Showing posts with label kwetong bayan. Show all posts
Showing posts with label kwetong bayan. Show all posts

Saturday, December 7, 2024

the demon of kanlaon

 The Demon of Kanlaon: Laon, the Fiery Harbinger of Destruction



Myths, stories, legends,folklore and fairytales...

The Kanlaon Volcano, located on the island of Negros in the Philippines, is not just a geologic wonder but a focal point of myth and folklore for the people of the region. Among the most intriguing tales is the legend of Laon, a malevolent demon of fire and destruction. This entity, often linked to the fiery eruptions of the volcano, is said to slumber deep within Kanlaon’s core, only to awaken in moments of fury, bringing devastation to the land.




Ang Bulkang Kanlaon sa Pilipinas ay mayaman sa heolohiya at mitolohiya, partikular sa alamat tungkol kay Laon, isang mapaminsalang demonyo ng apoy at pagkawasak. Ayon sa kwento, si Laon ay natutulog sa loob ng bulkan at nagigising upang magdulot ng sakuna tuwing may pagputok. May kaugnayan ang karakter ni Laon sa paniniwala ng mga sinaunang Bisaya, kung saan siya ay isang diyosang konektado sa kalikasan at kasaganaan, ngunit kalaunan ay naging simbolo ng pagkasira. Binanggit din ng mga misyonerong Espanyol sina Lalahon o Laon bilang isang diyosang nauugnay sa agrikultura at lakas ng bulkan.

Si Lalahon ang diwata ng Bulkan at apoy, samantala ang Laon sa ibang kwentong bayan ay isang diablo ng apoy sa bulkan, Apoy, lahar at pagkawasak.




Sa mga alamat, ang pagputok ng bulkan ay itinuturing na galit ni Laon, na makikita sa pag-agos ng lava, makakapal na ulap ng abo, at pyroclastic flows. May pagkakahawig ito sa mga alamat ng mga Bicolano na itinuturing si Kanlaon bilang isang masamang diyos ng apoy. Ang pagsabog noong Hunyo 3, 2024, na nagpalikas ng 1,386 pamilya at nagdulot ng malawakang pinsala, ay nagpatibay sa paniniwalang ito. Naibalita ng mga komunidad ang mabahong amoy ng asupre, pag-ulan ng abo, at haze na umabot sa malalayong lugar, na lalong nagpalakas sa ugnayan ni Laon sa pagkawasak.



Ipinapakita ng kwento ni Laon kung paano ginagamit ng mga komunidad ang mito upang maunawaan at matanggap ang mga natural na sakuna. Ang mga alamat na ito ay nagdidiin sa paggalang ng mga Pilipino sa kakayahan ng kalikasan na magbigay-buhay at magdulot ng pagkawasak, dahilan upang manatiling buhay ang alamat ni Laon bilang mahalagang bahagi ng kulturang Pilipino.


Mythological Background

The name Laon has ancient roots, echoing the name of an ancient deity once revered in pre-colonial Philippine mythology. In a curious and eerie parallel, the demon Laon is viewed as an antithesis to the benevolent goddess once associated with nature and fertility. Over time, especially among the superstitious, Laon evolved into a representation of the uncontrollable and destructive aspects of nature, particularly tied to volcanic eruptions.




Lalahon, or Laon or Lauon. A deity of the ancient Visayas. According to Father Delgado, Lalahon was a woman residing in the volcano of Alalaspina (Isla de Negros). They invoked Lalahon for their seedlings and when they didn't want to give them to them, send them the lobster. Father Chirino says that Laon denotes antiquity and was the name of the chief and superior god of the Visayas. Today, the Visayas de Negros peasants say that the demon Lallaon resides in the Malaspina volcano.

- Ferdinand Blumentritt Mythological Dictionary of the Philippines 

"The god Lalahon. It is said that the divinity Lalahon dwells in a volcano in Negros island, whence she hurls fire. The volcano is about five leagues from the town of Arevalo. They invoke Lalahon for their harvest; when she does not choose to grant them good harvests she sends the locusts to destroy and consume the crops."

- Miguel de Loarca in Relación de las Yslas Filipinas (1582).




