TAMBALOSLOS

Tambaluslus

An awkward, wrinkled, black creature, it has long, thin legs, hooves and big joints. It has a mane like that of a horse that went down from the head to buttocks. It has wide protruding lips that cover its face when it laughs. It got its name from the wrinkled penis and loose-bagged testicles which dangles to the ground. The Tambaluslus hides under trees on moonlit nights and chase people who are lost in the woods. In its heyday it was a swift promiscuous beast that would rape any person or animal it catches, until it was punished by Gugurang. Its huge testicles slowed it down and its penis became so huge no hole could accommodate it.


The Tambalulos or tambaloslos is a creature in Bicolano myths and lore. It is the ugly embodiment of man's lust. It is said to be dark, ugly and scary with big mouth and lips, and a huge penis. Stories say that the tambaloslos waits for his victims, or sometimes makes people loose their way so he could trap them. Once trapped the tambaloslos would do perverse things with his victim. Raping it until he is satisfied. According Bicolano lore, the tambaloslos raped all things that got lost in its forest, men, women and even chicken and pigs, Gugurang angered by the perverse ways of tambaloslos cursed him that his balls and penis would grow big so that it could not fit into any hole. But the punishement did not stop the tambaloslos, scary tales still linger that it waits for its victims in dark parts of the forests

Tambaloslos: The Dark Manifestation of Lust in Bicolano Mythology

The Tambaluslus is an unusual and unsettling creature, described as having a black, wrinkled body with long, thin legs and large joints. It has a boar-like or horse-like mane that extends from its head down to its rear. Its wide, protruding lips cover its face when it laughs. The creature's name comes from its distinctive, wrinkled genitalia and saggy testicles, which hang low and touch the ground.

The Tambaluslus is known for hiding under trees during moonlit nights and chasing after people who are lost in the woods. Historically, it was a swift and dangerous beast that would assault any person or animal it encountered. However, it was punished by the deity Gugurang, which resulted in its large testicles slowing it down and its enormous penis becoming so large that it could no longer find any suitable partner.

.

Physical Appearance and Characteristics:

Tambaloslos is described as a grotesque entity, reflecting the ugliness inherent in unchecked desires. With a dark and frightening demeanor, it is said to possess a large mouth and lips, accompanied by a notably oversized penis. This ominous figure is believed to lurk in the shadows, patiently waiting for unsuspecting victims or leading wanderers astray to ensnare them in its clutches.

Modus Operandi:

According to Bicolano stories, Tambaloslos follows a sinister modus operandi. It patiently waits for individuals to lose their way in the forest, creating an opportunity to trap and victimize them. Once ensnared, Tambaloslos engages in perverse acts, committing heinous acts of rape until it is satisfied. The victims, ranging from men and women to even animals like chickens and pigs, fall prey to the dark desires of this mythical creature.

tambaloslos

Gugurang's Curse:

Appalled by Tambaloslos's perverse actions, Gugurang, a prominent deity in Bicolano mythology, decided to intervene. In a fit of anger and justice, Gugurang cursed Tambaloslos, causing his genitalia to grow to an unmanageable size. The intention behind this curse was to render Tambaloslos incapable of fitting into any orifice, serving as a punishment for his vile deeds.

Continued Tales of Dread:

Despite the curse imposed by Gugurang, tales of Tambaloslos persist in the dark corners of Bicolano folklore. Terrifying stories are still shared, warning individuals of the lurking danger in the depths of the forests. Tambaloslos continues to be a symbol of the consequences of unrestrained lust, reinforcing moral lessons and urging caution among those who hear these cautionary tales.

:

Tambaloslos, the embodiment of man's dark desires in Bicolano mythology, serves as a cautionary figure, warning against the consequences of unchecked lust. The vivid descriptions and chilling narratives surrounding this mythical creature contribute to the cultural fabric of the Bicol region. As these tales endure, Tambaloslos remains a haunting reminder of the importance of restraint and the potential repercussions of succumbing to one's darkest impulses.

REMINDER

The orally transmitted mythology of the Philippines is intended for sharing and understanding, not for appropriation, commercial exploitation, or the promotion of foreigners and foreign products. It is a dynamic narrative tradition that evolves over time, distinct from the standardized mythologies found in Western and European cultures. Unlike these established mythologies, the Philippine government has not mandated standardized versions of stories and legends.

Orally transmitted stories undergo variations and evolve over time, resulting in numerous different versions. There are many different version told by Filipinos,and retold by Filipinos.

Perceptions Shaped by Waves: The Visayan Gods as Demons in Bicolano Eyes

 

Mythology is the symbolic nature of telling things, the interaction between different regions often shaped perceptions and mythologies. One fascinating aspect of this interaction was the contrasting views held by the Bicolano people of Ibalong regarding the Visayan gods, whom they saw as demons. This intriguing perspective can be understood through the historical context of the relationship between the regions.

The Bicol region, historically known as Ibalong, was a land of rich culture and diverse mythology. Its name has been variously interpreted, with meanings ranging from "to bring to the other side" to "where there is a river," reflecting the interconnectedness of its landscapes and communities. On the other hand, the Visayans, collectively referred to as Bisaya, resided in the Kabisay-an islands, encompassing a distinct cultural identity.

The Bicolanos of Ibalong and the Visayans were separated not just by geographical boundaries but also by distinct cultural practices and beliefs. The Visayans, fierce warriors adorned with tattoos, were known for their seafaring prowess. They would embark on raids, attacking peaceful colonies along the coastal areas, including those of Ibalong. These seaborne incursions created a tumultuous relationship between the two regions.

