Friday, July 5, 2024

REDISCOVER THE GABUNAN IN PHILIPPINE MYTHOLOGY

  

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ANG ASWANG GABUNAN


The Gabunan: Apex Predator of Aswangs


The Gabunan, an apex predator among aswangs, tales often depict Gabunans as dark-skinned, fierce creatures with a taste for consuming other types of aswangs. This trait makes them the natural enemies of the Bangkilan, as they hunt and devour the black pearls and chicks that reside within these powerful aswangs. 

Gabunan


The Gabunan is a type of Aswang in Philippine mythology. Gabunans are the apex predators among aswangs, possessing unparalleled experience, strength, and cunning. Unlike other aswangs, they prefer not to shape-shift into animals and maintain their formidable power even in daylight. Gabunans are known for their swift and stealthy attacks on humans, often pouncing on their victims before sunset, strangling them or breaking their necks with lethal efficiency.


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These creatures exhibit extraordinary speed, making their approach nearly imperceptible. Surprisingly, gabunans can fly without wings, allowing them to move silently through the air. One of their notorious abilities is the stealthy abduction of infants. They can snatch a baby without being noticed, substituting it with a piglet or a large fish cleverly altered to resemble the missing infant.


In their true form, the eldest gabunans are characterized by coal-black skin, bloodshot eyes, protruding fangs, and long, disheveled white hair. Despite their ferocity, gabunans consume human flesh sparingly, indulging in this gruesome feast only once or twice a year.


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Gabunan in contemporary stories and oral mythologies 

Contemporary tales often depict gabunans as dark-skinned, fierce creatures with a taste for consuming other types of aswangs. Alternatively, some narratives take a more European approach, portraying gabunans with attributes reminiscent of demons and werewolves. Regardless of the variation, gabunans stand as the epitome of aswang power and malevolence in the realm of folklore.

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Orally Passed Down Folktales: Stories about the Aswang Gabunan

The Hermit who sells fruits

A story from Antique involves Gabunans and a male diwata. An old hermit living in the forest sells extremely sweet fruits to villagers. Out of envy, a group of men attacks the old man, but a kind lad helps him. The old man reveals his true form as a luminous male diwata, summoning two Gabunans. With the diwata's blessing, one Gabunan sprouts big wings, and the other turns into a huge black beast. The Gabunans hunt down the men who attacked the diwata, bringing their bodies back to the sacred tree. The kind lad is rewarded with good fortune and long life.


Diwata and Gabunan


Bangkilan battles a Gabunan

A story from Negros tells of a young man in love with a girl from a remote place. While visiting, he is attacked by a Gabunan but is saved by a big pig that transforms into a bat-winged maiden with sharp claws called Bangkilan. Bangkilan battles the Gabunan to protect the young man, who recognizes the maiden's voice as similar to the woman he loves. Thankful but scared, he struggles to accept that the maiden he loves is a monster called Bangkilan.

Gabunan that attacks and kills other Aswang

A folktale from Masbate narrates the story of a young man who discovers he is a Gabunan. Upon reaching puberty, his Gabunan characteristics awaken, and instead of consuming humans, he decides to hunt other types of aswangs such as Amalanhig, Karaniwang Aswang, and tik-tik. He becomes a hunter, targeting these creatures to protect others.




A folktale in Samar about a recluse lone man who has many pet chiken who is secretly Gabunan who refuses to eat humans instead it kills and eats other variant of Aswang to keep the villages safe from other entities and creatures of the night.






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REDISCOVER Sexual dimorphism in Philippine mythology

 




 Sexual dimorphism, or the depiction of distinct physical characteristics between males and females, is often present in mythologies around the world. These differences are often symbolic and reflective of cultural values, societal norms, and the roles assigned to each gender. Here are a few examples of sexual dimorphism in Philippine mythology:


Sexual dimorphism, the manifestation of distinct physical characteristics between males and females, is a prevalent theme in mythologies worldwide. These differences often serve as symbolic representations of cultural values, societal norms, and the assigned roles for each gender. Philippine mythology is rich with such depictions, offering a unique lens through which to explore mythical creatures like Sirena, Syokoy, Tikbalang, Anggitay, Dalaketnon, Mahomanay, and Tahamaling. These entities not only reflect cultural beliefs but also provide insights into the intricate relationships between humans and the supernatural in Philippine folklore.

Sirena and Syokoy:



In Philippine mythology, mermaids, or Sirena, maintain a familiar portrayal with enchanting beauty, long hair, and a fish-like lower body. However, the counterpart of mermen, known as Syokoy, deviates from the traditional merman format. Syokoys are humanoid creatures with scales, webbed hands, and feet, and they walk on two legs, showcasing a unique blend of fish and man.


SIRENA Described as a beautiful and enchanting being, the Sirena possesses a hybrid form, with the upper body of a human woman and the lower body of a fish. This unique combination of human and aquatic features makes the Sirena a striking and alluring figure. The upper half of the Sirena is portrayed as resembling that of a human woman, complete with a head, torso, arms, and facial features. Typically, Sirenas are depicted with long, flowing hair and an alluring appearance, emphasizing their enchanting qualities. The lower half of their body transforms into a fish's tail, allowing them to navigate through the water with grace and agility.


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 In Philippine mythology, the Syokoy is a mythical creature that serves as the male counterpart to the Sirena. Unlike the standard merman portrayal found in Western myths, the Syokoy exhibits a distinctive and hybrid form. Described as a humanoid amphibious creature, the Syokoy possesses a scaly, fish-like exterior. Its physique is robust and muscular, with webbed hands and feet, as well as sharp claws.