"Lalahon was the fire-breathing goddess of Mount Canlaon who could be invoked for good crops but who sent out swarms of locusts if angered"

- William Henry Scott  in  Barangay - Sixteenth Century Philippine Culture and Society


The Malevolent Laon


Kanlaon the evil deity of destruction and fire

Ang Diablo ng Bulkan, Kanlaon

Like many old gods, often demonized and viewed as demons in modern times. In local folklore, the eruptions of Kanlaon are not mere geological events but manifestations of Laon’s wrath. The fiery plumes, rivers of lava, and ash clouds are interpreted as the demon's fiery breath, while the earthquakes and pyroclastic flows are attributed to his violent movements beneath the earth. Some Bicolano myths parallel this view, where Kanlaon is regarded as an evil god of fire and destruction, aligning with the widespread association of volcanoes with divine or supernatural retribution in Philippine folklore.

Ang Demonyo ng Kanlaon

Sa mga kwentong Bayan at alamat ng mga Bicolano si Laon o Kanlaon ay ang masamang demonyong-anito ng kabilang ibayo, tawid dagat (Kabisayaan). Ang anito ng apoy, buklan at pagkawasak. Isang demonyo, isang masamang anito. Isang matikas at makapangyarihang hari ng bulkan, si Kan Laon. Ang hari sa kabundukan, apoy at pagkawasak.

Habang sa mga kwento ng mga Bisaya si Lalahon ay isa sa mga katawang lupa ni Laon, isang magandang diwata ng apoy at ng bulkan.

Kung paniniwalaan ng hinduismo at animismo ang mga sinaunang bathala ay hindi lang iisa ang katauhan. maraming anyo at maraming katawang lupa. may masama, may mabait. tulad ng kalikasan walang iisang tunay na mukha at wangis.


The Demon of Kanlaon Volcano

In the folklore of some locals living near Kanlaon Volcano in the Philippines, it is said that a demon named Laon is sealed within the volcano. This being is depicted as a fiery and malevolent entity, embodying the destructive power of the volcano itself. Laon is described as a demon who breathes fire and brings destruction. Its fiery nature is often linked to the glowing lava and eruptions of Kanlaon Volcano. According to the stories, Laon spreads chaos through fire, destruction, and suffocating sulfuric clouds. The dark smoke and ashfall during eruptions are interpreted as manifestations of the demon’s anger.

The name "Laon" has ancient roots in Visayan mythology, where it was associated with a supreme deity or a powerful figure. Over time, this interpretation may have shifted, influenced by colonial-era Christian teachings that reframed such beings as demons rather than gods.

This folklore reflects how local communities interpret the powerful and unpredictable forces of nature, blending spirituality, mythology, and oral tradition into a story that connects the physical world to the metaphysical.

Modern Folktales about the Demon of Kanlaon

Modern Folktales about the Demon of Kanlaon

The tales surrounding the Demon of Kanlaon continue to captivate audiences, blending history and mythology into chilling stories. Below are some modern interpretations of these folktales.




The Dragon of Kanlaon a childrens fairytale





One of the many contemporary story about Kanlaon Volcano is the dragon of Kanlaon. Its a testament on how stories and mythologies evolve over time. Though Fire breathing dragon is a very western and European concept ( Almost all Asian dragons are perceived as benevolent and neutral associated with water and good fortune.) . It shows how the local lore can mix with the folktales and foreign influence. A True testament in how Philippine mythology changes and evolves over time.  Today the Dragon of Kanlaon is more popular with the English-speaking Filipino abroad community. a perfect blend of Foreign influence and oral lore.  It also shows how Philippine mythology is very inclusive.

possible European and Western influence on the fairytale.

  • In medieval Christian art and literature, dragons were depicted as enemies of saints and heroes, such as St. George, who famously slayed a dragon. These stories symbolized the triumph of good over evil and reinforced the image of dragons as forces of destruction.
  • Dragons were also seen as embodiments of paganism or heresy, which were viewed as threats to Christian faith and society.




  • Dragon as a Christian and Catholic symbol for Evil and fire

    In Christian and Catholic traditions, dragons are often symbols of fire and destruction due to their portrayal in biblical and theological contexts as representations of chaos, evil, and opposition to divine order. We could Speculate that the Dragon is actually the evil fire breathing deity of the Volcano.

    The Archangel Saint Michael Terrassing the Dragon by V. M. De Girolamo after Guido Reni, 1957



    Biblical Association with Satan and Evil

    • In the Book of Revelation (12:9), the dragon is explicitly associated with Satan: "And the great dragon was hurled down—that ancient serpent called the devil, or Satan, who leads the whole world astray." This depiction ties dragons to ultimate evil and rebellion against God.
    • Dragons symbolize Satan's destructive nature and his role in bringing sin and chaos into the world, often portrayed through fire and destruction.




