not least, say hello to the Laki or Laqui, a shape-shifter with an upper body resembling a human and a lower body with goat-like features. Originating from the Yasaw, this creature transforms when punished for laziness, becoming a flesh-eating monster. With hooves, goat-like skin, and an ugly human face, the Laki startles night travelers with its piercing sounds, adding a touch of eerie surprise to the Bicolano night.


LAQUI


The Laki or Laqui In Bicol mythology A Laki is a creature with an upper body that resembles that of a human. It boasts a well-defined chest, muscular arms, and a human-like, albeit ugly, face. The lower body of the Laki is distinctly goat-like, characterized by hooved legs and a fur-covered hindquarter. A Laki originates from the mischievous Yasaw, a dark-skinned entity resembling small children known for its playful nature and love for pranks. When a Yasaw is punished by Aswang, a deity in Bicolano mythology, for perceived laziness in scaring people, it undergoes a transformation into the fearsome Laki or Laqui. In other stories is a type of Asuang that are once Yasaw who have tasted human blood. The once playful pranksters will become flesh eating monsters once they taste human blood. The Laki possesses distinct characteristics, featuring hooves resembling those of a goat, skin mirroring the texture of a goat, and an ugly human face. Despite its nightmarish appearance, the Laki is incapable of directly causing harm to humans. Instead, it startles night travelers with its shrill, piercing sounds, creating an atmosphere of eerie surprise.


So, as you venture into Bicol mythology, brace yourself for a whimsical journey filled with quirky characters and legendary tales!