The head of the Syokoy resembles that of a fish, complete with gills on its neck, adding to its otherworldly and eerie aquatic features. Unlike the traditional merman with a fish tail, the Syokoy is depicted as walking on two legs. This deviation from the typical merman format showcases the unique characteristics of the Syokoy in Philippine mythology.

Overall, the Syokoy is a mythical creature with a blend of human and aquatic attributes, embodying the cultural interpretation of gender differences within the context of Philippine folklore.


Tikbalang and Anggitay:

The Tikbalang is a prominent creature in Philippine folklore, often depicted as a tall humanoid with a horse-like lower body. Its female counterpart, Anggitay, mirrors the upper human body and horse-like legs, creating a centauress figure. With a single horn and an attraction to precious gemstones, Anggitay is believed to be the female counterpart of the Tikbalang, further emphasizing the theme of sexual dimorphism.




Anggitay The Anggitay is a creature with the upper body of a female human and the lower body and legs of a horse from waist down. upper half of a centauress resembles that of a human woman. This includes the torso, head, arms, and facial features.The lower half of a centauress is that of a horse, featuring four legs with hooves. The body seamlessly transitions from human to equine at the waist, creating a creature that combines the attributes of both species. They were the Philippine counterpart to the centauride, the female centaurs. They are also believed to be the female counterpart of the Tikbalang. They are sometimes depicted as having a single horn in the middle of their forehead, just like a unicorn. They were usually said to be attracted to precious gemstones, and jewelry. Their homeland is believed to be in Santo Tomas, Batangas.


TIKBALANG The Tikbalang (/ˈtikbaˌlaŋ/) (also Tigbalang, Tigbalan, Tikbalan, Tigbolan, or Werehorse) is a creature of Philippine folklore Tikbalang is often depicted as a tall and humanoid creature with the lower body of a horse. It has the head and upper body of a human, but its face is said to be elongated and somewhat horse-like.


Dalaketnon:

The Dalaketnon(an engkanto variant) also known as Encanto, represents elf-like beings in Philippine mythology. Displaying sexual dimorphism, Dalaketnon males have pale skin and dark hair, while females possess bronzed skin and dark brown hair. Often portrayed as enticing and occasionally malevolent, they showcase the complexities of beauty and deceit in Philippine folklore.



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In Philippine mythology, the Dalaketnon is a mythical creature that belongs to the family of Engkanto, a type of supernatural being. Dalaketnon is often referred to as Encanto or simply Dalakitnon. These creatures are considered a variant of Engkanto and share certain characteristics. Dalaketnon is described as an elf-like being with distinct gender features. Males are depicted with pale skin and extremely dark hair, while females exhibit bronzed skin and dark brown hair. This portrayal of physical attributes emphasizes the gender differences within the Dalaketnon race.


These creatures are believed to have an otherworldly and enchanting presence. In some traditional stories, Dalaketnon are portrayed as beings that entice and abduct people, showcasing a certain level of mischief or danger associated with them. In modern narratives, Dalaketnon may be depicted as exceptionally good-looking pale creatures, dressed in regal attire reminiscent of the principalía or noble class during the Spanish occupation of the Philippines. They are often described hosting grand feasts or dinners, tempting humans to partake in their festivities. Once a human partakes in their offerings, they may be trapped or enslaved in the otherworldly realm of the Dalaketnon.



Mahomanay and Tahamaling:

Exploring further into sexual dimorphism, Bagobo spirits present the Mahomanay and Tahamaling. The fair-skinned Mahomanay, considered forest spirits and guardians, contrast with the beautiful, red-skinned Tahamaling. Both entities illustrate the intricate balance between the supernatural and the natural world, embodying the interconnectedness of Philippine folklore

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MAHOMANAY and TAHAMALING Mahomanay are type of Engkanto or forest spirits and elves portrayed as fair-skinned men with a solemn duty to act as guardians of forest animals. They dwell in trees and are characterized by their ethereal and otherworldly appearance. Role and Duty: Mahomanay are responsible for watching over and protecting forest animals within their domain. To enter their territory, mortals must present them with an offering of betel nuts.

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TAHAMALING


Tahamaling are the female counterparts to Mahomanay. They are depicted with beautiful red complexions, providing a stark contrast to the fair-skinned Mahomanay. Their appearance aligns with societal ideals of beauty and allure. Mahomanay and Tahamaling exemplify the diversity within Philippine mythology. Their gender-specific attributes contribute to the cultural narrative surrounding mythical creatures. Mahomanay andTahamaling,, as protectors of the forest and its inhabitants, symbolize the importance of coexistence with nature, with their alluring beauty, may represent societal notions of attractiveness and fascination with the supernatural.


Sexual dimorphism in Actual Animals 



Sexual dimorphism refers to the phenotypic differences between males and females of the same species beyond differences in their sexual organs. These differences can include size, coloration, ornamentation, behavior, or other physical traits.Overall, sexual dimorphism is a natural consequence of evolutionary processes and reflects the diverse strategies species have evolved to maximize reproductive success in their respective environments.








Sexual dimorphism in Philippine mythology provides a captivating glimpse into the cultural and societal values of the Filipino people. Through the diverse array of mythical creatures, the narratives explore beauty, deceit, guardianship, and the delicate balance between the human and supernatural realms. These stories not only entertain but also offer profound insights into the intricate tapestry of beliefs that shape the cultural identity of the Philippines.