    European Dragons are Fire and Destruction 

     Fire Dragons of the West

  • The concept of the fire dragons predates Christianity and is found in many ancient Western and European cultures, often associated with chaos, primal forces, and natural disasters. Christianity adapted this imagery, incorporating it into its narratives to convey spiritual struggles against evil.
  • For example, in ancient Mesopotamian and Greek myths, dragons guarded treasures or wreaked havoc, making them ideal symbols for dangers that needed to be overcome.
  • Dragons as symbols of fire and destruction in Christian and Catholic thought stem from their biblical association with Satan, their alignment with the imagery of divine judgment through fire, and their adaptation from older mythological traditions as representations of chaos and evil.

  • The Eruption of 2024

    On June 3, 2024, the Kanlaon Volcano erupted dramatically, displacing 1,386 families and sending shockwaves of fear across the region. The eruption, which included a 5,000-meter-high plume of incandescent ash and probable pyroclastic density currents, was described as both awe-inspiring and terrifying. Many locals, steeped in the lore of Laon, could not help but see this as the demon’s latest awakening.

    Communities near the volcano reported sulfurous odors and ashfall, while volcanic haze spread as far as the Bicol Region, reinforcing the mythical connections between Laon and widespread destruction. Adding to the devastation, heavy rains following the eruption triggered lahar flows in nearby towns, such as La Castellana, burying homes and farmland in volcanic debris.




    LaLaon as a Demon for fire and destruction

    Folklore Meets Reality

    Kagaya sa mga kwentong bayan naghatid ng pinsala at takot ang mga usok,asupre at ulang abo galing sa bulkang Kanlaon. Nakakatakot, nagbabadya ng apoy at pagkawasak, ang apoy ng Laon.  Kung tatanungin ang pangkaraniwang tao sasabihin nilang isang diyos diyosan ang demonyo ng bulkan. Ang pag samba sa diyos-diyosan  ng apoy at delubyo ay naghahatid ng panganib. Ang demonyo ng bulkan na naghahatid ng kapahamakan sa Negros.

    Delubyo at Sakuna, pagkawasak at takot


    🌀 Typhoon Ferdie (Philippines 🇵🇭)
    🌋Kanlaon Volcano eruptive unrest
    🫨Earth Quakes
    💨Ashfall
    🌊Flashflood
    🪨Landslide

    The enduring tale of Laon reflects the way myth intertwines with reality in the Philippines. For centuries, the people living near Kanlaon have both revered and feared its power. Stories of Laon serve as a cultural coping mechanism, explaining the unpredictable and catastrophic nature of volcanic eruptions. These legends also underscore the deep respect Filipinos have for nature, recognizing both its life-giving and life-destroying forces.

    If animism is to be believed  The worship of the demon Laon makes it stronger, more fire and more destruction

    As the ash settles from the 2024 eruption, the tale of Laon will undoubtedly continue to evolve, merging historical events with myth, keeping the fiery demon of Kanlaon alive in the hearts and minds of the local people. The enduring power of this folklore ensures that Laon remains not just a figure of terror but also a symbol of the Philippines' enduring relationship with its natural and spiritual world.





    Reminder Myths, stories and Symbolic. Mythological iterations of ancient stories which people have been telling each other for centuries, they're not true or real in a literal sense, they are a mere conduit and glimpses on how people tried to explain natural phenomena's etc.. 


    Reminder

    Avoiding Foreign Manipulation: Weaponizing myths and stories and using them as an excuse to attack, harass and even stalk storytellers or communities risks distorting their purpose. Myths are meant to unify, educate, or entertain, not to create division or hostility among Filipinos.




    Filipino mythology belongs to everyone—Filipinos, Filipinix, and even foreigners. These stories are meant to unite, inspire hope, and empower. They are for all, ever-evolving yet forever a cultural treasure.

    Both oral and written mythology in the Philippines are valid because they serve different but equally important roles in preserving Filipino heritage. What is truly harmful is when foreigners manipulate these discussions for personal gain, attempting to invalidate one aspect of Filipino mythology to cause division. Instead of falling for such tactics, Filipinos should embrace the richness and diversity of their own stories, ensuring that both oral and written traditions continue to thrive.

    Orally transmitted stories undergo variations and evolve over time, resulting in numerous different versions. There are many different version told by Filipinos, and retold by Filipinos.

    The orally transmitted mythology of the Philippines is intended for sharing and understanding. It is a dynamic narrative tradition that evolves over time, distinct from the standardized mythologies found in Western and European cultures. Unlike these established mythologies, the Philippine government has not mandated standardized versions of stories and legends.

    Orally transmitted stories undergo variations and evolve over time, resulting in numerous different versions. There are many different version told by Filipinos, and retold by Filipinos.