In the eyes of the Bicolano people, some Visayan gods were perceived as demons due to the visceral experiences of raids and conflicts. The tattoos that adorned the Visayan warriors, symbols of their strength and identity, became ominous markers of impending danger for the Bicolanos. The attacks led by the fierce tattooed warriors were not only physical assaults but also spiritual invasions that left an indelible mark on the psyche of the Ibalong community.

Kan-laon

Kanlaon in Bicolano Mythology:

In the mythos of the Bicolano people, Kanlao(Kanlaon is a god from Visayas)n is an ominous figure associated with volcanic eruptions, wildfires, and earthquakes. Nestled within the fiery depths of Kanlaon Volcano, this malevolent deity commands the destructive forces of locusts and fire. The very elements that sustain life can, in the hands of Kanlaon, become instruments of chaos and devastation. As the harbinger of calamity, Kanlaon stands in stark contrast to the benevolent supreme deity Gugurang.

The enmity between Kanlaon and Gugurang adds layers to the narrative, portraying a cosmic struggle between opposing forces. Gugurang, the supreme deity in Bicolano mythology, assumes the role of a protector and creator. The clashes between Gugurang and Kanlaon symbolize the perpetual battle between creation and destruction, order and chaos.

Nagined, Magkaburak, Arapayan

Tattoos, known as buri among the Bicolano people, took on a new significance as a form of protection against the foreign gods of the Visayans. The act of tattooing was not merely a cultural practice but a means of fortifying oneself against the perceived ferocity of the Visayan Mangagayaw or raiders. This adaptation of tattooing as a defensive measure illustrates how cultural practices can evolve in response to external threats and conflicts

As the Visayan gods were invoked during these violent encounters, the Bicolanos associated them with malevolence and chaos. The gods, representing the forces behind the raids and destruction, became synonymous with the demons that brought harm to Ibalong. This perception was further fueled by the challenges posed by cultural differences and territorial disputes.

The Bicolano perspective on the Visayan war gods as demons offers a poignant illustration of how historical conflicts and cultural clashes can reshape mythological interpretations. As we delve into the rich tapestry of Philippine mythology, it becomes evident that understanding these narratives requires a nuanced exploration of regional

In the intricate dance of historical narratives, the Bicolanos of Ibalong viewed the Visayan gods through the lens of conflict and strife. The tattoos that once signified strength and identity to the Visayans became, in the eyes of the Bicolanos, the markings of malevolent beings who, in the form of gods, brought havoc to their peaceful colonies. This interplay of regional dynamics showcases the complex ways in which perceptions are shaped by historical interactions and cultural clashes.

MAGINDARA

Magindara

Magindara were believed to be beautiful creatures that dwell in the salt waters of Bicol. some myths say they are the daughters of the deity Asuang. They are believed to be beautiful with the upper body and face of lovely maidens with long flowing hair, and the lower part of their bodies like colorful fish's tail.

They were believed to be vicious creatures capable of luring men not only with their physical beauty but also by the beauty of their voices. They would sing beautifully to captivate men and lure them, only to drown them and eat their flesh. Vicious as they were it is also believed that they do not harm children for innocence and purity is poisonous to them.

The Vicious Nature of Magindara

In Bicolano myths, the Magindara are notorious for their viciousness. Legends tell of these alluring mermaids using their physical beauty and enchanting voices to captivate men, luring them into the depths of the waters only to drown and devour their flesh. Despite their malevolence, a curious twist in their nature reveals a peculiar vulnerability – they do not harm children. The innocence and purity of children are believed to be poisonous to the Magindara,

Magindara

Aswang ng katubigan Magindara

Magindara

The Moon and the Mermaids

The god of Evil and Chaos wanted revenge on his brother Gugurang after punishing him. The evil god Asuang planned on abducting the lunar god Bulan who was undisputedly Gugurang's favorite.
According to legends the young lunar deity had the hobby of descending from the heavens to bathe in the waters of Bicol, so the Evil god Asuang sent the vicious mermaids known as Magindara to capture him. A horde of vicious mermaids awaited the descent of the lunar god, but upon his arrival Bulan was said to be so handsome (beautiful) and luminous that not only did the vicious mermaids forgot their task, they also became tamed, and instead of abducting the lunar god, the mermaids played with him as if they were children. Thus the myth how the god of the moon Bulan turned the vicious sea creatures into friendly and playful mermaids.

Magindara the demigoddess

Magindara was also a name of a demi-goddess in Bicol, daughter of the deity Asuang and sister to Oryol. Magindara was said to be sweet and tender hearted unlike Oryol who was always smart and cunning. Asuang wanted to make chaos and asked her daughter to call a storm but Magindara being kind did not want to harm the people of Ibalong. She was banished to the sea by her father Asuang for disobeying him. Later beautiful but vicious mermaids appeared in the seas of Ibalong and were namesake Magindara

REMINDER

The orally transmitted mythology of the Philippines is intended for sharing and understanding, not for appropriation, commercial exploitation, or the promotion of foreigners and foreign products. It is a dynamic narrative tradition that evolves over time, distinct from the standardized mythologies found in Western and European cultures. Unlike these established mythologies, the Philippine government has not mandated standardized versions of stories and legends.

Orally transmitted stories undergo variations and evolve over time, resulting in numerous different versions. There are many different version told by Filipinos,and retold by Filipinos.