    Tuesday, August 27, 2024

    REDISCOVER THE ASBO IN PHILIPPINE MYTHOLOGY

     Aswang Asbo

    Asbo





    In Philippine mythology, the Asbo is a weredog in Philippine mythology type of aswang known for turning into rabid and wild dogs. These creatures always hunt in packs and are never alone, making them particularly dangerous. If you see one Asbo, there are surely more nearby.

    By day, Asbos look like ordinary people, but at night they transform into wild, fierce dogs. They have a unique craving for human intestines, which they eat with savage delight. Their pack behavior allows them to attack in a coordinated and strategic manner, making them formidable and deadly hunters.


    Aswang Asbo

    strength in numbers 

    The Asbo, much like other aswangs, is a shape-shifter. During the day, they appear as ordinary humans, blending seamlessly into society. However, when night falls, they reveal their true nature. Transforming into fierce, rabid dogs, they roam the night in packs, their eyes glowing with a menacing hunger. The transformation is both physical and behavioral, as they adopt the ferocity and pack mentality of wild canines.


    One of the most gruesome aspects of the Asbo is their diet. They have an insatiable craving for human intestines, which they devour with savage delight. This grisly preference sets them apart from other aswangs, whose dietary habits can vary widely. The Asbo’s method of hunting is coordinated and strategic, utilizing the pack’s numbers to overpower their prey. This tactic makes them formidable foes, as they can attack from multiple directions and overwhelm even the most vigilant individuals.

    Asbo in Bicol mythology

    Feared by some people specifically in Iriga Bicol, the asbo or rabid weredog lurks and waits for it victim usually in packs in the forest waiting for lone travellers

    Oral mythology 

    Asbos are said to be abundant throughout the Philippines, with legends of their existence prevalent in various regions (from Katagalugan to Quezon, Bicol Samar (Western Samar) Leyte). Their presence in folklore serves as a cautionary tale, warning people to be wary of traveling alone at night. The fear of the Asbo is deeply ingrained in the cultural consciousness, and stories of their attacks are often used to explain mysterious disappearances and unexplained deaths.

    Asbo in Bicol mythology and folklore


    The story of Tanding a gentle giant who protected the villagers from a pack of rabid Asbo. And at the end he got killed the monsters by drowning them in the waters. Tanding perished but he turned into a whale shark. 


    Visayan folklore 


    Asbo stories in Visayas redudant about them attacking and abducting villagers in remote places. Some even claim to have seen and have survived being attacked by a group of Asbo 

    Comparison with the Kiwig

    The Asbo closely resembles and is related to another aswang variant known as the Iwig and Kiwig(dog variant with the same name) found in Aklan. Like the Asbo, the Kiwig transforms into large dogs with sloping backs and crooked tails during the night. In their human form, Kiwigs typically have a stooped posture, a reflection of their habit of prowling under elevated houses. They are known for their disturbing practice of licking sick or dying persons, which further enhances their sinister reputation.


    Asbo in popular media


    Asbo as portrayed in the movie My Darling kong Aswang 



    Comedy horror movie features the Asbo variant of Aswang. Victor (Vic Sotto) is a single father who falls in love with Elisa (Cristine Reyes) who turns out to be an Aswang (from Asbo clan). But even so, Victor loved Elisa so much that he accepted who she is and even live with her as his second wife.

    But the problem comes when the leader of the Aswang clan (Jean Garcia) finds out that Elisa and her mother (Agot Isidro) are not eating humans anymore. She sends out other Aswangs to hunt down Elisa and her mother, and also for Victor and his family.

    Victor then will face the leader of the Asbo Aswang clan to save his beloved Elisa.

    Asbo as portrayed in movie My Darling kong Aswang 


    the Asbo is a terrifying figure in Philippine mythology, embodying the fear of the unknown and the danger that lurks in the shadows. Their ability to transform into rabid dogs and their relentless hunger for human intestines make them one of the most dreaded aswangs, ensuring their place in the rich tapestry of Filipino folklore.









    REMINDER


    The orally transmitted mythology of the Philippines is intended for sharing and understanding, not for appropriation, commercial exploitation, or the promotion of foreigners and foreign products. It is a dynamic narrative tradition that evolves over time, distinct from the standardized mythologies found in Western and European cultures. Unlike these established mythologies, the Philippine government has not mandated standardized versions of stories and legends.

    Orally transmitted stories undergo variations and evolve over time, resulting in numerous different versions. There are many different version told by Filipinos,and retold by Filipinos.